![\"\"](\"http:\/\/www.fjala.info\/2012\/mustafa_nano.jpg\" "\\"Mustafa")
MUSTAFA NANO, 18 Dhjetor 2012<\/i><\/p>\n MUSTAFA NANO, 18 Dhjetor 2012<\/i><\/p>\n
Filmi \u201cAgon\u201d i regjisorit Robert Budina nuk \u00ebsht\u00eb shfaqur ende n\u00eb Shqip\u00ebri, por jehona e tij ka mb\u00ebrritur. Ka mb\u00ebrritur n\u00eb form\u00ebn e reagimeve kund\u00ebr. P\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs, filmi \u00ebsht\u00eb p\u00ebrsh\u00ebndetur nga shum\u00eb t\u00eb tjer\u00eb, por kritik\u00ebt kan\u00eb q\u00eblluar t\u00eb jen\u00eb m\u00eb t\u00eb z\u00ebsh\u00ebm (apo kritik\u00ebt jan\u00eb gjithnj\u00eb t\u00eb till\u00eb?), dhe k\u00ebshtu kan\u00eb qen\u00eb ata q\u00eb kan\u00eb r\u00ebn\u00eb n\u00eb sy; edhe n\u00eb syt\u00eb e vet\u00eb Budin\u00ebs, i cili \u00ebsht\u00eb marr\u00eb me k\u00ebto reagime n\u00eb nj\u00eb intervist\u00eb t\u00eb publikuar n\u00eb numrin e djesh\u00ebm t\u00eb \u201cPanoram\u00ebs\u201d.<\/p>\n
N\u00eb intervist\u00ebn e Budin\u00ebs m\u00eb b\u00ebri p\u00ebrshtypje nj\u00eb ngjarje e rr\u00ebfyer prej tij, e q\u00eb kish lidhje me premier\u00ebn e filmit n\u00eb SHBA, n\u00eb nj\u00eb sall\u00eb ku kish edhe shqiptar\u00eb. \u201cPash\u00eb njer\u00ebz t\u00eb ngriheshin m\u00eb k\u00ebmb\u00eb t\u00eb irrituar; mes tyre, kish dhe njer\u00ebz nga familja ime. Nj\u00ebri syresh doli nga salla n\u00eb m\u00ebnyr\u00eb demonstrative<\/i>\u201d, tregon Budina. Njer\u00ebz t\u00eb irrituar prej filmit gjen edhe n\u00eb web dhe q\u00eb t\u00eb gjith\u00eb nuk para japin konsiderata teknike, artistike, profesionale (deri tani kan\u00eb munguar konsiderata t\u00eb tilla edhe nga kritika e specializuar). Kritikat jan\u00eb t\u00eb natyr\u00ebs patriotike dhe etike, d.m.th jan\u00eb ca q\u00eb nuk durojn\u00eb dot faktin q\u00eb ndonj\u00eb apo ndoca shqiptar\u00eb vizatohen si t\u00eb dhunsh\u00ebm e t\u00eb pacivilizuar n\u00eb nj\u00eb krijim artistik, dhe jan\u00eb ca t\u00eb tjer\u00eb namusqar\u00eb (ndoshta jan\u00eb t\u00eb nj\u00ebjt\u00ebt), q\u00eb t\u00ebrbohen prej fjalorit \u201ct\u00eb r\u00ebnd\u00eb, t\u00eb pist\u00eb\u201d t\u00eb v\u00ebn\u00eb n\u00eb goj\u00ebn e personazheve t\u00eb filmit.<\/p>\n
\u00cbsht\u00eb hera e par\u00eb q\u00eb vihen re reagime t\u00eb natyr\u00ebs etike lidhur me gjuh\u00ebn e fjalorin e p\u00ebrdorur n\u00eb nj\u00eb film shqiptar. Ka pasur reagime t\u00eb tilla p\u00ebr gjuh\u00ebn e gazetave, t\u00eb publicistik\u00ebs, t\u00eb ndonj\u00eb programi televiziv (tabel\u00eb qitjeje \u00ebsht\u00eb b\u00ebr\u00eb shpesh programi \u201cPortokalli\u201d i \u201cTop Channel\u201d-it), por \u00ebsht\u00eb hera e pare, q\u00eb kjo gj\u00eb b\u00ebhet p\u00ebr nj\u00eb film. Arsyeja \u00ebsht\u00eb e thjesht\u00eb: \u00cbsht\u00eb hera e par\u00eb q\u00eb regjisori v\u00eb n\u00eb goj\u00ebn e personazheve nj\u00eb fjalor t\u00eb r\u00ebnduar me fraza, t\u00eb cilat ne i p\u00ebrdorim pa t\u00eb keq n\u00eb jet\u00ebn ton\u00eb t\u00eb p\u00ebrditshme, e t\u00eb cilat nuk e kemi par\u00eb t\u00eb udh\u00ebs t\u2019i p\u00ebrdorim n\u00eb art, let\u00ebrsi, e sidomos n\u00eb kinema. <\/p>\n
Kinemaja shqiptare, ajo soc-realiste, por edhe kjo q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb gjat\u00eb dy dekadave t\u00eb fundit, \u00ebsht\u00eb nj\u00eb kinema namusqare (personazhet nuk puthen, nuk zbulojn\u00eb pjes\u00eb t\u00eb trupit, nuk b\u00ebjn\u00eb seks, nuk thon\u00eb fjal\u00eb t\u00eb pista), e n\u00eb k\u00ebt\u00eb kuptim, Budina ka tentuar me sa duket t\u00eb \u201crevolucionarizoj\u00eb\u201d gjuh\u00ebn e kinemas\u00eb, e cila ka qen\u00eb p\u00ebrgjith\u00ebsisht e varf\u00ebr, e ndrojtur, e drunjt\u00eb. <\/p>\n
T\u00eb kuptohemi, nuk \u00ebsht\u00eb se gjuha \u201ce pist\u00eb\u201d i kund\u00ebrvihet vetvetiu k\u00ebsaj tradite. Absolutisht jo. P\u00ebrkundrazi, gjuha \u201ce pist\u00eb\u201d, edhe pse mund t\u00eb jet\u00eb nj\u00eb ris\u00ed, mund t\u00eb jet\u00eb nj\u00eb vulgaritet e aq, mund t\u00eb jet\u00eb nj\u00eb gjuh\u00eb po aq skematike sa ajo e m\u00ebparshmja, por kritik\u00ebt e filmit \u201cAgon\u201d nuk jan\u00eb ankuar p\u00ebr nj\u00eb gjuh\u00eb vulgare e skematike. Ata jan\u00eb ankuar p\u00ebr fjalorin \u201ce pist\u00eb\u201d. Budina \u00ebsht\u00eb mjaftuar t\u00eb mbrohet me iden\u00eb se \u201cnuk mund t\u2019i v\u00ebr\u00eb nj\u00eb personazhi delinkuent nj\u00eb fjalor q\u00eb s\u2019e ka t\u00eb vetin\u201d, por s\u2019do b\u00ebnte keq t\u00eb mbrohej edhe me nevoj\u00ebn p\u00ebr t\u2019i \u00e7mistifikuar fjal\u00ebt e pista.<\/p>\n
P\u00ebr sa u takon kritikave q\u00eb b\u00ebhen me logjik\u00eb patriotike, ato jan\u00eb nj\u00eb avaz i vjet\u00ebr mes nesh. Sa her\u00eb q\u00eb dikush b\u00ebn nj\u00eb film, ku ka personazhe shqiptar\u00eb t\u00eb pagdhendur e t\u00eb dhunsh\u00ebm, ngrihet menj\u00ebher\u00eb nj\u00eb fushat\u00eb histerike, q\u00eb synon t\u00eb denoncoj\u00eb motivimin antishqiptar apo albanofobik t\u00eb autor\u00ebve t\u00eb filmit. Filmi \u2018L\u2019America\u2019 i Gianni Amelio-s, ku jepej n\u00eb m\u00ebnyr\u00eb t\u00eb vrazhd\u00eb e brutale \u2013 si mund t\u00eb jepej ndryshe? \u2013 realiteti shqiptar i fillimviteve 1990, u shoq\u00ebrua me protesta, ankesa, kritika dhe n\u00eb k\u00ebt\u00eb mes u dalluan dhe z\u00ebra t\u00eb elit\u00ebs shqiptare. Nd\u00ebrsa rasti m\u00eb i fresk\u00ebt \u00ebsht\u00eb filmi \u201cTaken 2\u201d, vijim i filmit t\u00eb suksessh\u00ebm \u201cTaken\u201d, n\u00eb t\u00eb cil\u00ebt luajn\u00eb aktor\u00eb t\u00eb njohur e t\u00eb zot\u00eb t\u00eb kinemas\u00eb s\u00eb sotme bot\u00ebrore. <\/p>\n
N\u00eb filmin \u201cTaken 2\u201d, personazhit Bryan (i luajtur nga Liam Neeson), i q\u00ebllon t\u00eb merret me \u201ckeqb\u00ebr\u00ebs\u201d shqiptar\u00eb, t\u00eb cil\u00ebt ishin betuar se do t\u00eb merrnin hak p\u00ebr vrasjen e an\u00ebtar\u00ebve t\u00eb klanit t\u00eb tyre nga ana e Bryan-it, dhe e ndjekin k\u00ebt\u00eb t\u00eb fundit n\u00eb Paris, Stamboll, etj. Skenaristi i ka dh\u00ebn\u00eb dum pun\u00ebs t\u2019i portretizoj\u00eb shqiptar\u00ebt si \u201ct\u00eb eg\u00ebr, t\u00eb dhunsh\u00ebm, t\u00eb paqytet\u00ebruar\u201d, e n\u00eb k\u00ebt\u00eb mes i jan\u00eb b\u00ebr\u00eb krah me siguri ca clich\u00e9, q\u00eb jan\u00eb krijuar mbi ne, prej nesh.<\/p>\n
Kjo fabul e filmit b\u00ebri q\u00eb t\u00eb lind\u00eb protesta e shqiptar\u00ebve n\u00eb web, tek t\u00eb cil\u00ebt ka di\u00e7ka q\u00eb nuk shkon: P\u00ebrgjith\u00ebsisht njer\u00ebz t\u00eb till\u00eb nuk shqet\u00ebsohen e nuk e ngren\u00eb z\u00ebrin sa her\u00eb q\u00eb siv\u00ebllez\u00ebr e bashk\u00ebpatriot\u00eb t\u00eb tyret pushtojn\u00eb faqet e para t\u00eb gazetave t\u00eb ndryshme t\u00eb bot\u00ebs me b\u00ebmat e tyre t\u00eb \u00e7uditshme n\u00eb Shqip\u00ebri e jasht\u00eb Shqip\u00ebris\u00eb. Jam i prirur t\u00eb mendoj se t\u00eb pickuarit prej filmit t\u00eb Budin\u00ebs jan\u00eb po ata q\u00eb jan\u00eb pickuar nga filmi i Amelio-s, nga filmi \u201cTaken 2\u201d, nga Behrami e Co., q\u00eb luajn\u00eb me fanellat e Zvicr\u00ebs e jo t\u00eb Shqip\u00ebris\u00eb, nga z\u00ebrat brenda vendit q\u00eb ngren\u00eb e mbajn\u00eb gjall\u00eb frym\u00ebn e nd\u00ebrgjegjen kritike e autokritike t\u00eb shoq\u00ebris\u00eb, e k\u00ebshtu me radh\u00eb.<\/p>\n
\u201cGrek\u00ebt kan\u00eb b\u00ebr\u00eb filmin \u2018Pengu\u2019, ku i bien vendit t\u00eb tyre, italian\u00ebt kan\u00eb b\u00ebr\u00eb filmin \u2018La Nave Dolce\u2019, ku dalin n\u00eb shesh t\u00eb gjitha t\u00eb zezat q\u00eb u jan\u00eb b\u00ebr\u00eb shqiptar\u00ebve para nj\u00ebzet vitesh\u201d, thot\u00eb Budina n\u00eb nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb legjitimuar fabul\u00ebn e vet filmike p\u00ebrball\u00eb kritik\u00ebve t\u00eb tij. Por nuk ka nevoj\u00eb p\u00ebr precedent\u00eb t\u00eb huaj, t\u00eb cil\u00ebt jan\u00eb t\u00eb panum\u00ebrt, megjithat\u00eb. Mjafton t\u00eb thuash se \u201cartisti duhet t\u00eb jet\u00eb i sinqert\u00eb, duhet t\u00eb thot\u00eb t\u00eb v\u00ebrtetat q\u00eb sheh\u201d (dhe \u00ebsht\u00eb kjo q\u00eb Budina thot\u00eb, gjithashtu), dhe u ke dh\u00ebn\u00eb p\u00ebrgjigjen e duhur \u201cgardian\u00ebve t\u00eb nderit e t\u00eb imazhit t\u00eb shqiptar\u00ebve n\u00ebp\u00ebr bot\u00eb\u201d.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"
MUSTAFA NANO, 18 Dhjetor 2012 Filmi \u201cAgon\u201d i regjisorit Robert Budina nuk \u00ebsht\u00eb shfaqur ende n\u00eb Shqip\u00ebri, por jehona e tij ka mb\u00ebrritur. Ka mb\u00ebrritur n\u00eb form\u00ebn e reagimeve kund\u00ebr. P\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs, filmi \u00ebsht\u00eb p\u00ebrsh\u00ebndetur nga shum\u00eb t\u00eb tjer\u00eb, por kritik\u00ebt kan\u00eb q\u00eblluar t\u00eb jen\u00eb m\u00eb t\u00eb z\u00ebsh\u00ebm (apo kritik\u00ebt jan\u00eb gjithnj\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"\n