{"id":5375,"date":"2013-12-22T09:19:34","date_gmt":"2013-12-22T08:19:34","guid":{"rendered":"http:\/\/fjala.info\/?p=5375"},"modified":"2013-12-22T09:19:34","modified_gmt":"2013-12-22T08:19:34","slug":"tipare-dhe-perftesa-ne-prozen-e-shkrimtarit-ridvan-dibra","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/tipare-dhe-perftesa-ne-prozen-e-shkrimtarit-ridvan-dibra\/","title":{"rendered":"Tipare dhe p\u00ebrftesa n\u00eb proz\u00ebn e shkrimtarit Ridvan Dibra"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignleft size-thumbnail wp-image-7236\" title=\"Ridvan Dibra\" alt=\"\" src=\"http:\/\/www.fjala.info\/2013\/ridvan_dibra.jpg\" width=\"300\" \/> <em><strong>Kultur\u00eb <\/strong><\/em>&#8211; nga <strong>XHAHID BUSHATI<\/strong>, <em>22 Dhjetor 2013<\/em><\/p>\n<p><strong>Ridvan Dibra<\/strong> e filloi krijimtarin\u00eb letrare me poezi, m\u00eb pas l\u00ebvroi zhanrin e parabol\u00ebs dhe gjinin\u00eb e tregimit, iu kthye poem\u00ebs, vazhdoi p\u00ebrs\u00ebri me tregimin dhe esen\u00eb, i kthehet her\u00eb pas here gjinis\u00eb dramaturgjike, dhe me nj\u00eb seri botimesh radhazi b\u00ebn konsolidimin e tij n\u00eb gjinin\u00eb e romanit. Interesat e tij letrare t\u00eb shfaqura deri m\u00eb tani, na krijojn\u00eb bindjen se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb krijues poliedrik. L\u00ebnda letrare e ofruar, nuk ka asgj\u00eb t\u00eb p\u00ebrbashk\u00ebt me konceptet, tematikat, trajtesat, strukturat kompozicionale t\u00eb let\u00ebrsis\u00eb s\u00eb realizmit socialist. K\u00ebshtu q\u00eb hyn n\u00eb let\u00ebrsin\u00eb shqipe me nj\u00eb fizionomi t\u00eb ve\u00e7ant\u00eb. Pak i studiuar nga kritika letrare. M\u00eb shum\u00eb i analizuar dhe i vler\u00ebsuar nga studiuesit kosovar\u00eb, si nga: Agim Vinca e Ag Apolloni, si dhe nga kritiku i mir\u00ebnjohur Aliu Aliu. Nga studiuesit shqiptar\u00eb nuk kemi ndonj\u00eb v\u00ebshtrim p\u00ebr krijimtarin\u00eb e tij. Tregues q\u00eb flet se studimet tona dhe kritika letrare ende nuk jan\u00eb n\u00eb gjendje t\u00eb ndjekin procesin krijues e letrar.<\/p>\n<p>Gjat\u00eb analizave t\u00eb krijimtaris\u00eb s\u00eb tij, Ridvani \u00ebsht\u00eb quajtur \u201cpostmodernist\u201d, \u201ckafkian\u201d dhe \u201ceksperimentalist i madh..\u201d. Duke respektuar terminologjin\u00eb p\u00ebrkat\u00ebse dhe vler\u00ebsuese, un\u00eb do t\u00eb thosha, se Ridvani mbetet nj\u00eb stilist i mir\u00eb i tekstit q\u00eb shkruan, formulim, t\u00eb cil\u00ebn e bazoj n\u00eb l\u00ebnd\u00ebn artistike q\u00eb ofron vet\u00eb, shkrimtari. Hap\u00ebsirat tematikore q\u00eb trajton p\u00ebrfshijn\u00eb jo vet\u00ebm nj\u00eb segment t\u00eb jet\u00ebs, por mbar\u00eb spektrin social. Socialiteti i shkrimtarit n\u00eb v\u00ebzhgimin e qenies dhe t\u00eb bot\u00ebs p\u00ebrreth tij, p\u00ebrmes t\u00eb ve\u00e7ant\u00ebs dhe universales, l\u00ebviz n\u00eb dukuri dhe fenomene t\u00eb tilla, si: lodhja, vetmia, zhg\u00ebnjimi, miq\u00ebsia dhe armiq\u00ebsia, etj. Kjo \u00ebsht\u00eb dhe arsyeja, q\u00eb duke kuptuar tipologjin\u00eb e k\u00ebtij shkrimtari, studiuesi Ag Apolloni thot\u00eb: \u201c\u2026 detyra e shkrimtarit nuk \u00ebsht\u00eb t\u00eb tregoj\u00eb ngjarje t\u00eb m\u00ebdha, por t\u00eb voglat t\u2019i b\u00ebj\u00eb interesante.\u201d<\/p>\n<p>(Ky gjykim \u00ebsht\u00eb p\u00ebr romanin \u201cN\u00eb k\u00ebrkim t\u00eb f\u00ebmij\u00ebs s\u00eb humbur\u201d). E, duke u marr\u00eb me paragrafin e fundit q\u00eb thot\u00eb: \u201d\u2026 detyra e shkrimtarit nuk \u00ebsht\u00eb t\u00eb tregoj\u00eb ngjarje t\u00eb m\u00ebdha, por t\u00eb voglat t\u2019i b\u00ebj\u00eb interesante\u201d, m\u2019u kujtua nj\u00eb histori e shkrimtarit Xhon Bonvill, me t\u00eb cil\u00ebn m\u00eb njohu libri \u201cAntenat e Epok\u00ebs sime\u201d t\u00eb Anteos Hrisostomidhis. Kjo histori i shkon p\u00ebr shtat procesit krijues t\u00eb Ridvanit si rr\u00ebfimtar. Dhe shkrimtari Xhon Bonvill thot\u00eb: \u201c\u00c7do t\u00eb thot\u00eb t\u00eb sajosh nj\u00eb rr\u00ebfim? T\u00eb shkruash nj\u00eb histori t\u00eb thjesht\u00eb, me njer\u00ebz t\u00eb zakonsh\u00ebm, por ta shkruash me t\u00eb till\u00eb gjall\u00ebri, me kaq intensitet dhe p\u00ebrqendrim, saq\u00eb lexuesi ta ndiej\u00eb, ta p\u00ebrvet\u00ebsoj\u00eb.\u201d (E fjal\u00ebt ky\u00e7e t\u00eb k\u00ebtij paragrafi i gjejm\u00eb n\u00eb veprat e Ridvanit, si: \u201cEklipsi i shpirtit\u201d, n\u00eb serialin p\u00ebr Gjergj Elez Alin\u00eb, \u201cStina e ujkut\u201d, \u201cKurthet e drit\u00ebs\u201d, \u201cT\u00eb lir\u00eb e t\u00eb burgosur\u201d, etj.)<\/p>\n<p>E, shkrimtari Xhon Bonvill vazhdon: \u201c\u00c7do form\u00eb arti ushqehet nga jeta. Eci n\u00eb rrug\u00eb dhe shoh nj\u00eb gur. E vrojtoj dhe e p\u00ebrshkruaj kaq intensivisht, saq\u00eb guri, nj\u00eb \u00e7ast reagon. Jam, thot\u00eb, nj\u00eb gur i thjesht\u00eb, nuk e kisha pandehur ndonj\u00ebher\u00eb se do t\u00eb m\u00eb kushtonte kush v\u00ebmendje. Dhe z\u00eb t\u00eb turp\u00ebrohet, t\u00eb skuqet, t\u00eb vezulloj\u00eb. \u2026 K\u00ebt\u00eb b\u00ebn artisti me bot\u00ebn. E merr gj\u00ebn\u00eb e zakonshme dhe, megjith\u00ebse nuk e shnd\u00ebrron n\u00eb gj\u00eb t\u00eb jasht\u00ebzakonshme, d\u00ebshmon qart\u00eb se sa i pazakonsh\u00ebm \u00ebsht\u00eb secili objekt n\u00eb at\u00eb r\u00ebndomt\u00ebsin\u00eb e tij.\u201d (dhe k\u00ebt\u00eb dukuri marr\u00ebdh\u00ebniesh a proces krijues t\u00eb vet\u00eb shkrimtarit, e gjejm\u00eb n\u00eb vepra t\u00eb tjera t\u00eb Ridvanit, si: \u201cLet\u00ebr nga provinca\u201d, \u201cDekalogu i turpit\u201d, \u201cFranc Kafka i shkruan t\u00eb birit\u201d, \u201cKanuni i Lek\u00ebs s\u00eb vog\u00ebl\u201d, \u201cUn\u00eb, Franc Kafka dhe Karta e Bolonj\u00ebs\u201d, etj.)<\/p>\n<p>Nj\u00eb dukuri tjet\u00ebr e krijimtaris\u00eb, q\u00eb shfaqet duksh\u00ebm, \u00ebsht\u00eb dhe filozofia e shkrimtarit. E kudopranishme. (Me fjal\u00ebn filozofi, p\u00ebrcjell fjal\u00ebn vizion. K\u00ebtu e kam fjal\u00ebn.) Dhe vizioni i tij shfaqet n\u00eb jetes\u00ebn dhe mbijetes\u00ebn e njeriut, sulmet dhe kund\u00ebrsulmet brenda bot\u00ebs s\u00eb tij, pozita e tij, perspektiva e ekzistenca e tij, raporti i vesit me virtytin, etj., etj. T\u00eb gjitha i k\u00ebrkon artistikisht, i zhvillon artistikisht, dhe p\u00ebr t\u00eb arritur n\u00eb nj\u00eb finale: p\u00ebr t\u00eb paraqitur esenc\u00ebn e njeriut.<\/p>\n<p>Dua t\u00eb ndalem edhe n\u00eb raportet e shkrimtarit me fjal\u00ebn, me fraz\u00ebn, me gjuh\u00ebn si narrator. Ridvani, n\u00eb tekstet e tij p\u00ebrmban formulime t\u00eb till\u00eb leksikore, t\u00eb cilat na shp\u00ebrfaqin gjendjet e personazheve, emocionalitet e tyre, kontrastet, q\u00eb jan\u00eb t\u00eb pranishme, si n\u00eb rr\u00ebfim e si n\u00eb thurjen e struktur\u00ebs kompozicionale. I kushton jasht\u00ebzakonisht v\u00ebmendje fjal\u00ebs shqipe dhe ngjyres\u00ebs s\u00eb saj. E mir\u00ebmendon. Esht\u00eb nj\u00eb gjuh\u00eb sintetike, e pasur dhe mjesht\u00ebrore. Me modalitete ligj\u00ebrimore. Ajo rrezaton p\u00ebrmes nj\u00eb spektri ngjyral. Dua t\u00eb them q\u00eb Ridvani \u00ebsht\u00eb nj\u00eb stilist i shquar, nuk e gjejm\u00eb si shpesh n\u00eb let\u00ebrsin\u00eb shqipe. Nj\u00eb natyr\u00eb t\u00eb till\u00eb stilistike, por me profile t\u00eb ve\u00e7anta krijuesi, kam gjetur te Mitrush Kuteli e Anton Pashku, dhe deri diku te Ismail Kadareja. Ridvani ruan emblem\u00ebn e tij.<\/p>\n<p>Duke marr\u00eb shkas nga librat: \u201cN\u00eb k\u00ebrkim t\u00eb f\u00ebmij\u00ebs s\u00eb humbur\u201d, Franc Kafka i shkruan let\u00ebr t\u00eb birit\u201d, Kanuni i Lek\u00ebs s\u00eb vog\u00ebl\u201d,etj., ata n\u00eb flasin p\u00ebr tipologjin\u00eb e nj\u00eb shkrimtari me plot k\u00ebnde v\u00ebshtrimi e trajtimi nga ana e kritik\u00ebs letrare, e cila duhet t\u00eb paraqes\u00eb v\u00ebmendje ndaj Ridvanit. Me ndikime nga arti kafkian n\u00eb fillimet letrare t\u00eb Dibr\u00ebs, largimi i tij (mvet\u00ebsia, si profil i p\u00ebrcaktuar dhe i dalluesh\u00ebm) n\u00eb veprat e botuara n\u00eb vitet e m\u00ebvon\u00ebshme, mbase dukuria m\u00eb e r\u00ebnd\u00ebsishme e tij jan\u00eb: marr\u00ebdh\u00ebnia me kujtes\u00ebn. E v\u00ebrejm\u00eb te vet\u00eb krijuesi, te personazhi, te fenomeni q\u00eb trajton, te mesazhi q\u00eb p\u00ebrcjell, te rr\u00ebfimi, shpesh n\u00eb vet\u00ebn e par\u00eb, q\u00eb, si\u00e7 duket e ka m\u00eb p\u00ebr zem\u00ebr autori.<\/p>\n<p><em>Shkrimi u publikua sot (22.12.2013) n\u00eb suplementin Rilindasi t\u00eb gazet\u00ebs Shqiptarja.com (print)<br \/>\nRedaksia Online<br \/>\n(d.d\/shqiptarja.com)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kultur\u00eb &#8211; nga XHAHID BUSHATI, 22 Dhjetor 2013 Ridvan Dibra e filloi krijimtarin\u00eb letrare me poezi, m\u00eb pas l\u00ebvroi zhanrin e parabol\u00ebs dhe gjinin\u00eb e tregimit, iu kthye poem\u00ebs, vazhdoi p\u00ebrs\u00ebri me tregimin dhe esen\u00eb, i kthehet her\u00eb pas here gjinis\u00eb dramaturgjike, dhe me nj\u00eb seri botimesh radhazi b\u00ebn konsolidimin e tij n\u00eb gjinin\u00eb e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.9 - 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