{"id":2983,"date":"2010-06-11T23:23:49","date_gmt":"2010-06-11T22:23:49","guid":{"rendered":"http:\/\/fjala.shkoder.net\/?p=2983"},"modified":"2010-06-11T23:23:49","modified_gmt":"2010-06-11T22:23:49","slug":"silogjizmi-letrar-per-simbiozen-me-thesaret","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/silogjizmi-letrar-per-simbiozen-me-thesaret\/","title":{"rendered":"SILOGJIZMI LETRAR P\u00cbR SIMBIOZ\u00cbN ME THESARET"},"content":{"rendered":"

PROZA E MUHARREM BLAKAJT<\/strong> (2<\/strong>)<\/p>\n

Muharrem Blakaj: \u201cTHESARET E HUMBURA\u201d, roman, botoi ShKSh \u201cM\u00ebm\u00ebdheu\u201d,
\nSt. Gallen \/ Prishtin\u00eb 2005, faqe 156. ISBN: 9951-423-04-3<\/em><\/p>\n

\"Shefqet<\/p>\n

Shkruan: Shefqet DIBRANI<\/strong><\/p>\n

Romani i Muharrem Blakajt \u201cTHESARET E HUMBURA<\/strong>\u201d, \u00ebsht\u00eb nj\u00eb vep\u00ebr letrare e ve\u00e7ant\u00eb, qoft\u00eb p\u00ebr tematik\u00ebn e qoft\u00eb p\u00ebr m\u00ebnyr\u00ebn e rr\u00ebfimit, sidomos p\u00ebr konceptimin e ngjarjes. Muharrem Blakaj ka arritur t\u00eb avancoj m\u00ebnyr\u00ebn e shkrimit, duke e b\u00ebr\u00eb vepr\u00ebn – rr\u00ebfim interesant, nj\u00eb materie letrare q\u00eb percepton me kujdes ngjarjen e cila lidhet me zhvillimet historike, duke e mbajtur lexuesin n\u00eb ankthin e asaj ngjarje q\u00eb ka ndodhur n\u00eb koh\u00ebra t\u00eb larg\u00ebta. Ky roman i shkruar me kujdes, rikujton ato vite, ato rrethana politike, t\u00eb njohura p\u00ebr shum\u00eb k\u00ebnd. Kjo proz\u00eb letrare pa v\u00ebshtir\u00ebsi mund t\u00eb b\u00ebhet skenar filmi dhe mund t\u00eb dramatizohet duke nxjerr\u00eb nj\u00eb film a vep\u00ebr skenike p\u00ebr \u201cthesaret e humbura\u201d me vler\u00eb dhe interes specifik.<\/p>\n

\"Muharrem<\/p>\n

Autori, qysh me romanin e tij t\u00eb par\u00eb \u201cMisioni sekret\u201d ka dh\u00ebn\u00eb shenja t\u00eb nj\u00eb autori serioz p\u00ebr proz\u00ebn e gjat\u00eb – romanin. Me romanin \u201cThesaret e humbura\u201d, vet\u00ebm sa e ka sforcuar rr\u00ebfimin duke e b\u00ebr\u00eb tekstin m\u00eb konciz dhe romanin m\u00eb t\u00eb pranuesh\u00ebm n\u00eb aspektin estetik.<\/p>\n

Pa dyshim autori, me k\u00ebt\u00eb roman i qon edhe m\u00eb tej vlerat letrare n\u00eb fush\u00ebn e proz\u00ebs, duke sjell p\u00ebr lexuesin nj\u00eb roman edhe m\u00eb t\u00eb realizuar n\u00eb aspektin ideor, vler\u00eb kjo q\u00eb e ngrit edhe an\u00ebn estetike por edhe at\u00eb p\u00ebrmbajtjesore t\u00eb romanit n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Ngjarja e k\u00ebtij romani zhvillohet n\u00eb nj\u00eb \u201cqytet\u201d q\u00eb gjendet diku n\u00eb Rrafshin e Dukagjinit, kurse ndodhit\u00eb jan\u00eb vendosur n\u00eb vitet e tridhjeta t\u00eb shekullit q\u00eb lam\u00eb pas, n\u00eb koh\u00ebn e \u201cstabilitetit?!\u201d t\u00eb Mbret\u00ebris\u00eb serbo-kroate-sllovene (SKS). Themi k\u00ebshtu jo vet\u00ebm nga pik\u00ebpamja e l\u00ebnd\u00ebs q\u00eb ka shtruar autori por edhe n\u00eb aspektin historik mund t\u00eb besohet se vitet e tridhjeta t\u00eb shekullit t\u00eb kaluar ishin vitet kur administrata e Mbret\u00ebris\u00eb SKS n\u00eb Kosov\u00eb dhe mbar\u00eb Rrafshin e Dukagjinit ndihej m\u00eb e qet\u00eb.<\/p>\n

Ndoshta \u00ebsht\u00eb edhe kjo nj\u00eb vler\u00eb tjet\u00ebr e k\u00ebtij romani kur autori me vet\u00ebdije e merr k\u00ebt\u00eb periudh\u00eb dhe nj\u00eb \u201cqytet\u201d i cili ndodhet n\u00eb k\u00ebto an\u00eb, q\u00eb p\u00ebr njoh\u00ebsit e Kosov\u00ebs nuk \u00ebsht\u00eb aq v\u00ebshtir\u00eb p\u00ebr ta ditur se p\u00ebr cilin qytet b\u00ebhet fjala. Me k\u00ebt\u00eb roman shihet se autori e njeh mir\u00eb fush\u00ebn e hulumtimit dhe t\u00eb studimeve gj\u00eb q\u00eb ia kan\u00eb mund\u00ebsuar t\u00eb shtroj rr\u00ebfimin me kaq kultur\u00eb, dhe t\u00eb shpjegoj shtremb\u00ebrimet e fakteve historike q\u00eb i ka b\u00ebr\u00eb vazhdimisht Serbia, dhe p\u00ebrmes k\u00ebtij rr\u00ebfimi interesant ka mbrojtur t\u00eb v\u00ebrtet\u00ebn shqiptare p\u00ebr Kosov\u00ebn.
\nN\u00eb k\u00ebt\u00eb roman Muharrem Blakaj do t\u00eb shpjegon se k\u00ebto pushtete kan\u00eb d\u00ebmtuar e asgj\u00ebsuar objektet e kultit dhe t\u00eb fes\u00eb, madje kan\u00eb d\u00ebmtuar edhe varrezat, pastaj kishat dhe kalat\u00eb e ndryshme, m\u00ebnyra k\u00ebto q\u00eb mendonin se ua mund\u00ebsojn\u00eb p\u00ebr t\u00eb kryer misionin e tyre shkat\u00ebrrues mbi t\u00eb gjitha monumentet arkeologjike q\u00eb i ruante n\u00ebntoka e k\u00ebtij vendi. Si\u00e7 shihet edhe nga romani ekspedita serbe do t\u00eb shkon n\u00eb \u201cKrahin\u00eb\u201d, n\u00eb nj\u00eb \u201cqytet t\u00eb huaj\u201d, p\u00ebrkat\u00ebsisht t\u00eb paidentifikuar, p\u00ebr ta zhb\u00ebr\u00eb ekzistenc\u00ebn e popullit shqiptar, dhe n\u00eb aspektin historik p\u00ebr t\u2019ia shkat\u00ebrruar vlerat n\u00ebntok\u00ebsore q\u00eb jan\u00eb ruajtur p\u00ebr shekuj t\u00eb t\u00ebr\u00eb.
\nVendosja e ngjarjes n\u00eb k\u00ebto koh\u00ebra me ngat\u00ebrresa politike \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb shpjeguar edhe nj\u00eb form\u00eb t\u00eb dhun\u00ebs q\u00eb b\u00ebnte unitarizmi dhe shovinizmi serb, i cili vepronte i papenguar n\u00eb spastrimin etnik nga elementi njer\u00ebzor q\u00eb jetonte mbi tok\u00eb, e p\u00ebr t\u00eb vazhduar shkat\u00ebrrimet me p\u00ebrmasa barbare edhe n\u00eb \u201cthesaret\u201d q\u00eb i ruante n\u00ebntoka e k\u00ebtij vendi. Jan\u00eb k\u00ebto dy elemente q\u00eb shpjegojn\u00eb dhun\u00ebn q\u00eb ka p\u00ebrjetuar populli yn\u00eb p\u00ebr shekuj me radh\u00eb n\u00eb nj\u00ebr\u00ebn an\u00eb, dhe n\u00eb an\u00ebn tjet\u00ebr e b\u00ebn\u00eb romanin me nj\u00eb struktur\u00eb t\u00eb q\u00ebndrueshme, nj\u00eb rr\u00ebfim t\u00eb qart\u00eb dhe me personazhe konkrete, disa mjaft\u00eb karakteristik, t\u00eb tjer\u00eb edhe kontrovers, varshm\u00ebrish nga roli dhe misioni q\u00eb kan\u00eb n\u00eb kuad\u00ebr t\u00eb k\u00ebtij romani, i cili si nj\u00eb vep\u00ebr letrare \u00ebsht\u00eb mjaft\u00eb mir\u00eb i realizuar. Gjithsesi materia e hulumtuar \u00ebsht\u00eb shtruar si ide e strukturuar mir\u00eb, ashtu sikurse koncepti e p\u00ebrmbajtja q\u00eb jan\u00eb mjaft\u00eb interesante duke e b\u00ebr\u00eb romanin si nj\u00eb vler\u00eb letrare me p\u00ebrmasa t\u00eb gjera artistike.
\nJo rast\u00ebsisht autori n\u00eb romanin e tij \u201cThesaret e humbura\u201d ngjarjet i ka vendosur n\u00eb nj\u00eb periudh\u00eb t\u00eb err\u00ebt e cila p\u00ebrmes zhvillimeve q\u00eb ndodhin i jep vepr\u00ebs letrare nj\u00eb observim dinamik ku p\u00ebrmes personazheve her\u00eb dinamike e her\u00eb misterioze shpjegojn\u00eb zhvillimet e koh\u00ebs. Kjo arrihet me mjaft\u00eb sukses p\u00ebrmes personazheve karakteristike si: Na\u00e7allniku, udh\u00ebheq\u00ebsi i ekspedit\u00ebs arkeologu Van Joviq, gjeologu Dushko Jevtiq, etnografi Dragomir Marjanoviq, ushtaraku major Dushan Miqiq, vojvoda Miliq K\u00ebrstiq t\u00eb ndihmuar e mb\u00ebshtetur nga miqt\u00eb e aleat\u00ebt tradicional, gjeologu rus Sergej Ivanov, arkeologu francez Fransua Roger, q\u00eb b\u00ebjn\u00eb at\u00eb aparatin e dhun\u00ebs q\u00eb eksplorohet brenda romanit si vep\u00ebr letrare, ku do t\u00eb mb\u00ebshteten e ndihmohen nga konsulli francez e ai rus q\u00eb jan\u00eb t\u00eb vendosur n\u00eb Mitrovic\u00eb, e aty k\u00ebtu edhe nga element fshataresh shqiptar\u00eb si rekuizita t\u00eb k\u00ebsaj ekspedite si\u00e7 \u00ebsht\u00eb Dan Mujani, apo \u201ckorrieri i katundit q\u00eb t\u00eb gjith\u00eb e quanin \u201cpolic\u201d, Ke\u00e7 Syku e ndonj\u00eb fshatar tjet\u00ebr t\u00eb r\u00ebndomt\u00eb t\u00eb cil\u00ebt kryenin detyrat e tyre q\u00eb ua jepnin vojvod\u00ebt e zyrtar\u00ebt politik t\u00eb yshtur nga ryshfeti a interesi i tyre.
\nN\u00eb an\u00ebn tjet\u00ebr kemi prij\u00ebsit e popullit q\u00eb b\u00ebjn\u00eb rezistenc\u00eb aktive t\u00eb njohura n\u00eb Kosov\u00eb dhe veriun e Shqip\u00ebris\u00eb si ka\u00e7ak mali, disa prej t\u00eb cil\u00ebve jan\u00eb personazhe reale si Selman Kadrija, Bardhi i Jusufit, Bajraktari i Podgurit, Misin Kapedani (Mus\u00eb Tahir Dakaj), Nak P\u00ebrki\u00e7i (Binak P\u00ebrki\u00e7i \u2013 Dreshaj), Cam Mani, Bel Feka, Ymer Ahmeti e t\u00eb tjer\u00ebt, kurse personazhe letrare t\u00eb romanit jan\u00eb: Jashar Efendiu, Cen\u00eb Dreni, Deli Turileshi, Uk\u00eb Xhemalbashi, Sef Beli, Mar\u00eb Rexha, Dak Lami, Mak Suti, Keq Syku, Sejdi \u00c7eki\u00e7i, Mah\u00eb Ymeri, Lif Leteci e disa t\u00eb tjer\u00eb m\u00eb pak t\u00eb r\u00ebnd\u00ebsish\u00ebm.
\nKjo shtres\u00eb qytetare as n\u00eb kuad\u00ebr t\u00eb romanit nuk pajtohen me pushtimet serbe, prandaj ata rezistonin, n\u00eb mos jo tjet\u00ebr ata mbronin pragun e sht\u00ebpis\u00eb, t\u00eb pakt\u00ebn b\u00ebnin q\u00eb pushtuesit n\u00eb asnj\u00eb \u00e7ast t\u00eb mos ndjehen t\u00eb qet\u00eb si\u00e7 d\u00ebshmohet n\u00ebp\u00ebr fragmente t\u00eb romanit ku jetonin me frik\u00ebn dhe tmerrin i cili her\u00eb pas here iu del qoft\u00eb nga dehja apo nga dufi q\u00eb kishin p\u00ebr shqiptar\u00ebt dhe p\u00ebr k\u00ebt\u00eb \u201cKrahin\u00eb t\u00eb mallkuar?!\u201d.
\nN\u00eb nj\u00eb tablo tjet\u00ebr si rast tragjik paraqitet fati i intelektualit shqiptar n\u00eb koh\u00eb, fat ky i cili p\u00ebrfaq\u00ebsohet nga personazhi Kek\u00eb Ymeri, p\u00ebrmes t\u00eb cilit zb\u00ebrthehet m\u00ebnyra e shantazhit q\u00eb u b\u00ebhej intelektual\u00ebve t\u00eb pakt q\u00eb ishin n\u00eb at\u00eb koh\u00eb, pastaj m\u00ebnyra e shpifjes, diskreditimi publik, madje m\u00ebnyra e implikimit edhe n\u00eb krime q\u00eb b\u00ebheshin e k\u00ebta intelektual s\u2019kishin gj\u00eb t\u00eb p\u00ebrbashk\u00ebt me ndodhit\u00eb dhe krimet. N\u00eb k\u00ebt\u00eb gjendje e shohim edhe pozit\u00ebn e intelektualit Kek\u00eb Ymeri, i cili n\u00eb m\u00ebnyr\u00eb perfide \u00ebsht\u00eb mashtruar e joshur, fillimisht me vendin e pun\u00ebs, e m\u00eb pas duke e shnd\u00ebrruar n\u00eb lev\u00eb t\u00eb tyre, por karakterin patriotik t\u00eb nj\u00eb shqiptari t\u00eb arsimuar Kek\u00eb Ymeri nuk e humb e as e devalvon, as si vler\u00eb e as si karakter.<\/p>\n

Pavar\u00ebsisht nga rrethanat dhe situata q\u00eb zhvillohet n\u00eb roman roli pozitiv i Kek\u00eb Ymerit mbetet p\u00ebr t\u2019u admiruar edhe pse vazhdimisht nga shqiptar\u00ebt do t\u00eb faj\u00ebsohet e dyshohet p\u00ebr krimet q\u00eb i b\u00ebnin vojvod\u00ebt t\u00eb shtyr\u00eb nga majori dhe na\u00e7allniku, dhe kjo ndodh\u00eb sigurisht m\u00eb shum\u00eb p\u00ebr ta b\u00ebr\u00eb ngjarjen e romanit edhe m\u00eb dramatike, edhe m\u00eb interesante, dhe shum\u00eb her\u00eb m\u00eb t\u00eb trishtueshme p\u00ebr kohen q\u00eb ishte me t\u00eb v\u00ebrtet\u00eb me p\u00ebrmasa tmerruese.
\nRoli patriotik i Kek\u00eb Ymerit, dhe p\u00ebrpjekja e tij e vazhdueshme p\u00ebr t\u00eb fshehur e shp\u00ebtuar at\u00eb q\u00eb mund t\u00eb fshihej del edhe nga nj\u00eb fragment i shkurt\u00ebr n\u00eb t\u00eb cilin \u201eKek\u00eb Ymeri shtr\u00ebngonte grushtet me nervoz\u00eb\u201d, kur nj\u00eb fshatar do t\u00eb sillte gj\u00ebra me vlera t\u00eb \u00e7muara arkeologjike p\u00ebr t\u2019ua shitur serb\u00ebve t\u00eb cil\u00ebt d\u00ebshironin q\u00eb edhe p\u00ebrmes blerjes t\u2019i varf\u00ebronin \u201cthesaret\u201d q\u00eb i ruanin me fanatiz\u00ebm shqiptar\u00ebt e k\u00ebsaj ane:
\n\u201c\u2013 Gabim b\u00ebr\u00eb!… \u2013 i foli me z\u00eb t\u00eb ul\u00ebt dhe qortuesh\u00ebm fshatarit, Kek\u00eb Ymeri.
\n\u2013 Un\u00eb i solla p\u00ebr t\u2019i shitur!… \u2013 u p\u00ebrpoq t\u00eb shfaj\u00ebsohej fshatari.
\n\u2013 K\u00ebto gj\u00ebra nuk shit\u00ebn! K\u00ebto jan\u00eb t\u00eb shenjta p\u00ebr… \u2013 deshi t\u00eb vazhdonte edhe m\u00eb tutje me qortimet e tij, por e nd\u00ebrpreu Van Joviqi:
\n\u2013 Ku i gjete k\u00ebto?
\n\u2013 N\u00eb Banj\u00eb, pran\u00eb mureve t\u00eb kish\u00ebs s\u00eb vjet\u00ebr. \u2013 u p\u00ebrgjigj fshatari.
\n\u2013 Kush t\u00eb ka th\u00ebn\u00eb t\u00eb g\u00ebrmosh atje? \u2013 pyeti Van Joviqi.
\n\u2013 T\u00eb thash! Angari kam punuar! Sot n\u00eb vendin tim e d\u00ebrgova v\u00ebllain, kurse vet erdha…
\n\u2013 Kush t\u00eb ka th\u00ebn\u00eb t\u00eb punosh angari atje?\u201d \u2013 pyeti k\u00ebsaj radhe i nxehur Van Joviqi.
\n\u2013 … kryeplaku… tellalli! \u2013 foli fshatari i skuqur, duke i rrudh\u00eb krah\u00ebt dhe duke shikuar si me dyshim drejt Kek\u00eb Ymerit.
\nKek\u00eb Ymeri n\u00eb vend t\u00eb p\u00ebrgjegj\u00ebs e shikoi qortuesh\u00ebm.<\/p>\n

…
\nKek\u00eb Ymeri vazhdoj ta shikonte me inate. Fshatari dukej edhe m\u00eb i hutuar.
\n\u2013 Gur\u00ebt e bazilik\u00ebs s\u00eb vjet\u00ebr?! \u00cbsht\u00eb e mundur kjo? Kush i drejton punimet atje? \u2013 pyeti k\u00ebsaj radhe Fransua!\u201d (faqe 92-93).
\nN\u00eb an\u00ebn tjet\u00ebr, edhe pse xhandarm\u00ebria e ushtria komandoheshin nga na\u00e7allniku, udh\u00ebheq\u00ebsi i ekspedit\u00ebs arkeologu Van Joviq ndjehej i frik\u00ebsuar sepse \u201ckullat q\u00eb i gjeti n\u00eb k\u00ebt\u00eb provinc\u00eb t\u00eb humbur ju duk\u00ebn t\u00eb frikshme dhe k\u00ebrc\u00ebnuese. Mir\u00ebpo prania e majorit, e na\u00e7allnikut, e komandantit t\u00eb xhandarm\u00ebris\u00eb, e vojvod\u00ebs, rojet n\u00eb \u00e7do skaj t\u00eb qytez\u00ebs sikur e kishin qet\u00ebsuar pak\u201d, pasi at\u00eb \u201cka dit\u00eb q\u00eb e shqet\u00ebsojn\u00eb k\u00ebto dreq g\u00ebrmimesh. As n\u00eb gjum\u00eb nuk e l\u00ebn\u00eb t\u00eb qet\u00eb!\u201d, k\u00ebshtu duket ngjarja sa e zymt\u00eb po aq edhe misterioze edhe p\u00ebr vet udh\u00ebheq\u00ebsin e ekspedit\u00ebs gjeologun Van Joviq. Kurse roli i Miles, gruaja e majorit, e cila gjat\u00eb t\u00ebr\u00eb romanit \u00ebsht\u00eb p\u00ebrdorur si nj\u00eb rekuizit\u00eb p\u00ebr romancat e dashuris\u00eb, ku bashk\u00eb me pastruesen dhe gruan e shefit t\u00eb post\u00ebs, e b\u00ebjn\u00eb ngjarjen me p\u00ebrmasa tragjiko komike.<\/p>\n

N\u00eb nj\u00eb plan tjet\u00ebr shihet edhe roli negativ i Patriarkut dhe i Kish\u00ebs Ortodokse Serbe q\u00eb vepronte prej shekujsh n\u00eb k\u00ebto an\u00eb p\u00ebr ti prezantuar shqiptar\u00ebt si shkat\u00ebrrues si barbar. Gjithsesi roli i Patriarkut ishte i r\u00ebnd\u00ebsis\u00eb specifike ku p\u00ebrmes Kish\u00ebs ai do t\u00eb krijon shantazhe duke inskenuar vrasje mizore t\u00eb familjeve serbe, p\u00ebr t\u00eb faj\u00ebsuar pastaj shqiptar\u00ebt si\u00e7 del edhe nga ky fragment q\u00eb po citojm\u00eb: \u201cPastaj, Patriku n\u00eb shenj\u00eb pabesie e tradhtie i kishte larguar nga puna rojet tradicionale shqiptare, q\u00eb brez pas brezi e kishin ruajtur me besnik\u00ebri Manastirin.<\/p>\n

Nj\u00ebri nga rojet, q\u00eb at\u00eb nat\u00eb tmerri kishte qen\u00eb n\u00eb detyr\u00eb, kishte deklaruar se gjat\u00eb nat\u00ebs n\u00eb Manastir ishte par\u00eb t\u00eb futej Miomiri me f\u00ebmij\u00ebn e s\u00ebmur\u00eb. Pastaj kishte dal\u00eb i vetmuar dhe pas pak ishte kthyer me t\u00eb shoqen. Ajo ishte futur n\u00eb Manastir duke qar\u00eb me kuje. Kishte d\u00ebgjuar t\u00eb sht\u00ebna, brenda mureve t\u00eb Manastirit. Von\u00eb, pas mesit t\u00eb nat\u00ebs, Patriku i kishte th\u00ebn\u00eb t\u00eb shkonte n\u00eb sht\u00ebpi. Se \u00e7far\u00eb kishte ndodhur at\u00eb nat\u00eb t\u00eb err\u00ebt, me shi e vet\u00ebtima, brenda mureve t\u00eb Manastirit nuk dihej. Por, dihej se brenda jave, t\u00eb gjitha rojet shqiptare t\u00eb Manastirit, ishin gjetur t\u00eb vrar\u00eb!\u201d, (faqe 24).
\nMjaft\u00eb interesant \u00ebsht\u00eb p\u00ebrshkruar \u201cDasma Shqiptare\u201d ku si mysafir t\u00eb pa ftuar kishin ardhur Van Joviqi dhe Fransua Roger n\u00ebn shoq\u00ebrimin e Miliq K\u00ebrstiqit, i cili luante rolin e p\u00ebrkthyesit. I zoti i sht\u00ebpis\u00eb i pret me bujari, i grish mysafiret e paftuar, sipas zakonit shqiptar i ul\u00eb n\u00eb krye t\u00eb vendit. Me k\u00ebrkes\u00ebn e tyre p\u00ebr t\u00eb vazhduar dasma, p\u00ebr t\u00eb bu\u00e7itur k\u00ebnga e hareja, k\u00ebng\u00ebtar\u00ebt vazhdojn\u00eb k\u00ebng\u00ebn e nd\u00ebrprer\u00eb p\u00ebr Betej\u00ebn e Kosov\u00ebs dhe kryeheroin e saj Millosh Kopiliqin, p\u00ebr t\u00eb cil\u00ebn k\u00ebng\u00eb mysafir\u00ebve t\u00eb paftuar askush nga serbet vendor nuk ju kishte folur.<\/p>\n

Eposi shqiptar q\u00eb zb\u00ebrthente nj\u00eb t\u00eb v\u00ebrtet\u00eb historike sikur me ngulm kund\u00ebrshtonte misionin e mysafir\u00ebve t\u00eb paftuar p\u00ebr t\u2019i grabitur thesaret arkeologjike. Ky element epik \u00ebsht\u00eb nj\u00eb sfid\u00eb konkrete q\u00eb iu b\u00ebhej atyre, duke ua shpjeguar se vlerat arkeologjike mund t\u00eb shkat\u00ebrrohen, por eposin kaq t\u00eb pasur, as nuk do t\u00eb arrijn\u00eb ta shkat\u00ebrrojn\u00eb, dhe as nuk do t\u00eb mund ta blejn\u00eb, pasi ai \u00ebsht\u00eb i ngulitur thell\u00eb n\u00eb mendjen dhe n\u00eb zemrat e shqiptar\u00ebve dhe trash\u00ebgohet brez pas brezi. Nj\u00eb gj\u00eb e qart\u00eb q\u00eb del nga romani \u00ebsht\u00eb se serbet e r\u00ebndomt\u00eb as q\u00eb dinin kush ishte Millosh Kopiliqi, as p\u00ebr Lazarin e as p\u00ebr Betej\u00ebn e Kosov\u00ebs nuk kishin d\u00ebgjuar ndonj\u00ebher\u00eb. K\u00ebto epika serbet i kan\u00eb d\u00ebgjuar vet\u00ebm nga shqiptaret dhe me p\u00ebrvijimin e koh\u00ebs ata i kan\u00eb p\u00ebrvet\u00ebsuar sikurse kan\u00eb p\u00ebrvet\u00ebsuar edhe shum\u00eb e shum\u00eb ngjarje e momente historike nga kultura, tradita dhe historia shqiptare.
\nN\u00eb nj\u00eb fragment tjet\u00ebr, si nj\u00eb cop\u00ebz rr\u00ebfimi shtjellohet edhe goj\u00ebdh\u00ebna e tunelit sekret t\u00eb Manastirit t\u00eb Stupenit (Sudenic\u00ebs), pastaj storie t\u00eb ve\u00e7anta jan\u00eb edhe vrasja e kallugjerve, shpella e Shk\u00ebmbit t\u00eb Kuq, urdhri nga prifti serb p\u00ebr shkat\u00ebrrimin e gjetjeve arkeologjike, pastaj dalja e ujit gjat\u00eb k\u00ebrkimeve p\u00ebr naft\u00eb, masakra e mullirit, sulmi i arkeolog\u00ebve te Varret e Krushqve, shkat\u00ebrrimet arkeologjike n\u00eb Banj\u00eb t\u00eb Pej\u00ebs, zbulimi i diadem\u00ebs dhe nd\u00ebrtimi i Kish\u00ebs Ortodokse me gur\u00ebt e bazilik\u00ebs s\u00eb vjet\u00ebr n\u00eb Lumbor\u00eb e ndonj\u00eb detaj tjet\u00ebr q\u00eb ka mundur t\u00eb m\u00eb p\u00ebrvidhet, jan\u00eb gjetje letrare q\u00eb duken si margaritar t\u00eb nd\u00ebrtuara mbi ndonj\u00eb goj\u00ebdh\u00ebn\u00eb, apo nga ndonj\u00eb ngjarje ose ndodhi reale q\u00eb autori i ka vjel\u00eb me kujdes duke e veshur vepr\u00ebn e tij edhe me petkun letrar e artistik ka b\u00ebr\u00eb nj\u00eb rifreskim t\u00eb kujtes\u00ebs son\u00eb p\u00ebr k\u00ebto b\u00ebma e ngjarje t\u00eb v\u00ebrteta.
\nN\u00eb romanin e Muharrem Blakajt \u201cThesaret e humbura\u201d pos t\u00eb tjerash lexuesi do t\u00eb gjen toponime, em\u00ebrtime, shprehje arkeologjike, gjeologjike, pastaj emra sendesh e mjetesh q\u00eb e pasurojn\u00eb jo vet\u00ebm vokabularin gjuh\u00ebsor dhe e rritin vler\u00ebn e librit por pasurojn\u00eb e rikujtojn\u00eb mendjen e lexuesit p\u00ebr gj\u00ebra t\u00eb harruara a t\u00eb braktisura nga koh\u00eb t\u00eb larg\u00ebta. Ky sfond kaq i begat\u00eb e ka b\u00ebr\u00eb rr\u00ebfimin m\u00eb interesant, me t\u00eb t\u00ebr\u00eb dramacitetin e ndodhis\u00eb ku i ballafaqon momentet si \u00e7astet m\u00eb intriguese, madje shpesh kund\u00ebrshtuese t\u00eb dram\u00ebs s\u00eb brendshme t\u00eb individit apo t\u00eb shoq\u00ebris\u00eb si t\u00ebr\u00ebsi. Esenca e romanit \u00ebsht\u00eb p\u00ebr t\u00eb sjell\u00eb situata dramatike si ekzistenc\u00eb jet\u00ebsore dhe p\u00ebr t\u00eb shpjeguar mbijetes\u00ebn me sfida t\u00eb m\u00ebdha t\u00eb shqiptar\u00ebve.
\nEdhe elementet tjera si\u00e7 jan\u00eb: rr\u00ebfimi, kompozicioni, syzheu dhe personazhet e tjera jan\u00eb vendosur n\u00eb at\u00eb form\u00eb q\u00eb kan\u00eb krijuar dramacitetin e ngjarjes, rr\u00ebfimin p\u00ebr nj\u00eb histori sa t\u00eb dhimbshme po aq tragjike t\u00eb cilat si figura narrative jan\u00eb p\u00ebrplot dinamiz\u00ebm dhe figuracion t\u00eb kapsh\u00ebm dhe mjaft\u00eb real q\u00eb jan\u00eb send\u00ebrtuar me nj\u00eb mjeshtri p\u00ebr t\u2019u lakmuar, por q\u00eb e b\u00ebjn\u00eb romanin m\u00eb t\u00ebrheq\u00ebs dhe m\u00eb t\u00eb pranuesh\u00ebm s\u2019ka dyshim.
\nGjithsesi romani \u201cTHESARET E HUMBURA\u201d kujton nj\u00eb lloj reminishence nga historia p\u00ebr etnosin dhe hap\u00ebsir\u00ebn jet\u00ebsore q\u00eb dalin si mesazhe p\u00ebr t\u00eb tashmen e pakujdesshme q\u00eb shihet e p\u00ebrjetohet brenda etnosit tone nacional.<\/p>\n

St. Gallen, 13 maj 2010.<\/em><\/p>\n

* * *<\/p>\n

THESARET E HUMBURA…<\/strong><\/p>\n

(Fragment<\/em>)*<\/p>\n

Nga Muharrem Blakaj<\/strong><\/p>\n

***<\/p>\n

Rruga ishte e ngusht\u00eb, me lisa e gjerdhe anash. Tutje shiheshin ara t\u00eb mbjella me mis\u00ebr. Pa livadhe t\u00eb kositura. Gjat\u00eb rrug\u00ebs takoj fshatar\u00eb, t\u00eb cil\u00ebt porsa i diktonin, kokulur ua lironin udh\u00ebn.<\/p>\n

Asnj\u00ebri nuk fliste. D\u00ebgjoheshin vet\u00ebm zhurma e guralec\u00ebve q\u00eb krijohej n\u00ebn pesh\u00ebn e \u00e7izmeve t\u00eb tyre. Rruga, pas nj\u00eb b\u00ebrryli, mori kah n\u00eb t\u00eb djatht\u00eb, duke u futur n\u00ebp\u00ebr disa bok\u00ebrima t\u00eb shkreta, e pastaj n\u00eb nj\u00eb mal t\u00eb dendur e plot dushk. Ju b\u00eb se tutje, n\u00eb thell\u00ebsi t\u00eb malit, diku prapa ndonj\u00eb shk\u00ebmbi kishin z\u00ebn\u00eb pusi ka\u00e7ak\u00ebt, t\u00eb cil\u00ebt t\u00eb heshtur prisnin shfaqjen e tyre, dhe…<\/p>\n

\u2013 … Jan\u00eb varre krushqish, \u2013 ia nd\u00ebrpreu mendimet Miliqi dhe vazhdoi; \u2013 k\u00ebtu n\u00eb koh\u00ebra t\u00eb vjetra q\u00eb askush nuk i mban\u00eb mend, thuhet se kur jan\u00eb takuar dy pal\u00eb krushq, asnj\u00ebra nuk kan\u00eb pranuar t\u2019ia l\u00ebshojn\u00eb rrug\u00ebn tjetr\u00ebs, dhe jan\u00eb vrar\u00eb t\u00eb gjith\u00eb!
\n\u2013 Ishin shqiptar apo serb? \u2013 pyeti Van Joviqi.
\n\u2013 Jo, jo! shqiptar ishin! \u2013 u p\u00ebrgjigj Miliqi.<\/p>\n

Van Joviqi kthej kok\u00ebn andej. N\u00eb nj\u00eb shesh t\u00eb mbushur me filiza t\u00eb rinj shkoze, pa varre t\u00eb vithisura. Ju b\u00eb se i pa ata krushq-kalor\u00ebs, t\u00eb veshur me tirq e xhamadan, kur shkonin kaluar p\u00ebr ta d\u00ebrguar n\u00eb sht\u00ebpi nusen e re dhe pik\u00ebrisht k\u00ebtu, ishin takuar me krushqit e nj\u00eb krahine, apo katundi tjet\u00ebr dhe, asnj\u00ebra pal\u00eb nuk kishte pranuar t\u00eb skajohej n\u00eb an\u00ebn e poshtme p\u00ebr t\u00eb hapur rrug\u00eb! Pastaj kishin kris\u00eb pushk\u00ebt. Krushqit mal\u00ebsor\u00eb kishin zbrit nga kuajt p\u00ebr t\u00eb z\u00ebn\u00eb pozita m\u00eb t\u00eb mira duke shti pa nd\u00ebrprerje, deri sa ishin vrar\u00eb t\u00eb gjith\u00eb!<\/p>\n

P\u00ebrball\u00eb ju shfaq nj\u00eb kod\u00ebr e vog\u00ebl. N\u00eb fundin e saj u pan\u00eb sht\u00ebpit\u00eb e para t\u00eb katundit. Tupan\u00ebt tani d\u00ebgjoheshin shum\u00eb af\u00ebr, t\u00eb shoq\u00ebruar me z\u00ebrin g\u00ebrryes t\u00eb zurnave. Nj\u00eb turm\u00eb t\u00eb rinjsh rrinin n\u00eb k\u00ebmb\u00eb buz\u00eb rrug\u00ebs. Ata kthyen kokat drejt tyre. Pastaj, t\u00eb heshtur ua l\u00ebshuan rrug\u00ebn p\u00ebr t\u00eb kaluar. N\u00eb fytyrat e tyre nuk kishte ndonj\u00eb shenj\u00eb urrejtje edhe pse dukeshin t\u00eb ftoh\u00ebt. Akoma pa u afruar, nj\u00ebri nga t\u00eb rinjt\u00eb iku me vrap dhe u zhduk pas nj\u00eb dere t\u00eb vog\u00ebl, e cila u mbyll me k\u00ebrk\u00ebllim\u00eb. Nd\u00ebrkoh\u00eb pushuan tupan\u00ebt. Vendin e mb\u00ebrtheu nj\u00eb heshtje hutaqe. Po nga ajo der\u00eb u pa t\u00eb dilte nj\u00eb plak. Pasi ndaloj\u00eb n\u00eb prag t\u00eb port\u00ebs, v\u00ebshtrimin e hodhi drejt tyre.<\/p>\n

\u2013 A pret miq, o i zoti i sht\u00ebpis\u00eb! \u2013 thirri me z\u00eb t\u00eb lart\u00eb Miliqi.
\n\u2013 Mir\u00eb se ju pruni Zoti!… \u2013 u p\u00ebrgjigj plaku po me at\u00eb shikim t\u00eb akullt.
\n\u2013 A je burr\u00eb i fort\u00eb?! \u2013 pyeti Miliqi duke ia zgjat\u00eb dor\u00ebn, n\u00eb shenj\u00eb miq\u00ebsie.
\n\u2013 I fort\u00eb e me faqe t\u00eb bardh\u00eb! \u2013 ia ktheu plaku duke ua shtr\u00ebnguar dor\u00ebn me radh\u00eb.
\nDeri sa e ndiqnin pas plakun, Miliqi u p\u00ebrpoq t\u2019ua p\u00ebrkthente fjal\u00ebn \u201ea je burr\u00eb i fort\u00eb,\u201d e ve\u00e7mas fjal\u00ebn \u201eburr\u00ebri.\u201d<\/p>\n

\u2013 Kjo fjal\u00eb e thjesht\u00eb, \u2013 vazhdoi ai, \u2013 t\u00eb shqiptar\u00ebt ka dometh\u00ebnie t\u00eb madhe, q\u00eb n\u00ebnkupton bes\u00ebn, guximin, q\u00ebndres\u00ebn, mikpritjen, mbrojtjen e mikut n\u00ebse ai rrezikohet si dhe, faljen e armikut kur ai e kupton fajin dhe mbet\u00ebt i dob\u00ebt n\u00ebn m\u00ebshir\u00ebn e tij. Kjo fjal\u00eb t\u00eb shqiptar\u00ebt \u00ebsht\u00eb e shenjt, e cila e shtyn\u00eb shqiptarin t\u00eb fiket me rob e pasuri vet\u00ebm p\u00ebr mos shkeljen e virtyteve t\u00eb saj!…<\/p>\n

N\u00eb oborrin e gjer\u00eb, kishte shum\u00eb t\u00eb rijn\u00eb t\u00eb cil\u00ebt kthyen shikimet drejt tyre. Ashtu si\u00e7 i kishte p\u00ebrsh\u00ebndetur plaku m\u00eb par\u00eb, edhe ata, me dor\u00ebn n\u00eb gjoks, me nj\u00eb p\u00ebrulje t\u00eb leht\u00eb i p\u00ebrsh\u00ebndet\u00ebn. Plaku si\u00e7 ishte duke ju pri, ndaloi p\u00ebr nj\u00eb \u00e7ast dhe u kthye nga Miliqi, i cili e kuptoi mimik\u00ebn e tij, ndaj hoqi pushk\u00ebn nga supi dhe ia zgjati plakut. Ai me pushk\u00eb n\u00eb dor\u00eb, priu i pari drejt\u00eb der\u00ebs s\u00eb madhe t\u00eb kull\u00ebs.<\/p>\n

\u00c7armatosjen aq t\u00eb leht\u00eb t\u00eb Miliqit nga ana e nj\u00eb plaku, nuk e kishte menduar askush. Frika nga ndonj\u00eb grack\u00eb tani l\u00ebvizte lirsh\u00ebm n\u00eb fytyr\u00ebn e \u00e7donj\u00ebrit. Miliqi, p\u00ebrkundrazi, e ndjente vet\u00ebn shum\u00eb m\u00eb t\u00eb fuqish\u00ebm se sa m\u00eb par\u00eb kur e kishte pushk\u00ebn n\u00eb krah.
\n\u2013 Pra, \u2013 vazhdoi Miliqi me t\u00eb nj\u00ebjtin ton \u2013 tani ne, jemi n\u00eb bes\u00ebn e t\u00eb zotit t\u00eb sht\u00ebpis\u00eb dhe fisit t\u00eb tij. P\u00ebr bes\u00ebn, apo fjal\u00ebn e dh\u00ebn\u00eb, shqiptari e v\u00eb n\u00eb sh\u00ebrbim t\u00eb saj jet\u00ebn, pl\u00ebngun dhe gjith\u00eb \u00e7ka ka! P\u00ebr shembull, n\u00ebse ne do t\u00eb sulmoheshim nga dikush, k\u00ebta do t\u00eb vriten deri n\u00eb shfarosje p\u00ebr t\u00eb na mbrojtur ne, dhe fjal\u00ebn e dh\u00ebn\u00eb! Sht\u00ebpia e shqiptarit \u00ebsht\u00eb e Zotit dhe e mikut, \u2013 k\u00ebshtu thot\u00eb kanuni i tyre!<\/p>\n

N\u00eb divahane kishte shum\u00eb burra. Me t\u2019u shfaqur para tyre, u ngrit\u00ebn t\u00eb gjith\u00eb n\u00eb k\u00ebmb\u00eb, dhe u kthyen drejt tyre. Me dor\u00eb n\u00eb gjoks, dhe me p\u00ebrulje t\u00eb leht\u00eb i p\u00ebrsh\u00ebndet\u00ebn. Plaku u priu deri n\u00eb od\u00eb. Edhe aty kishte shum\u00eb burra. Edhe ata i prit\u00ebn n\u00eb k\u00ebmb\u00eb, me gjestet t\u00eb nj\u00ebjta. N\u00eb at\u00eb gjysmerr\u00ebsir\u00eb, nuk ju dalloheshin fytyrat. Zun\u00eb vend n\u00eb ball\u00eb, aty ku ua liruan t\u00eb tjer\u00ebt.<\/p>\n

\u2013 U trash\u00ebgofshin! \u2013 foli Miliqi, duke ju drejtuar plakut.
\n\u2013 T\u2019u rrit\u00eb ndera! \u2013 ia ktheu plaku.
\n\u2013 Nder\u00eb e bes\u00eb paq! \u2013 ia ktheu Miliqi. Miliqi foli edhe p\u00ebr nj\u00eb cop\u00eb her\u00eb me plakun. Plaku nuk fliste, por her\u00eb pas here luhaste kok\u00ebn n\u00eb shenj\u00eb miratimi. Pas pak, plaku b\u00ebri me shenj\u00eb tutje nga burrat. Nj\u00ebri ju afrua pran\u00eb. Pasi i p\u00ebshp\u00ebriti di\u00e7ka pran\u00eb veshi, ai iku n\u00eb drejtim t\u00eb der\u00ebs. Miliqi u kthye nga ata dhe me z\u00eb t\u00eb ul\u00ebt filloi t\u00eb fliste:
\n\u2013 Ndera, t\u00eb shqiptar\u00ebt ka kuptimin e ruajtjes s\u00eb moralit, zakoneve, traditave dhe gjuh\u00ebs s\u00eb t\u00eb par\u00ebve. K\u00ebto jan\u00eb virtyte t\u00eb shenjta p\u00ebr ta, po i preke n\u00eb k\u00ebto virtyte, do t\u2019i kish\u00eb armiq t\u00eb p\u00ebrbetuar! \u201eDy gisht nder\u00eb n\u00eb lule t\u00eb ballit, na i dha i Madhi Zot!\u201d \u2013 \u00ebsht\u00eb th\u00ebne nga kanuni i tyre.
\nMal\u00ebsori plak ju dha shenj\u00eb valltar\u00ebve. Fare pran\u00eb tyre zuri vend nj\u00eb burr\u00eb, i cili n\u00eb supe mbante t\u00eb varur tupanin. P\u00ebrkrah i rrinin dy burra me zurna n\u00eb duar. Derisa ishte duke shikuar drejt tyre, pa dy valltar q\u00eb kishin z\u00ebn\u00eb vend n\u00eb mes. U befasua kur pa s\u00eb n\u00eb shokat e tyre shum\u00ebngjyr\u00ebshe ju vareshin jatagan\u00ebt!
\n\u2013 \u00cbsht\u00eb valle epike dyluftimi, q\u00eb karakterizon forc\u00ebn e burr\u00ebrin\u00eb. Kjo valle luhet kryesisht nga burrat! Ka ndonj\u00eb rast t\u00eb rrall\u00eb q\u00eb, n\u00eb k\u00ebto valle inkuadrohen edhe…! \u2013 u d\u00ebgjua t\u00eb shpjegonte Miliqi.
\nE goditura e tupanit sikur i treti fjal\u00ebt e fundit t\u00eb Miliqit. L\u00ebvizjet e valltar\u00ebve n\u00eb fillim u duk\u00ebn t\u00eb ngath\u00ebta, t\u00eb ngadalshme, t\u00eb hareshme dhe sipas ritmit t\u00eb r\u00ebnave t\u00eb tupanit, l\u00ebvizjet sikur u gjall\u00ebruan. Pothuajse n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb ata nxor\u00ebn jatagan\u00ebt nga brezi, duke ndryshuar stilin e k\u00ebrcimit miq\u00ebsor, n\u00eb at\u00eb luftarak. L\u00ebvizjet e gjymtyr\u00ebve dhe t\u00eb trupit, mimika, shprehjet p\u00ebrmes l\u00ebvizjeve, shprehja e mllefit kund\u00ebr kund\u00ebrshtarit, reflekset, t\u00eb gjitha k\u00ebto ju dukeshin Van Joviqi sikur ishte duke ndodhur nj\u00eb gjakderdhje e v\u00ebrtet\u00eb. Ishte drama e tyre tragjike e v\u00ebn\u00eb n\u00eb loj\u00eb!…
\nRitmet e shpejtuara sikur filluan t\u00eb ngadal\u00ebsoheshin. Valltar\u00ebt l\u00ebviznin ngadal\u00eb, duke i ndeshur n\u00eb t\u00eb rrall\u00eb jatagan\u00ebt q\u00eb i mbanin n\u00eb duar. Dukej se ishin t\u00eb lodhur nga dyluftimi, dhe nga \u00e7asti n\u00eb \u00e7ast do t\u00eb rr\u00ebzoheshin. Tamam n\u00eb koh\u00ebn kur Van Joviqi priste q\u00eb nj\u00ebri nga valltar\u00ebt t\u00eb mundej, t\u00eb rr\u00ebzohej, t\u00eb jepej apo t\u00eb p\u00ebrfundonte vallja pa t\u00eb mundur, u d\u00ebgjua nj\u00eb z\u00eb i tmerrsh\u00ebm femre! Muzika pushoj\u00eb. Qet\u00ebsja dominonte, ngrirja e valltar\u00ebve n\u00eb pozita kryengrit\u00ebse e b\u00ebri Van Joviqin t\u00eb mendonte vet\u00ebtimthi s\u00eb v\u00ebrtet\u00eb po ndodhte di\u00e7ka e tmerrshme rrotull tyre.<\/p>\n

Akoma pa u tmerruar nga ndonj\u00eb e papritur, filluan gj\u00ebmimet e tupan\u00ebve dhe z\u00ebri kumbues i zurnave. N\u00eb aren\u00ebn ku ishte zhvilluar dyluftimi, u pa t\u00eb futej triumfalisht nj\u00eb vajz\u00eb! N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb burbulluan t\u00eb goditurat e tupanit t\u00eb p\u00ebrcjella me z\u00ebrin g\u00ebrryes t\u00eb zurnave. Vallja mori hov. Valltar\u00ebt sikur p\u00ebrpiqeshin t\u00eb gjenin nj\u00eb rast t\u00eb p\u00ebrshtatsh\u00ebm p\u00ebr t\u00eb goditur kund\u00ebrshtarin por, po n\u00eb at\u00eb drejtim hidhej vajza duke ia kursyer valltarit t\u00eb goditur\u00ebn.<\/p>\n

Pastaj, po me t\u00eb nj\u00ebjtin rit\u00ebm kthehej nga valltari tjet\u00ebr duke e penguar edhe at\u00eb, dhe n\u00eb fund pasi mori dy shamia q\u00eb i kishte t\u00eb lidhura n\u00eb tojat e p\u00ebshtjellakut, dhe me duart lart, nj\u00ebr\u00ebn ia dhuroi valltarit q\u00eb e kishte p\u00ebrball\u00eb, dhe pastaj ajo u kthye nga ana tjet\u00ebr dhe, gjithnj\u00eb duke k\u00ebrcyer sipas ritmit t\u00eb tupan\u00ebve, ia dhuroj shamin\u00eb tjetrit valltar. Ritmi i t\u00eb r\u00ebnave t\u00eb tupanit u ngadal\u00ebsua duksh\u00ebm duke i ngadal\u00ebsuar edhe l\u00ebvizjet e valltar\u00ebve. Pasi i fut\u00ebn shpatat n\u00eb brez u p\u00ebrqafuan me nj\u00ebri tjetrin n\u00eb shenj\u00eb pajtimi! Nd\u00ebrkoh\u00eb, edhe muzika pushoi.
\nVan Joviqi i shikonte i mahnitur mal\u00ebsor\u00ebt valltar\u00eb, t\u00eb cil\u00ebt kishin z\u00ebn\u00eb t\u00eb largoheshin. Pastaj e k\u00ebrkoi me sy vajz\u00ebn q\u00eb kishte k\u00ebrcyer pak m\u00eb par\u00eb, por nuk e pa gj\u00ebkundi! Nd\u00ebrkoh\u00eb, d\u00ebgjoi z\u00ebrin e Miliqi!
\n\u2013 Po u fut gruaja n\u00eb mes t\u00eb dy burrave t\u00eb cil\u00ebt jan\u00eb n\u00eb kacafytje e sip\u00ebr, ata nuk guxojn\u00eb t\u00eb vazhdojn\u00eb p\u00ebrleshjen por duhet t\u00eb ndahen menj\u00ebher\u00eb! Gruaja nuk bie n\u00eb gjak, thuhet n\u00eb kanun.
\nN\u00eb aren\u00ebn e krijuar m\u00eb par\u00eb p\u00ebr valltar\u00ebt, ia beh\u00ebn dy mal\u00ebsor\u00eb t\u00eb tjer\u00eb. Zun\u00eb vend n\u00eb mes t\u00eb sheshit rrethuar me burra. Nj\u00ebri, mbi gju e vendosi lahut\u00ebn. Pasi p\u00ebshp\u00ebrit\u00ebn di\u00e7ka n\u00eb mes tyre, v\u00ebshtrimin e hodh\u00ebn nga plaku. Ai kishte nj\u00eb pamje t\u00eb ngurt\u00eb. Si\u00e7 dukej nuk donte assesi t\u00eb miratonte at\u00eb q\u00eb rapsod\u00ebt e kishin nd\u00ebrmend t\u00eb k\u00ebndonin.
\n\u2013 Do t\u00eb k\u00ebndojn\u00eb p\u00ebr Betej\u00ebn e Kosov\u00ebs! \u2013 sqaroi Miliqi, me z\u00eb t\u00eb ul\u00ebt.
\nVan Joviqi pa nga af\u00ebr gusll\u00ebn e rapsod\u00ebve shqiptar\u00eb. Ishte shum\u00eb e ngjashme, p\u00ebr t\u00eb mos th\u00ebn\u00eb identike me gusll\u00ebn sllave. Befas, ju kujtua libri i Aleksand\u00ebr Gilferdingut, ku shkruante se serb\u00ebt nuk ishin n\u00eb dijeni jo vet\u00ebm p\u00ebr mitin e Kosov\u00ebs, por as p\u00ebr Lazarin e Jugoviq\u00ebt.
\n\u2013 T\u00eb shqiptar\u00ebt akoma \u00ebsht\u00eb i gjall\u00eb miti p\u00ebr Luft\u00ebn e Kosov\u00ebs. N\u00eb net\u00ebt e gjata t\u00eb dimrit, t\u00eb ulur buz\u00eb vatre, pleqt\u00eb me krenari, ua rr\u00ebfejn\u00eb t\u00eb rinjve legjend\u00ebn e betej\u00ebs s\u00eb Kosov\u00ebs dhe vrasjen e Sulltanit nga ana e Millosh Kopiliqit. K\u00ebt\u00eb goj\u00ebdh\u00ebn\u00eb edhe un\u00eb, shum\u00eb her\u00eb e kam d\u00ebgjuar nga mal\u00ebsor\u00ebt shqiptar\u00eb. Nuk ka shqiptar\u00eb q\u00eb nuk e di k\u00ebt\u00eb legjend\u00eb! \u2013 fliste Miliqi me z\u00eb t\u00eb ul\u00ebt, deri sa rapsod\u00ebt p\u00ebrgatiteshin p\u00ebr t\u2019ia nis\u00eb k\u00ebng\u00ebs.
\nRapsod\u00ebt, \u00e7udit\u00ebrisht vazhdonin t\u00eb rrinin k\u00ebmb\u00ebkryq. V\u00ebshtrimet e tyre t\u00eb qelqta, her\u00eb-her\u00eb i hidhnin n\u00eb drejtim t\u00eb mysafir\u00ebve t\u00eb paftuar. Pamjet e tyre t\u00eb dyzuara, jepnin nj\u00eb tablo mosp\u00ebrfill\u00ebse ndaj grupeve q\u00eb e rrethonin. K\u00ebto vinin si shkarkim i dyshimit ndaj t\u00eb paftuarve dhe zhg\u00ebnjimit ndaj t\u00eb zotit t\u00eb dasm\u00ebs, i cili dukej t\u00eb ishte i pasigurt nga prania e t\u00eb paftuarve, ndaj vazhdonte ta shtynte sa m\u00eb larg urdhrin p\u00ebr t\u2019ia filluar k\u00ebng\u00ebs.
\n\u2013 Mund t\u2019ia filloni! \u2013 nd\u00ebrhyri Miliqi me nj\u00eb z\u00eb t\u00eb but\u00eb, pasi i kishte v\u00ebrejtur dyshimet e tyre.
\nRapsod\u00ebt, sikur ta kishin b\u00ebr\u00eb me fjal\u00eb, t\u00eb dy hodh\u00ebn v\u00ebshtrimet e tyre drejt t\u00eb zotit t\u00eb dasm\u00ebs, i cili miratoi me luhatje koke.
\nAi q\u00eb e mbante lahut\u00ebn n\u00eb preh\u00ebr, l\u00ebvizi pak p\u00ebr t\u00eb z\u00ebn\u00eb vend m\u00eb mir\u00eb. Ngriti dor\u00ebn. Pasi e tundi leht\u00eb harkun, e vuri mbi fillin e lahut\u00ebs. Tingulli doli kumbues, me nj\u00eb zik-zake t\u00eb zgjatur sikur vinte nga nj\u00eb koh\u00eb e vjet\u00ebr, e humbur nga lasht\u00ebsia. Van Joviqit ju b\u00eb se ai ton i zgavruar i lahut\u00ebs, e mori nga kjo koh\u00eb dhe e degdisi n\u00eb nj\u00eb koh\u00eb t\u00eb lasht\u00eb, ku nga \u00e7asti n\u00eb \u00e7ast pritej t\u00eb fillonte beteja. Pas pak, lahutari hapi goj\u00ebn t\u00eb k\u00ebndonte. Van Joviqi ndjeu nj\u00eb leht\u00ebsim, pasi z\u00ebri i tij, i nj\u00ebjt\u00ebsuar me tingullin e lahut\u00ebs, sikur e solli prap\u00eb nga ajo koh\u00eb e lasht\u00eb! Z\u00ebri filloi t\u00eb shkoqitej vet\u00ebm at\u00ebher\u00eb kur fjal\u00ebt filluan t\u00eb ndahen n\u00eb rrokje.<\/p>\n

M\u2019ish ken\u00eb Sulltan Murati…<\/p>\n

…dhe akoma pa p\u00ebrfunduar z\u00ebri i rapsodit t\u00eb par\u00eb, nj\u00eb me z\u00ebrin e zgjatur t\u00eb lahut\u00ebs u ngjit z\u00ebri i rapsodit t\u00eb dyt\u00eb.<\/p>\n

Mir\u00eb avdes kish pas\u2019 marr\u00eb,<\/p>\n

Miliqi arriti p\u00ebrmes p\u00ebshp\u00ebrim\u00ebs t\u2019i p\u00ebrkthente ato q\u00eb rapsod\u00ebt i thoshin nj\u00ebri pas tjetrit. K\u00ebnga epike vazhdonte. Van Joviqi, ia kishte ngul\u00eb v\u00ebshtrimin kapakut t\u00eb l\u00ebkurt\u00eb t\u00eb lahut\u00ebs, q\u00eb mbulonte at\u00eb zgav\u00ebr druri, sikur ishte duke u p\u00ebrpjekur t\u2019i ndrynte brenda asaj zgavre r\u00ebnkimet mij\u00ebvje\u00e7are t\u00eb nj\u00eb populli, q\u00eb nga larg i vinte, si pjes\u00eb e shpirtit t\u00eb tij!<\/p>\n

Ishte e mundur vall\u00eb q\u00eb ajo cop\u00eb druri e vog\u00ebl e mb\u00ebshtjell\u00eb m\u00eb l\u00ebkur\u00eb, t\u00eb mbante mbi vete shekuj t\u00eb gjakosur, ushtar\u00eb dhe kalor\u00ebs t\u00eb molisur, shpata e shtiza t\u00eb skuqura nga gjaku. Ju b\u00eb se nga goja e rapsod\u00ebve tani nuk vinin ritme muzikore por klithje e britma t\u00eb dhimbshme ushtar\u00ebsh, hing\u00ebllima kuajsh, copa urdhrash, gj\u00ebm\u00eb dhe d\u00ebnesa t\u00eb pad\u00ebgjuara ndonj\u00ebher\u00eb n\u00eb jet\u00ebn e tij. Ashtu sikurse edhe valltar\u00ebt m\u00eb par\u00eb, edhe lahutar\u00ebt, k\u00ebndonin tragjedin\u00eb e tyre t\u00eb p\u00ebrmotshme t\u00eb v\u00ebn\u00eb n\u00eb epos!<\/p>\n

Millosh Kopiliqit fjal\u00eb i ka \u00e7ua,
\nE teslim ti me mu ba!…<\/em><\/p>\n

Van Joviqi ju afrua Miliqit. Ai ishte duke ia p\u00ebrkthye Fransuas pik\u00ebrisht at varg. P\u00ebrshtypje i b\u00ebri se edhe Miliqi sikurse edhe rapsod\u00ebt shqiptar\u00eb, mbiemrin e Milloshit e thoshin Kopiliqi. Ishte hera a par\u00eb q\u00eb e d\u00ebgjonte k\u00ebt\u00eb, dhe jo nga shkrimet e emisar\u00ebve serb t\u00eb \u201eNa\u00e7ertanies\u201d, por nga goja e rapsod\u00ebve analfabet\u00eb shqiptar\u00eb!
\nNj\u00eb burr\u00eb ju afrua pran\u00eb Miliqit dhe i p\u00ebshp\u00ebriti di\u00e7ka t\u00eb veshi. Miliqi e miratoji me kok\u00eb, pastaj v\u00ebshtrimin e hodhi nga i zoti i sht\u00ebpis\u00eb. Pa u v\u00ebn\u00eb re u ngrit dhe u zhduk n\u00eb mesin e burrave.<\/p>\n

\u00c7ojke kam\u00ebn Sulltani me ja dhan\u00eb,
\nKy Milloshi, n\u00eb dor\u00eb hanxharin e kish pas,
\nMe hanxhar Sulltanit i ka ra…<\/em><\/p>\n

I humbur pas fjal\u00ebve t\u00eb eposit, i b\u00ebhej se ato z\u00ebra nuk ishin t\u00eb k\u00ebsaj bote, por ishin z\u00ebra t\u00eb ardhur nga nj\u00eb koh\u00eb e larg\u00ebt, e harruar nga populli sllav. Ishin t\u00eb kota p\u00ebrpjekjet e na\u00e7ertanistve p\u00ebr sajimin e tyre! Ato i kishte shkelur koha, i kishte mbuluar pluhuri i err\u00ebt e harres\u00ebs shekullore. Ju b\u00eb se e pa Millosh Kopiliqin, i veshur n\u00eb tirq me gajtan\u00eb, me p\u00ebrkrenare e parzmore tunxhi, me hanxharin e tij t\u00eb gjakosur q\u00eb e godiste Sulltan Muratin, pasi ai ia kishte zgjatur k\u00ebmb\u00ebn n\u00eb shenj\u00eb n\u00ebnshtrimi, e jo dor\u00ebn p\u00ebr pajtim!<\/p>\n

Pastaj, pa njer\u00ebzit rrotull tij, pasardh\u00ebs t\u00eb po atij populli kryengrit\u00ebs q\u00eb kishin jetuar n\u00ebp\u00ebr male e shpella duke prer\u00eb sulltan e vezir, p\u00ebr t\u2019i ruajtur virtytet e t\u00eb par\u00ebve t\u00eb tyre, pa i k\u00ebmbyer me liri e pasuri n\u00ebnshtruese, sikur t\u00eb populli sllav, q\u00eb pas humbjes s\u00eb betej\u00ebs s\u00eb Kosov\u00ebs kishin pranuar n\u00ebnshtrimin e sulltanit. Nd\u00ebrsa sot, prift\u00ebrinjt\u00eb dhe na\u00e7ertanist\u00ebt vajtojn\u00eb si m\u00ebllenjat disfatat e t\u00eb par\u00ebve t\u00eb tyre!… K\u00ebto virtyte t\u00eb shqiptar\u00ebve, t\u00eb ruajtura me xhelozi nd\u00ebr shekuj, krijuan eposet e famshme, dhe ja tani, nga dy mal\u00ebsor\u00eb rapsod\u00eb, riktheheshin me shekuj prapa, duke u takuar n\u00eb fush\u00ebn e betej\u00ebs me Millosh Kopiliqin! I b\u00ebhej se i d\u00ebgjonte vring\u00ebllimat e shpatave mbi kok\u00ebn e mbrojtur t\u00eb Milloshit, dhe aty fillonte ikja, zhg\u00ebnjimi, tradhtia… por tani nuk e ndante dot, ishte ikja e Millosh Kopiliqit t\u00eb tradhtuar nga shkina plak\u00eb, apo ishte ikja e tij nga rapsod\u00ebt shqiptar\u00eb, t\u00eb armatosur me epin e tyre plot gjak!<\/p>\n

*Fragment nga romani \u201cTHESARET E HUMBURA\u201d, Prishtin\u00eb 2005<\/em>.<\/p>\n

\"Muharrem<\/p>\n

SH\u00cbNIME P\u00cbR AUTORIN<\/strong>:<\/p>\n

Muharrem BLAKAJ (06.01.1959). Lindi n\u00eb fshatin Vrell\u00eb, komuna e Burimit (ish Istogu). Shkoll\u00ebn fillore e mbaroi n\u00eb vendlindje, t\u00eb mesmen, ekonomiken, tre vitet e para n\u00eb Pej\u00eb, nd\u00ebrsa vitin e kat\u00ebrt, matur\u00ebn, e p\u00ebrfundoi n\u00eb Istog. Po at\u00eb vit e regjistroi Shkoll\u00ebn e Lart\u00eb Pedagogjike n\u00eb Prishtin\u00eb, deg\u00ebn gjuh\u00eb dhe let\u00ebrsi shqipe.
\nMuharrem Blakaj p\u00ebr her\u00eb t\u00eb par\u00eb burgoset m\u00eb 14 dhjetor 1979, kurse p\u00ebr her\u00eb t\u00eb dyt\u00eb m\u00eb 5 shkurt 1987. Her\u00ebn e dyt\u00eb n\u00eb munges\u00eb t\u00eb provave e lirojn\u00eb, ndon\u00ebse nj\u00eb vit m\u00eb par\u00eb UDB serbe ia kishte mbytur t\u00eb v\u00ebllan\u00eb (Xhemailin), n\u00eb burgun hetues n\u00eb Pej\u00ebs.
\nGjat\u00eb bastisjes n\u00eb sht\u00ebpin\u00eb e tij, policia ia merr dor\u00ebshkrimin e tregimeve t\u00eb p\u00ebrgatitur p\u00ebr shtyp \u201eMonolog i nj\u00eb komiti\u201c, si dhe dy novelat \u201eBalta me gjak\u201c dhe \u201eBesa\u201c, t\u00eb cilat nuk i kthejn\u00eb asnj\u00ebher\u00eb.
\nMuharrem Blakaj, n\u00eb tetor t\u00eb vitit 1987 detyrohet ta l\u00ebshoj Kosov\u00ebn dhe t\u00eb k\u00ebrkoj strehim politik n\u00eb Zvic\u00ebr. Ai deri m\u00eb tani i ka botuar tregimet dhe fragmente nga romanet e tij, kudo n\u00eb shtypin shqiptar\u00eb qoft\u00eb n\u00eb diaspor\u00eb apo n\u00eb Kosov\u00eb.
\nMuharrem Blakaj, jeton n\u00eb Zvic\u00ebr.
\nAdresa elektronike: memi_1111@hotmail.com<\/p>\n

Veprat letrare<\/strong>:
\n1. \u201cMisioni sekret\u201d , roman, botoi Sh. Botuese \u201cRozafa\u201d, Prishtin\u00eb 2004.
\n2. \u201dThesaret e humbura\u201d, roman, botoi SHKSH \u201eM\u00ebm\u00ebdheu\u201c, CH – St. Gallen 2005.
\n3. \u201cAtentat brenda germ\u00ebs L\u201d, roman, botoi SHKSH \u201eM\u00ebm\u00ebdheu\u201c, CH – St. Gallen 2007.
\n4. \u201cParaardh\u00ebsit\u201d, roman, botoi \u201cKOMBI\u201d (IKDFK), Prishtin\u00eb 2009.<\/p>\n

P\u00ebrgatiti: Sh. Dibrani<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

PROZA E MUHARREM BLAKAJT (2) Muharrem Blakaj: \u201cTHESARET E HUMBURA\u201d, roman, botoi ShKSh \u201cM\u00ebm\u00ebdheu\u201d, St. Gallen \/ Prishtin\u00eb 2005, faqe 156. ISBN: 9951-423-04-3 Shkruan: Shefqet DIBRANI Romani i Muharrem Blakajt \u201cTHESARET E HUMBURA\u201d, \u00ebsht\u00eb nj\u00eb vep\u00ebr letrare e ve\u00e7ant\u00eb, qoft\u00eb p\u00ebr tematik\u00ebn e qoft\u00eb p\u00ebr m\u00ebnyr\u00ebn e rr\u00ebfimit, sidomos p\u00ebr konceptimin e ngjarjes. Muharrem Blakaj […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,7],"tags":[],"class_list":{"0":"post-2983","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artikuj","7":"category-letersi"},"yoast_head":"\nSILOGJIZMI LETRAR P\u00cbR SIMBIOZ\u00cbN ME THESARET - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/silogjizmi-letrar-per-simbiozen-me-thesaret\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SILOGJIZMI LETRAR P\u00cbR SIMBIOZ\u00cbN ME THESARET - FjALA e LIR\u00cb - Arkivi\" \/>\n<meta property=\"og:description\" content=\"PROZA E MUHARREM BLAKAJT (2) Muharrem Blakaj: \u201cTHESARET E HUMBURA\u201d, roman, botoi ShKSh \u201cM\u00ebm\u00ebdheu\u201d, St. Gallen \/ Prishtin\u00eb 2005, faqe 156. 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