![\"Ndue](\"http:\/\/www.shkoder.net\/images\/fjala\/ndue_ukaj.jpg\")
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Trajtat e rr\u00ebfimit orfik<\/strong><\/p>\n Ndue Ukaj<\/strong><\/p>\n Romani \u201dE penguara- Requiem p\u00ebr Linda B\u201d (Onufri, Tiran\u00eb, 2009) i Ismail Kadares\u00eb, \u00ebsht\u00eb nj\u00eb rr\u00ebfim thell\u00ebsish orfik, i stilit kadarean, i cili tematizon, ashtu sikurse n\u00eb shum\u00eb romane t\u00eb tij, jet\u00ebn n\u00eb diktatur\u00eb, duke e perceptuar at\u00eb nga shum\u00eb aspekte, si jet\u00eb e penguar, deri n\u00eb rrafshet m\u00eb t\u00eb larta tragjike, at\u00ebher\u00eb kur b\u00ebhet absurd letrar, karakteristika k\u00ebto t\u00eb struktur\u00ebs tekstore t\u00eb k\u00ebtij romani, q\u00eb shp\u00ebrfaqen n\u00eb dimensionet semantike, por edhe n\u00eb ato estetiko-letrare. P\u00ebr dallim nga romani i fundit \u201cDarka e gabuar\u201d, ku autori kontekstualizon diktatur\u00ebn n\u00eb planin historik dhe me nuanca t\u00eb fuqishme historiko-politike, tek ky roman ai p\u00ebrqendrohet thell\u00ebsisht te njeriu, te ai i thjeshti q\u00eb personifikohet n\u00ebp\u00ebrmes personazhes Linda B, pastaj n\u00ebp\u00ebrmjet artistit e dramaturgut Rudian Stefa dhe sigurimsave t\u00eb shtetit, njer\u00ebzve t\u00eb komitetit dhe partis\u00eb, n\u00eb mes t\u00eb cil\u00ebve hyjn\u00eb funksionalisht edhe figura t\u00eb tjera, si Migena, etj.<\/p>\n Ky trek\u00ebnd\u00ebsh letrar flet p\u00ebr tre dimensionet fundamentale t\u00eb k\u00ebsaj proze, tragjiken q\u00eb prek \u00e7do njeri, n\u00eb forma e variante t\u00eb ndryshme brenda nj\u00eb shteti t\u00eb t\u00ebr\u00eb, kupola e s\u00eb cil\u00ebs \u00ebsht\u00eb partia si penges\u00eb p\u00ebr jet\u00eb t\u00eb lir\u00eb. E penguara, nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb metafor\u00eb p\u00ebr vajz\u00ebn Linda B, por edhe nj\u00eb prototip letrar i trisht\u00eb i makthit q\u00eb shkaktonte diktatura, p\u00ebrmasat e s\u00eb cil\u00ebs tejkalojn\u00eb shum\u00ebfish dimensionin psikologjik t\u00eb nj\u00eb vajze t\u00eb penguar tmerr\u00ebsisht. Mir\u00ebpo, ndryshe nga romanet e tjera t\u00eb k\u00ebtij autori, n\u00eb k\u00ebt\u00eb proz\u00eb ndjehet thell\u00eb nj\u00eb dhembshuri e pashembullt p\u00ebr Lind\u00ebn B, nd\u00ebrkoh\u00eb q\u00eb aty gul\u00e7on nj\u00eb trishtim i pazakont\u00eb, i cili ec\u00ebn paralelisht me shp\u00ebrthimet e dramaturgut dhe shkrimtarit Rudian Stefa, n\u00eb rrug\u00ebn e nj\u00eb ekspedite, n\u00ebp\u00ebr ferrin e trishtuesh\u00ebm t\u00eb diktatur\u00ebs q\u00eb sh\u00ebmb\u00ebllen me ferrin dantian, p\u00ebr t\u00eb takuar vajz\u00ebn Linda B, t\u00eb cil\u00ebn, Rudiani, tamam si Orfeu e dashuron vet\u00ebm pas vdekjes s\u00eb saj, sepse fati ishte m\u00eb se tragjik dhe vajz\u00ebn e pengonte q\u00eb ai kurr\u00eb t\u00eb mos mund t\u00eb arrinte ta kuptonte k\u00ebt\u00eb p\u00ebr s\u00eb gjalli.<\/p>\n Pik\u00ebrisht k\u00ebt\u00eb subjekt tragjik, autori do ta p\u00ebrjet\u00ebsoj\u00eb n\u00eb shkrimin artistik, mjesht\u00ebrisht, p\u00ebrmes nj\u00eb rr\u00ebfimi dramatik, ku narratori i gjith\u00ebdijsh\u00ebm flet p\u00ebr personazhet e shumt\u00eb t\u00eb k\u00ebsaj drame njer\u00ebzore, qoft\u00eb kur sekuencat jan\u00eb implicite, p\u00ebrmes funksionalizimit t\u00eb mitit p\u00ebr Orfeun, qoft\u00eb kur jan\u00eb eksplicite dhe p\u00ebrshkruhet drama e Rudianit, qysh nga momenti kur thirret n\u00eb hetime dhe m\u00ebson p\u00ebr vet\u00ebvrasjen e Lind\u00ebs B. N\u00eb k\u00ebt\u00eb roman, nj\u00eb sinjifikativ t\u00eb fuqish\u00ebm e determinues, autori na jep qysh n\u00eb titull, p\u00ebrmes t\u00eb cilit motivon intenc\u00ebn e romanit, nd\u00ebrkaq titulli \u00ebsht\u00eb nj\u00eb figur\u00eb \u00e7el\u00ebs, p\u00ebrmes s\u00eb cil\u00ebs hyhet n\u00eb boshtin e fabul\u00ebs tragjike, t\u00eb nj\u00eb romani q\u00eb konstruktohet nga pengesa ekzistenciale, q\u00eb i vihen n\u00eb jet\u00eb, vajz\u00ebs s\u00eb internuar Linda B, munges\u00ebs s\u00eb liris\u00eb s\u00eb saj, penges\u00ebs p\u00ebr t\u00eb jetuar e lir\u00eb, p\u00ebr t\u00eb dashuruar dhe p\u00ebr t\u00eb jetuar n\u00eb kryeqytet, nga shteti diktator. E penguara, k\u00ebsisoj b\u00ebhet shenj\u00eb dhe sh\u00ebnjues i tekstulitetit t\u00eb k\u00ebsaj proze.<\/p>\n Ky roman, me nj\u00eb narrativitet t\u00eb fuqish\u00ebm, \u00ebsht\u00eb nj\u00eb metafor\u00eb p\u00ebr fatin tragjik t\u00eb nj\u00eb heroine, e cila hyn fuqish\u00ebm n\u00eb piedestalin e personazheve model n\u00eb kultur\u00ebn letrare shqipe, por edhe bot\u00ebrore, ngase arti letrar kadarean, \u00ebsht\u00eb pjes\u00eb e kultur\u00ebs bot\u00ebrore dhe komunikon fuqish\u00ebm me t\u00eb. P\u00ebr Lind\u00ebn B, p\u00ebr k\u00ebt\u00eb personazh thell\u00ebsisht tragjik, n\u00eb roman flitet vet\u00ebm p\u00ebrmes personazheve t\u00eb tjer\u00eb, shkrimtarit e dramaturgut Rudian Stefa, t\u00eb dashur\u00ebs s\u00eb tij Migen\u00ebs dhe sigurimit t\u00eb shtetit, i cili n\u00eb m\u00ebnyr\u00ebn ma t\u00eb pacip\u00ebt, merret me vet\u00ebvrasjen e saj, duke e hulumtuar n\u00eb shum\u00eb shkall\u00eb e dimensione, implikimet e s\u00eb cil\u00ebs fusin n\u00eb loj\u00eb dramaturgun Rudian Stefa, t\u00eb cilin vajza e dashuronte pa dijenin\u00eb e tij. Nd\u00ebrkoh\u00eb q\u00eb kjo dashuri ishte rritur sidomos pas librit q\u00eb ajo kishte marr\u00eb me n\u00ebnshkrim t\u00eb autorit, n\u00ebp\u00ebrmjet vajz\u00ebs Migena, e cila n\u00eb roman \u00ebsht\u00eb e dashura e Rudianit, por edhe pika e nd\u00ebrlidhjes s\u00eb dashuris\u00eb mes dramaturgut dhe vajz\u00ebs s\u00eb vet\u00ebvrar\u00eb.<\/p>\n P\u00ebr t\u00eb krijuar mund\u00ebsi t\u00eb vizitoj\u00eb kryeqytetin, apo p\u00ebr t\u00eb sfiduar shtetin, Linda B shpik kancerin, mir\u00ebpo kur kupton se nuk ishte e s\u00ebmur\u00eb, b\u00ebn vet\u00ebvrasje. Nga k\u00ebtu, kemi sekuenca t\u00eb fuqishme narrative, ku me dep\u00ebrtime t\u00eb thella psikologjike e artistike, p\u00ebrshkruhen p\u00ebrjetimet e Rudianit dhe evokohet dashuria q\u00eb Linda B ushqente p\u00ebr t\u00eb, nj\u00ebher\u00eb p\u00ebrmes Migen\u00ebs, pastaj p\u00ebrmes sh\u00ebmb\u00ebllimit me mitin p\u00ebr Orfeun dhe implikimit t\u00eb Euridik\u00ebs, si kujtes\u00eb mitologjike n\u00eb tekst. Mir\u00ebpo, Kadare si nj\u00eb mjesht\u00ebr i jasht\u00ebzakonsh\u00ebm i rr\u00ebfimit, zhbiron n\u00ebp\u00ebr koh\u00eb dhe fatin e saj e kontekstualizon n\u00ebp\u00ebrmjet funksionalizimit mjesht\u00ebror t\u00eb mitit p\u00ebr Orfeun dhe trajtes\u00ebn universale t\u00eb tij. Sh\u00ebmb\u00ebllimi letrar mes Rudianit dhe Orfeut shp\u00ebrfaqet n\u00eb m\u00ebnyr\u00eb eksplicite, nd\u00ebrkaq Euridika dhe Linda B b\u00ebhen sh\u00ebmb\u00ebllim i tragjikes s\u00eb dashuris\u00eb s\u00eb p\u00ebrjet\u00ebsuar pas vdekjes.<\/p>\n Ky raport interletrar mes dimensionit mitologjik dhe psikologjik, e sforcon proz\u00ebn, nd\u00ebrsa dimensionet e saj b\u00ebhen trajta t\u00eb fuqishme universale, ku diskursi shum\u00ebdimensional b\u00ebhet model i nj\u00eb proze thell\u00ebsisht psikologjike. Ky shtres\u00ebzim i tekstit si kontekst dhe intertekst letrar, e b\u00ebn k\u00ebt\u00eb roman proz\u00eb universale, nj\u00eb dhimbje tragjike q\u00eb dridhmon lexuesin, me intenc\u00ebn sublime, e cila, duke qen\u00eb nj\u00eb requiem p\u00ebr nj\u00eb vajz\u00eb t\u00eb penguar, b\u00ebhet sh\u00ebnjues i fuqish\u00ebm i nj\u00eb kohe t\u00eb t\u00ebr\u00eb, duke rr\u00ebfyer me funksionalitet absurdin e k\u00ebsaj kohe dhe p\u00ebrmasat dramatike e tragjike t\u00eb saj. Mbase, duke k\u00ebrkuar komponentin esencial t\u00eb let\u00ebrsis\u00eb, edukimin si mision dhe katharsisin si qellim, autori p\u00ebrmes k\u00ebtij romani sikund\u00ebr motivon domosdon\u00eb e nj\u00eb riminshence p\u00ebr fatin e tmerrsh\u00ebm t\u00eb vajzave shqiptare n\u00eb koh\u00ebn barbare t\u00eb diktatur\u00ebs, absurdet e s\u00eb cil\u00ebs tejkalojn\u00eb p\u00ebrmasat e \u00e7oroditjeve dhe hyjn\u00eb n\u00eb kufijt\u00eb e plot\u00eb t\u00eb antihuman\u00ebs, me t\u00eb cil\u00ebn Kadare ironizon fuqish\u00ebm dhe t\u00eb cilin fat e stigmatizon pa m\u00ebshir\u00eb.<\/p>\n Duke evokuar n\u00ebp\u00ebrmes nj\u00eb diskursi thell\u00ebsisht tragjik jet\u00ebn e njeriut t\u00eb zakonsh\u00ebm, t\u00eb res\u00eb s\u00eb internuar, autori sforcon fuqish\u00ebm filozofin\u00eb e demaskimit dhe \u00e7jerrjes s\u00eb p\u00ebrhershme mask\u00ebs s\u00eb diktatur\u00ebs antihumane, n\u00ebn substratin e t\u00eb cilit subjekt, enden perceptimet shum\u00ebdimensionale t\u00eb autorit p\u00ebr fatin e artistit, shkrimtarit, politikanit e njeriut shqiptar n\u00ebn diktatur\u00ebn e tmerrshme t\u00eb Shqip\u00ebris\u00eb komuniste.<\/p>\n Duke nd\u00ebrtuar me sekuenca t\u00eb fuqishme narrative fatin tragjik t\u00eb personazhes Linda B, p\u00ebrmes nj\u00eb diskursi q\u00eb sintetizon dhembshurin\u00eb, mallin, tragjiken, dashurin\u00eb p\u00ebr t\u00eb penguar\u00ebn apo t\u00eb penguarat e internuara, Kadare rifunksionalizon me nj\u00eb p\u00ebrmas\u00eb krejt\u00ebsisht origjinale arketipin tragjik t\u00eb let\u00ebrsis\u00eb, at\u00eb arketip ontologjik q\u00eb sh\u00ebmb\u00ebllimet e s\u00eb cil\u00ebs lirsh\u00ebm mund t\u00eb krahasohen me let\u00ebrsit\u00eb e m\u00ebdha dhe kolos\u00ebt e saj, si Dante, Shekspiri, Kafka etj.<\/p>\n E penguar Linda B, q\u00eb \u00ebsht\u00eb personazh shkak dhe pasoj\u00eb i romanit, n\u00eb tekstin letrar b\u00ebhet simbioz\u00eb e fuqishme e vajz\u00ebs s\u00eb pasionuar p\u00ebr jet\u00ebn e dashurin\u00eb, mir\u00ebpo s\u00eb cil\u00ebs i mohohet ajo, p\u00ebr arsyeje t\u00eb pakuptimta dhe n\u00eb m\u00ebnyr\u00ebn m\u00eb barbare, m\u00eb t\u00eb trishtuar, me absurde. Tragjikja \u00ebsht\u00eb m\u00eb e thell\u00eb, p\u00ebr arsyen m\u00eb t\u00eb thjesht\u00eb, ngase ajo asnj\u00ebher\u00eb nuk e ka njohur lirin\u00eb, madje as nj\u00eb dit\u00eb. P\u00ebr k\u00ebt\u00eb shpik edhe kancerin, p\u00ebr t\u00eb gjetur nj\u00eb moment lirie, mir\u00ebpo asgj\u00eb nuk e tjet\u00ebrson jet\u00ebn e saj, deri n\u00eb momentin kur ajo i jep fund jet\u00ebs. Ky fund i dhimbsh\u00ebm, funeb\u00ebr, \u00ebsht\u00eb preteksti p\u00ebr t\u00eb filluar nj\u00eb fushat\u00eb e pashembullt e gjurmimit, hulumtimit t\u00eb jet\u00ebs s\u00eb saj, si dhe nd\u00ebrlidhjes q\u00eb ka ajo me dramaturgun Rudian Stefa, i cili, edhe ashtu n\u00eb syt\u00eb e pushtetit nuk shikohej mir\u00eb, p\u00ebr shkak t\u00eb nj\u00eb dram\u00eb q\u00eb gjykohej n\u00eb parti.<\/p>\n Thirrja e papritur e tij n\u00eb hetuesi dhe paradoksalisht hyrja n\u00eb fabul\u00eb e vajz\u00ebs s\u00eb vet\u00ebvrar\u00eb, e fut lexuesin n\u00eb nj\u00eb vorbull dramatike rr\u00ebfimi, ku pasionet dhe dashuria vihen n\u00eb kontrast t\u00eb fuqish\u00ebm me eg\u00ebrsin\u00eb e pushtetit, pashpirt\u00ebsin\u00eb e diktatur\u00ebs dhe venitjen e jet\u00ebs njer\u00ebzore. \u00cbsht\u00eb ky fat i trishtuesh\u00ebm i femr\u00ebs dhe mashkullit shqiptar, n\u00eb nj\u00eb koh\u00eb t\u00eb eg\u00ebr, q\u00eb prodhon nj\u00eb tekst letrar t\u00eb mahnitsh\u00ebm, p\u00ebrmes stilit tashm\u00eb t\u00eb ve\u00e7ant\u00eb, stilit kadarean, i cili jo vet\u00ebm q\u00eb sh\u00ebmb\u00ebllen me kolos\u00ebt e m\u00ebdhenj t\u00eb let\u00ebrsis\u00eb, por p\u00ebr shum\u00eb nuanca b\u00ebhet model.<\/p>\n","protected":false},"excerpt":{"rendered":" Trajtat e rr\u00ebfimit orfik Ndue Ukaj Romani \u201dE penguara- Requiem p\u00ebr Linda B\u201d (Onufri, Tiran\u00eb, 2009) i Ismail Kadares\u00eb, \u00ebsht\u00eb nj\u00eb rr\u00ebfim thell\u00ebsish orfik, i stilit kadarean, i cili tematizon, ashtu sikurse n\u00eb shum\u00eb romane t\u00eb tij, jet\u00ebn n\u00eb diktatur\u00eb, duke e perceptuar at\u00eb nga shum\u00eb aspekte, si jet\u00eb e penguar, deri n\u00eb rrafshet m\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"\n