{"id":4485,"date":"2010-10-27T08:52:06","date_gmt":"2010-10-27T07:52:06","guid":{"rendered":"http:\/\/fjala.shkoder.net\/?p=4485"},"modified":"2010-10-27T08:52:06","modified_gmt":"2010-10-27T07:52:06","slug":"ne-15-vjetorin-e-kalimit-ne-amshim-te-anton-pashkut","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/ne-15-vjetorin-e-kalimit-ne-amshim-te-anton-pashkut\/","title":{"rendered":"N\u00eb 15-vjetorin e kalimit n\u00eb amshim t\u00eb Anton Pashkut"},"content":{"rendered":"

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\nKrijues i pap\u00ebrs\u00ebritsh\u00ebm <\/strong><\/em><\/p>\n

Adem Istrefi: \u201dKumtes\u00eb e parashkruar p\u00ebr vitin 2037: Si p\u00ebrshpirtje letrare n\u00eb nj\u00ebqindvjetorin e Lindjes s\u00eb Anton Pashkut – Shkrimtarit m\u00eb Shkrimtar Nd\u00ebr Shkrimtar\u00eb Shqiptar\u00eb\u201d<\/p>\n

Frrok KRISTAJ<\/strong><\/p>\n

Pik\u00ebrisht nes\u00ebr, m\u00eb 31 tetor (2010), b\u00ebhen 15 vjet q\u00eb kur shkrimtari yn\u00eb i mir\u00ebnjohur Anton Pashku u nda edhe fizikisht nga bota e k\u00ebtejme dhe kaloi n\u00eb amshim (m\u00eb 31 tetor 1995). Dhe, si\u00e7 ka ndodhur gjithmon\u00eb me shkrimtar\u00eb t\u00eb m\u00ebdhenj, q\u00eb ishte edhe Anton Pashku, komunikimi i lexuesve t\u00eb vepr\u00ebs s\u00eb k\u00ebtij krijuesi jo vet\u00ebm q\u00eb nuk u zbeh, por, me ecjen e moteve, u intensifikua shum\u00eb m\u00eb tep\u00ebr se kur ai ishte n\u00eb mesin ton\u00eb dhe gjithnj\u00eb e m\u00eb shum\u00eb po intensifikohet.<\/p>\n

N\u00eb fakt, Anton Pashku ishte simbol i shkrimtarit modern i letrave shqipe, ishte stilisti m\u00eb i dalluesh\u00ebm i m\u00ebvet\u00ebsis\u00eb, t\u00eb cilit i atribohet arti i mbijetes\u00ebs, q\u00eb \u00ebsht\u00eb cil\u00ebsi vet\u00ebm e shkrimtarit q\u00eb posedon vlera t\u00eb ve\u00e7anta estetike. P\u00ebrndryshe, krijimtaria letrare e Anton Pashkut padyshim se gjendet n\u00eb piedestalin e letrave shqipe, aty ku vlerat e v\u00ebrteta estetike kan\u00eb krijuar zon\u00ebn e tyre t\u00eb ekzistuarit, zon\u00ebn e pacenueshme nga zhurma e koh\u00ebrave.<\/p>\n

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Anton Pashku<\/strong> p\u00ebr s\u00eb gjalli ishte bard i shkrimit modern psikologjik dhe simbol i shkrimit bashk\u00ebkohor n\u00eb let\u00ebrsin\u00eb shqipe n\u00eb p\u00ebrgjith\u00ebsi. Ai krijoi p\u00ebr t\u2019i v\u00ebn\u00eb gurin themeltar nj\u00eb fillimi t\u00eb ri dhe trasoi dhe krijoi nj\u00eb rrug\u00eb t\u00eb re dhe shum\u00eb t\u00eb kursyer e t\u00eb p\u00ebrkryer n\u00eb let\u00ebrsi. Pra, Anton Pashku e gdhendi krijimtarin\u00eb e vet deri n\u00eb p\u00ebrsosm\u00ebri si asnj\u00ebri nd\u00ebr krijuesit tjer\u00eb te ne dhe m\u00eb gjer\u00eb. N\u00eb krijimtarin\u00eb e tij gjendet gjuha e shkrimit, stili dhe m\u00ebvet\u00ebsia e tij e ve\u00e7ant\u00eb e krijimtaris\u00eb artistike letrare, e cila n\u00eb m\u00ebnyr\u00eb t\u00eb thukt\u00eb flet n\u00ebp\u00ebrmjet figur\u00ebs p\u00ebr aktualitetin e koh\u00ebs kur jetoi, p\u00ebr t\u00eb kaluar\u00ebn, si dhe p\u00ebr realitetin e mitin.<\/p>\n

Shkrimtari m\u00eb shkrimtar nd\u00ebr shkrimtar\u00eb shqiptar\u00eb<\/strong>
\nDhe me t\u00eb drejt v\u00ebllai i tij krijues Adem Istrefi \u201dmbajti\u201d nj\u00eb \u201dKumtes\u00eb t\u00eb parashkruar n\u00eb vitin 2037\u201d, ku nd\u00ebr t\u00eb tjera thot\u00eb: \u201dSi p\u00ebrshpirtje letrare, n\u00eb nj\u00ebqindvjetorin e Lindjes s\u00eb Anton Pashkut – Shkrimtarit m\u00eb Shkrimtar nd\u00ebr Shkrimtar\u00eb Shqiptar\u00eb\u201d. Tha k\u00ebshtu Adem Istrefi me q\u00ebllim q\u00eb t\u00eb shpjegoj\u00eb se Anton Pashkun do ta kuptojm\u00eb se kush ishte n\u00eb \u201dnj\u00ebqindvjetorin e lindjes, n\u00eb vitin 2037\u201d (Anton Pashku u lind n\u00eb Grazhdanik, m\u00eb 1 janar 1937, kurse u regjistrua m\u00eb 8 janar 1937) dhe vazhdoi \u201dasnj\u00eb shkrimtar para tij n\u00eb k\u00ebt\u00eb truall tonin, as n\u00eb gjallje t\u00eb tij (fizike) nuk mundi t\u00eb sjell\u00eb k\u00ebt\u00eb mori dend\u00ebsie proze, k\u00ebso parafytyrimesh mitike q\u00eb ta kthenin vet\u00eb at\u00eb n\u00eb nj\u00eb mit brenda mitit t\u00eb tij krijues.<\/p>\n

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Anton Pashku (\u00ebsht\u00eb i regjistruar si Ndue Pashku) ishte dhe mbeti shkrimtari shqiptar m\u00eb i dalluesh\u00ebm i k\u00ebtij shekulli. Ai ishte nj\u00eb lloj fenomeni letrar. Vepra e tij p\u00ebrmban shum\u00ebsin\u00eb e mendimit, shum\u00ebsin\u00eb figurative t\u00eb fjal\u00ebs dhe nj\u00ebkoh\u00ebsisht vet\u00ebdijen e lart\u00eb estetike t\u00eb ngritur deri n\u00eb model.<\/p>\n

Prej shkrimit t\u00eb par\u00eb (\u201dJeta e re\u201d, 1955), vepra e Anton Pashkut u form\u00ebsua si vep\u00ebr e identitetit t\u00eb lart\u00eb artistik, kryesisht n\u00eb proz\u00eb dhe n\u00eb gjinin\u00eb e dram\u00ebs (\u201dTregime\u201d, 1961, \u201dNj\u00eb pjes\u00eb e lindjes\u201d, 1965, \u201dKulla\u201d, 1968, \u201dSinkopa\u201d, 1969, \u201dOh\u201d, 1971, \u201dKjasina\u201d, 1973, \u201dGof\u201d, 1976, \u201dLutjet e mbr\u00ebmjes\u201d, 1976, \u201dTragjedi moderne\u201d, 1982, p\u00ebrkat\u00ebsisht kombleti i veprave \u201dTregime fantastike\u201d, \u201dOh\u201d dhe \u201dTragjedi moderne\u201d, q\u00eb t\u00eb gjitha m\u00eb 1986), e cila \u00ebsht\u00eb e ngritur n\u00eb lart\u00ebsin\u00eb e tekstit artistik, ndaj si t\u00eb tilla k\u00ebto tekste duhet par\u00eb n\u00eb t\u00eb gjitha shtresimet dhe n\u00ebnshtresimet e tyre, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb shihen qart\u00eb mesazhet dhe vlerat e tyre kumtuese.<\/p>\n

\"\"N\u00eb an\u00ebn tjet\u00ebr, aty kah vitet e tet\u00ebdhjeta t\u00eb shekullit t\u00eb kaluar, s\u00eb bashku me nj\u00eb grup krijuesish t\u00eb tjer\u00eb, ngrihen fuqish\u00ebm kund\u00ebr ideologjizimit t\u00eb artit, q\u00eb shkaktoi trandje n\u00eb krejt mjediset letrare.<\/p>\n

Ndaj, Anton Pashku mbetet stilisti m\u00eb i madh dhe m\u00eb i denj n\u00eb let\u00ebrsin\u00eb shqipe. Vler\u00ebsimet p\u00ebr vepr\u00ebn e k\u00ebtij krijuesi jan\u00eb t\u00eb shumta, p\u00ebr \u00e7ka edhe kritika letrare e ka ndjekur admiruesh\u00ebm krijimtrarin\u00eb e tij, kritik\u00eb kjo e cila e cil\u00ebson si \u201dAnton Pashku mbetet Xhojsi i let\u00ebrsis\u00eb shqipe\u201d (Ibrahim Rugova).<\/p>\n

Bile, q\u00eb nga dita kur Anton Pashku u nda fizikisht nga ne, p\u00ebr vepr\u00ebn e k\u00ebtij shkrimtari jan\u00eb shkruar dhjetra libra, q\u00eb lexohen me \u00ebndje sikurse edhe vet\u00eb vepra e Anton Pashkut. Mu p\u00ebr k\u00ebt\u00eb Anton Pashku mbetet si krijues i pap\u00ebrs\u00ebritsh\u00ebm i letr\u00ebrsis\u00eb son\u00eb komb\u00ebtare, q\u00eb rileximi i vepr\u00ebs s\u00eb tij sjell\u00eb gjithmon\u00eb nj\u00eb zbulim t\u00eb ri. Kjo edhe e b\u00ebn\u00eb q\u00eb Anton Pashku t\u00eb cil\u00ebsohet shkrimtari m\u00eb i ve\u00e7ant\u00eb i let\u00ebrsis\u00eb shqiptare.<\/p>\n

\u201cGofi\u201d n\u00eb \u201cTeatar ITD\u201d t\u00eb Zagrebit<\/strong>
\nN\u00eb an\u00ebn tjet\u00ebr, nga vargu i shum\u00eb krijuesve shqiptar\u00eb t\u00eb Kosov\u00ebs, Anton Pashku n\u00eb dram\u00ebn bashk\u00ebkohore shqiptare ka sjell\u00eb risi dhe kthesa cil\u00ebsore, sidomos n\u00eb shprehjen dhe pasqyrimin e realitetit e me k\u00ebt\u00eb ai ka arritur ta eliminoj\u00eb kufirin nd\u00ebrmjet nacionales dhe iracionales. Ka eliminuar kufirin nd\u00ebrmjet bot\u00ebs iluzore dhe asaj reale. Anton Pashku p\u00ebrmes krijimtaris\u00eb teatrale ka v\u00ebn\u00eb n\u00eb spikam\u00eb bot\u00ebn e brendshme – gjendjen shpirt\u00ebrore halucionative t\u00eb mbuluar me realitetet e p\u00ebrditshme.<\/p>\n

Anton Pashku ka shkruar dy pjes\u00eb teatrale \u201cGof\u201d (1967) dhe \u201cSinkopa\u201d (1969), t\u00eb cilat vepra edhe jan\u00eb v\u00ebn\u00eb me sukses n\u00eb sken\u00eb (Prishtin\u00eb (dy her\u00eb), Prizren, Pej\u00eb, Ferizaj e Shkup (dy her\u00eb), por edhe n\u00eb Zagreb t\u00eb Kroacis\u00eb), si dhe tregimi \u201cKulla\u201d, q\u00eb u skenua p\u00ebr film, regjin\u00eb e t\u00eb cilit e b\u00ebri Agim Sopi. Q\u00eb n\u00eb fillim duhet t\u00eb thuhet se dy dramat e Anton Pashkut kan\u00eb nj\u00eb struktur\u00eb t\u00eb ngjajshme nd\u00ebrtimi, p\u00ebrb\u00ebhen nga dy pjes\u00eb, e jo si\u00e7 praktikohet – akte. Sipas kritikut ton\u00eb t\u00eb mir\u00ebnjohur Sabri Hamiti dramat q\u00ebndrojn\u00eb mbi k\u00ebt\u00eb baz\u00eb: \u201cGof\u201d nga Mbas nj\u00eb epilogu e Para nj\u00eb prologu e \u201cSinkopa\u201d nga Mbarimi i fillimit t\u00eb sinkop\u00ebs e Fillimi i mbarimit t\u00eb sinkop\u00ebs\u201d. Pra nga vlera shenjuese t\u00eb k\u00ebtyre pjes\u00ebve teatrale del nocioni nd\u00ebriterpretues e interpretues.<\/p>\n

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Pjes\u00ebn teatrale \u201cGof\u201d t\u00eb Anton Pashkut s\u00eb pari n\u00eb sken\u00eb e ka v\u00ebn\u00eb Drama Shqipe e Teatrit t\u00eb Komb\u00ebsive n\u00eb Shkup. Premiera \u00ebsht\u00eb dh\u00ebn\u00eb m\u00eb 21 dhjetor t\u00eb vitit 1979. Regjin\u00eb e k\u00ebsaj vepre e kishte b\u00ebr\u00eb Ahmet Jakupi, kurse rolet i kishin interpretuar Xhevat Limani (Lulashi), Sefedin Nuredini (Lulani) dhe Zijadin Murtezi (Lulua), si dhe figurant\u00ebt tjer\u00eb aktiv\u00eb si Z. Duraku e H. Loga. (Teki D\u00ebrvishi \u201cEdhe nj\u00eb premier\u00eb\u201d, \u201cFlaka e v\u00ebllaz\u00ebrimit\u201d, 21 dhjetor 1979, faqe 13 dhe Musa Ramadani \u201cMetafor\u00eb e p\u00ebsimit dhe e gjakimit\u201d, \u201cRilindja\u201d, 31 dhjetor 1979, 1 e 2 janar 1980, faqe 20).<\/p>\n

Ndrkaq, pjes\u00ebn teatrale \u201cGof\u201d, t\u00eb p\u00ebrkthyer nga Mirko Gashi, e kishte v\u00ebn\u00eb n\u00eb sken\u00eb, n\u00eb \u201cTeatar ITD\u201d t\u00eb Zagrebit t\u00eb Kroacis\u00eb, Sk\u00ebnder Nimani. N\u00eb sken\u00ebn e atij teatri, q\u00eb ishte nd\u00ebr m\u00eb t\u00eb njohurit n\u00eb Kroaci, p\u00ebrkat\u00ebsisht n\u00eb ish-Jugosllavi, rolet i kishin interpretuar aktor\u00ebt e mir\u00ebnjohur Rajko Bundallo, Zharko Saviq dhe Dragolub Lazarov. Skenograf ishte Zvonko Shuler, kostumograf Ruta Knezheviq e kompozitor Igor Savin (Sk\u00ebnder Zogaj \u201dInskenohet \u201cGofi\u201d i Anton Pashkut\u201d, \u201cRilindja\u201d, 22 janar 1980, faqe 13).<\/p>\n

Nj\u00ebher\u00ebsh, Sk\u00ebnder Nimani e vuri n\u00eb sken\u00eb edhe nj\u00eb her\u00eb \u201cGofin\u201d e Anton Pashkut. K\u00ebshtu, m\u00eb 11 shtator t\u00eb vitit 1980 TPK n\u00eb Prishtin\u00eb e dha premier\u00ebn e k\u00ebsaj pjese me aktor\u00ebt Sk\u00ebnder Tafaj (Lulashi), Avdush Hasani (Lulani) e Asllan Hasaj (Lulua). Skenografin\u00eb e kishte punuar Nuredin Loxha, kurse muzik\u00ebn e kishte zgjedhur Sk\u00ebnder Oroshi. (Sk\u00ebnder Zogaj \u201cPremiera e par\u00eb – \u201cGofi\u201d, \u201cRilindja\u201d, 10 shtator 1980, faqe 10). Do p\u00ebrmendur se Sk\u00ebnder Nimani k\u00ebt\u00eb pjes\u00eb teatrale e kishte v\u00ebn\u00eb edhe n\u00eb sken\u00ebn e Teatrit Amator t\u00eb Pej\u00ebs, kurse Agim Sopi \u201cGofin\u201d e kishte v\u00ebn\u00eb me shum\u00eb sukses n\u00eb sken\u00ebn e Teatrit Amator t\u00eb Ferizajit, sikurse q\u00eb kishte vepruar edhe Fetah Mehmeti n\u00eb Teatrin Amator n\u00eb Prizren (Sk\u00ebnder Zogaj \u201cRr\u00ebfimi n\u00eb tri veta\u201d, \u201cRilindja\u201d, 30 maj 1989, f. 14).<\/p>\n

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M\u00eb pastaj, Drama Shqipe e TPK-s\u00eb n\u00eb Prishtin\u00eb e vuri edhe nj\u00eb her\u00eb k\u00ebt\u00eb dram\u00eb n\u00eb sken\u00eb. K\u00ebsaj radhe regjin\u00eb e \u201cGofit\u201d e kishte b\u00ebr\u00eb aktori Xhevat Qorraj me interpretime t\u00eb personazheve nga aktor\u00ebt Bislim Mu\u00e7aj, Drita Boshnjaku – Begolli e Selman Lokaj (Beqir Musliu \u201cAkti i ri-leximit\u201d, \u201cFjala\u201d, 25 prill 1994, faqe 22). Dhe, m\u00eb n\u00eb fund, Teatri i Dram\u00ebs Shqipe n\u00eb Shkup ishte marr\u00eb edhe nj\u00eb her\u00eb me veprat e Anton Pashkut. K\u00ebsaj radhe jo vet\u00ebm me \u201cGofin\u201d, por edhe me \u201cOh\u201d-un, si dhe tragjedin\u00eb \u201cTrojan\u00ebt\u201d t\u00eb Europidit, q\u00eb i kishte komponuar n\u00eb nj\u00eb shfaqje autoriale regjisori Sylejman Rushiti.<\/p>\n

N\u00eb k\u00ebt\u00eb pjes\u00eb rolet i kishin interpretuar Vehbi Qerimi (Lulashi), Veton Ibrahimi (Lulani) dhe Osman Ahmeti (Lulua). Skenografin\u00eb dhe kostumografin\u00eb i kishte punuar Agim Zajmi, kurse muzika ishte e grupit \u201cDead Can Dance\u201d (Selman Jusufi \u201cIkona shqipe e Pashkut, obelisku me \u00ebndrrat ilire\u201d, \u201cRilindja\u201d (botim p\u00ebr per\u00ebndim), Tiran\u00eb, 29 prill 1999, f. 19).
\nDo p\u00ebrmendur se edhe drama tjet\u00ebr e Anton Pashkut \u201cSinkopa\u201d \u00ebsht\u00eb interpretuar nj\u00eb her\u00eb n\u00eb sken\u00ebn e TPK-s\u00eb n\u00eb Prishtin\u00eb, ku rolet kryesore i kishin interpretuar Xhevat Qena (Xhexheu), Shani Pallaska (Gjegjeu) e t\u00eb tjer\u00eb.<\/p>\n

Kjo vep\u00ebr \u00ebsht\u00eb sinonim i dob\u00ebsis\u00eb dhe i vet\u00ebdijes s\u00eb mjegulluar, sepse si thot\u00eb Nebi Islami \u201d… n\u00eb m\u00ebnyr\u00eb lucide shqyrton l\u00ebnd\u00ebn jet\u00ebsore t\u00eb ambientit urban n\u00eb transformim duke dep\u00ebrtuar si me shkop magjik n\u00eb thell\u00ebsi t\u00eb subkoshienc\u00ebs s\u00eb njeriut dhe duke pasqyruar trazimet dhe shqet\u00ebsimet e pashpjegueshme t\u00eb tij t\u00eb ngritura n\u00eb rrafsh t\u00eb transhendenc\u00ebs metafizike n\u00eb m\u00ebnyr\u00eb q\u00eb vet\u00eb natyra e njeriut mistifikohet dhe mitizohet deri n\u00eb nivelin e gjendjes fantastike t\u00eb marionet\u00ebs, fati i t\u00eb cilit duket se jo rrall\u00eb varet nga forca e misterit kozmik.<\/p>\n

Duke mos iu p\u00ebrmbajtur parimit t\u00eb tri uniteteve t\u00eb dram\u00ebs s\u00eb tradit\u00ebs dhe n\u00eb ve\u00e7anti m\u00ebnyr\u00ebs s\u00eb thurjes s\u00eb ngjarjes, \u201cSinkopa\u201d shnd\u00ebrrohet n\u00eb nj\u00eb form\u00eb t\u00eb antidram\u00ebs dhe rrumbullakohet si kreatur\u00eb moderne e trajtimit kontemplativ t\u00eb vetmis\u00eb, t\u00eb monotonis\u00eb dhe t\u00eb gjendjeve psikike n\u00eb l\u00ebvizje, n\u00eb t\u00eb cilat mbizot\u00ebron zbrazt\u00ebsia shpirt\u00ebrore, zvetnimi i vullnetit, mungesa e energjis\u00eb dhe paaft\u00ebsis\u00eb p\u00ebr t\u2019u ballafaquar me sfidat dhe rreziqet shkat\u00ebrrimtare q\u00eb i k\u00ebrc\u00ebnohen njeriut. M\u00eb tutje, A. Pashku me shkatht\u00ebsi i ka pasqyruar antinomit\u00eb dhe kund\u00ebrth\u00ebniet jet\u00ebsore si dhe ato shqet\u00ebsime jetike njer\u00ebzore q\u00eb shtrihen q\u00eb nga koh\u00ebt antike e deri n\u00eb koh\u00ebn aktuale\u201d (\u201cIracionalja si sfer\u00eb tematike e shqet\u00ebsimit lucid si dhe vizioni krijues\u201d, revista \u201cFilologji\u201d, nr. 4, 1997, faqe 702-708).<\/p>\n

\u201cKulla\u201d – film artistik<\/strong>
\nRegjisori i mir\u00ebnjohur Agim Sopi n\u00eb vitin 1979 ia kishte dor\u00ebzuar Televizionit t\u00eb Prishtin\u00ebs skenarin e filmit artistik \u201cKulla\u201d, q\u00eb ishte hartuar sipas tregimit me t\u00eb nj\u00ebjtin titull t\u00eb Anton Pashkut. P\u00ebr shkak t\u00eb censur\u00ebs q\u00eb at\u00ebbot\u00eb zbatohej n\u00eb mediat informative, regjisori ngjarjen e kishte \u201chedhur\u201d n\u00eb koh\u00ebn e Perandoris\u00eb Osmane, n\u00eb m\u00ebnyr\u00eb q\u00eb shikuesve shqiptar\u00eb t\u2019ua mund\u00ebsonte iden\u00eb e tregimit. Megjithat\u00eb, kompetent\u00ebt e TVP-s\u00eb e kishin hetuar \u201cdredhin\u00eb\u201d dhe nuk e kishin lejuar realizimin e filmit. Koh\u00ebt kishin kaluar e regjisori nuk kishte hequr dor\u00eb nga synimi. K\u00ebshtu, nga fundi i qershorit t\u00eb vitit 1990 Agim Sopi e kishte filluar realizimin e filmit artistik \u201cKulla\u201d me TVP-n\u00eb. Megjithat\u00eb, pushtimi i TVP-s\u00eb nga okupatori serb filmin e kishin gjetur n\u00eb dit\u00ebn e n\u00ebnt\u00eb t\u00eb xhirimit.<\/p>\n

Mir\u00ebpo, fal\u00eb gjeturis\u00eb s\u00eb regjisorit, filmi \u00ebsht\u00eb kryer, kurse \u00ebsht\u00eb shfaqur n\u00eb Shoqat\u00ebn e Shkrimtar\u00ebve t\u00eb Kosov\u00ebs n\u00eb Prishtin\u00eb n\u00eb vitin 1992. Do p\u00ebrmendur se regjisor dhe skenarist i filmit artistik \u201cKulla\u201d \u00ebsht\u00eb Agim Sopi, kurse rolet kryesore i interpretuan: Lumnije Mu\u00e7aj, Istref Begolli, Bajrush Mjaku, Mysherefe Llozana, Xhemajl Maksuti, Hajriz Mustafa e shum\u00eb t\u00eb tjer\u00eb. Kompozitor i filmit \u00ebsht\u00eb Gjon Gjevelekaj, skenograf e kostumograf Nazmi Sadiku e k\u00ebshtu me radh\u00eb (Arif Demolli \u201cSi u nd\u00ebrtua \u201cKulla\u201d e Agim Sopit?\u201d, revista \u201cFjala\u201d, nr.12, Prill 1992).<\/p>\n

Dhe, m\u00eb n\u00eb fund, t\u00eb themi edhe k\u00ebt\u00eb se n\u00eb ver\u00ebn e fundit (gusht 1995) t\u00eb Anton Pashkut, Nezir Sefaj kishte filluar me kameraman\u00ebt Hasan Gashi e Fatmir Bajrami ta in\u00e7izonte nj\u00eb film dokumentar me Anton Pashkun. E ndiqnin kudo, n\u00eb sht\u00ebpi (n\u00eb Prishtin\u00eb, \u201cDardania\u201d SU 1\/6, Hyrja 3, nr. 40), n\u00eb rrug\u00eb, n\u00eb kafene.<\/p>\n

At\u00ebbot\u00eb, Antoni ishte vet\u00ebm n\u00eb sht\u00ebpi, sepse bashk\u00ebshortja Paulina dhe vajza Lulja kishin udh\u00ebtuar p\u00ebr n\u00eb Shqip\u00ebri p\u00ebr t\u2019u takuar me djalin p\u00ebrkat\u00ebsisht v\u00ebllain Paulinin, q\u00eb vinte nga Gjermania p\u00ebr t\u2019ua takuar me n\u00ebn\u00ebn (Paulin\u00ebn) dhe motr\u00ebn (Lulen). Paulini kishte migruar n\u00eb Gjermani nga Spliti, ku kishte qen\u00eb ushtar i ish APJ-s\u00eb, e nga kishte dezertuar nga kazerma \u201cLora\u201d t\u00eb Splitit qysh n\u00eb vitin 1991.<\/p>\n

Filmimi kishte vazhduar edhe m\u00eb pastaj, por kurr\u00eb nuk ishte kryer… Sido q\u00eb t\u00eb jet\u00eb, Antoni kaloi n\u00eb amshim (m\u00eb 31 tetor 1995) n\u00eb vjesht\u00eb t\u00eb po atij viti (1995), kurse filmi u zhduk (lexo u dogj) kur forcat e okupatorit serb ia dogj\u00ebn sht\u00ebpin\u00eb Nezir Sefajt dhe kameraman\u00ebve t\u00eb p\u00ebrmendur n\u00eb pranver\u00eb t\u00eb vitit 1999. Filmi dokumentar nuk arriti deri te shikuesit… (Nezir Sefaj \u201cAnton Pashku i z\u00ebn\u00eb gjall\u00eb n\u00eb film\u201d, \u201cZ\u00ebri\u201d, 11 n\u00ebntor 1995, faqe 42-43).<\/p>\n

Legjenda: 1. Anton Pashku
\n2. Halil Matoshi: Anton Pashku (piktur\u00eb)
\n3. Zymjan\u00ebt: Anton Pashku, Zef Lekaj e Frrok Kristaj te Ibrahim Rugova
\n4. Anton Pashku
\n5. Anton Pashku
\n6. Anton Pashku<\/p>\n","protected":false},"excerpt":{"rendered":"

Krijues i pap\u00ebrs\u00ebritsh\u00ebm Adem Istrefi: \u201dKumtes\u00eb e parashkruar p\u00ebr vitin 2037: Si p\u00ebrshpirtje letrare n\u00eb nj\u00ebqindvjetorin e Lindjes s\u00eb Anton Pashkut – Shkrimtarit m\u00eb Shkrimtar Nd\u00ebr Shkrimtar\u00eb Shqiptar\u00eb\u201d Frrok KRISTAJ Pik\u00ebrisht nes\u00ebr, m\u00eb 31 tetor (2010), b\u00ebhen 15 vjet q\u00eb kur shkrimtari yn\u00eb i mir\u00ebnjohur Anton Pashku u nda edhe fizikisht nga bota e k\u00ebtejme […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,7],"tags":[],"class_list":{"0":"post-4485","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artikuj","7":"category-letersi"},"yoast_head":"\nN\u00eb 15-vjetorin e kalimit n\u00eb amshim t\u00eb Anton Pashkut - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/ne-15-vjetorin-e-kalimit-ne-amshim-te-anton-pashkut\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"N\u00eb 15-vjetorin e kalimit n\u00eb amshim t\u00eb Anton Pashkut - 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