{"id":2598,"date":"2014-12-30T15:25:02","date_gmt":"2014-12-30T14:25:02","guid":{"rendered":"http:\/\/www.fjala.info\/?p=2598"},"modified":"2014-12-30T15:25:02","modified_gmt":"2014-12-30T14:25:02","slug":"ramiz-kelmendi-mag-i-letrave-shqipe","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/ramiz-kelmendi-mag-i-letrave-shqipe\/","title":{"rendered":"RAMIZ KELMENDI, MAG I LETRAVE SHQIPE"},"content":{"rendered":"

\"\" Prend BUZHALA<\/strong><\/p>\n

GJASHT\u00cb V\u00cbLLIMET E XHEMAIL PECIT P\u00cbR RAMIZ KELMENDIN<\/strong><\/p>\n

N\u00eb v\u00ebllimin e par\u00eb t\u00eb k\u00ebsaj trilogjie letrare dhe kritiko-letrare, Xhemail Peci p\u00ebrkujton Muz\u00ebn e Sibil\u00ebs. “Kur Sibilia e Kumes e ka takuar Eneun, ajo i ka pasur shtat\u00ebqind vjet e i kishin mbetur p\u00ebr t’i jetuar edhe 300 t\u00eb tjera. jo i b\u00ebnte profecit\u00eb e saj n\u00ebp\u00ebrmes gjethes s\u00eb palmes dhe e shoq\u00ebronte Eneun n\u00eb bot\u00ebn e n\u00ebndheshme…” (fq 84).<\/p>\n

E pra, n\u00ebse profecin\u00eb e shkrimit t\u00eb krijuesit letrar e metaforizojm\u00eb me sibil\u00ebn, at\u00ebher\u00eb ky takim i sot\u00ebm me shkrimtarin Ramiz Kelmendi ka mosh\u00ebn 700-vje\u00e7are.<\/p>\n

1. HEKSALOGJIA KRITIKO-LETRARE<\/strong><\/p>\n

P\u00ebrpara, i kemi edhe shkrimtarin e gjall\u00eb, edhe autorin e gjasht\u00eb librave kritiko-letrar\u00eb dhe letrar\u00eb me titujt metaforik\u00eb “Ramiz Kelmendi, Sokol Halili i letrave shqipe”, “E bukura dhe e madh\u00ebrishmja n\u00eb pen\u00ebn e Ramiz Kelmendit”, “Ramiz Kelmendi dhe Sibila e Ulqinit”, \u201cRamiz Kelmendi dhe prosia e tije madhe Faik Konica\u201d, \u201cRamiz Kelmendi per shkrimin dhe shkrimtaret\u201d dhe \u201cRamiz Kelmendi dhe pag\u00ebzimi m\u00eb i bukur i letrave shqipe\u201d.<\/p>\n

Xhemail Peci p\u00ebrzgjedh metaforat nga kategoria estetike e s\u00eb madh\u00ebrishmes p\u00ebr ta portretizuar vepr\u00ebn dhe e personalitetin e Ramiz Kelmendit: n\u00eb tryez\u00ebn e leximit na vijn\u00eb kategorit\u00eb, nocionet apo mitet artistike me burime antike e arb\u00ebrore-shqiptare, si Sokol Halili (personazh i k\u00ebng\u00ebve kreshnike q\u00eb dashuron Tanush\u00ebn e Bjeshk\u00ebve epike), na vjen nga burimet antike miti p\u00ebr Sibil\u00ebn n\u00eb k\u00ebt\u00eb rast Sibila e Ulqinit, si dhe nocionet tjera, si letrat shqipe, e bukura dhe e madh\u00ebrishmja dhe fjal\u00ebt pen\u00eb, shkrim, shkrimtar etj.<\/p>\n

Kjo do t\u00eb thot\u00eb se e bukura, dashuria si emocion i amshuesh\u00ebm njer\u00ebzor q\u00eb i jep kuptim jet\u00ebs dhe e mbushullon jet\u00ebn, p\u00ebrb\u00ebjn\u00eb thelbin e k\u00ebtyre gjasht\u00eb v\u00ebllimeve. Duke p\u00ebrzgjedhur ambientet e nocionet epike, koh\u00ebt epike e veprat e autor\u00ebt epik\u00eb, nuk \u00ebsht\u00eb e rastit pse Xhemail Peci shkruan me aq p\u00ebrkushtim p\u00ebr Rugov\u00ebn e p\u00ebr intelektual\u00ebt e shkrimtar\u00ebt e saj, p\u00ebr trimat dhe epik\u00ebn rugovase, p\u00ebr betejat dhe entopsikolgojin\u00eb rugovase, nga i cili shpirt rugovas del edhe Ramiz Kelmendi. Ashtu sikund\u00ebr v\u00ebrehet, studiuesi Xhemail Peci fillimisht tri veprat e para n\u00eb botimin e par\u00eb, i pati quajtur “trilogji letrare”, nd\u00ebrkoh\u00eb q\u00eb trilogjia rritet n\u00eb heksalogji.<\/p>\n

Duke rimarr\u00eb em\u00ebrtimin e nj\u00eb zhanri sa epik aq edhe antik q\u00eb nga Mahabharata indase, zhan\u00ebr q\u00eb e hasim edhe n\u00eb film apo muzik\u00eb, nd\u00ebrkoh\u00eb q\u00eb romane trilogjike kan\u00eb shkruar shum\u00eb autor\u00eb bot\u00ebror\u00eb, ashtu sikund\u00ebr q\u00eb dislogji, trilogji letrare, pentalogji, madje dhe heksalogji etj, n\u00eb zhanrin e romanit hasim edhe n\u00eb let\u00ebrsin\u00eb shqipe, si te Jakov Xoxa. N\u00eb literatur\u00ebn bot\u00ebrore europer\u00ebndimore, trilogjia nd\u00ebrlidhet dhe me shpalimin n\u00eb retrospektiv\u00eb t\u00eb koh\u00ebve dhe personaliteteve a\u00eb kan\u00eb vepruar e krijuar n\u00ebp\u00ebr koh\u00eb. Porse trilogjit\u00eb letrare t\u00eb Xhemail Pecit nuk ndajn\u00eb kufi kohor\u00eb. Dhe sado q\u00eb trilogjia dhe heksalogjia kan\u00eb konotacionet e saj epike t\u00eb krijimit e t\u00eb veprimit, t\u00eb procesit t\u00eb nd\u00ebrliqsh\u00ebm krijues, megjithat\u00eb, ajo ka lirik\u00ebn e saj t\u00eb amshueshme, dhe k\u00ebt\u00eb p\u00ebrmas\u00eb trajtimesh e interesimesh ta sugjerojn\u00eb vet\u00eb titujt e k\u00ebtyre gjasht\u00eb v\u00ebllimeve. Termi heksalogji u p\u00ebrdor nga Qagner (kompozitor operash), si dhe nga kritik\u00eb t\u00eb m\u00ebvonsh\u00ebm t\u00eb letrave europer\u00ebndimore…<\/p>\n

2. TIPOLOGJIA E LIBRIT<\/strong><\/p>\n

Nga ana tjet\u00ebr, do t\u00eb v\u00ebrehet dhe nj\u00eb prirje tjet\u00ebr, nga pak e pazakont\u00eb, e k\u00ebtij studiuesi. Fjala \u00ebsht\u00eb p\u00ebr strukturimin dhe konceptimin e librave, por edhe p\u00ebr thurjen e ve\u00e7ant\u00eb t\u00eb shkrimit kritiko-letrar, m\u00eb sakt\u00ebsisht, p\u00ebr TIPOLOGJIN\u00cb E B\u00cbRJES S\u00cb LIBRIT. Po qe se studimi i mir\u00ebfillt\u00eb letrar dhe kritika akademike letrare k\u00ebrkojn\u00eb akribi t\u00eb rrept\u00eb shkencore, k\u00ebrkojn\u00eb sistematizim t\u00eb l\u00ebnd\u00ebs e t\u00eb referencave shkencore, k\u00ebrkojn\u00eb nj\u00eb mbar\u00ebshtrim sintetik analizash, tezat dhe metodologjin\u00eb e p\u00ebrzgjedhur diturore, v\u00ebllimet e Xhemailit hetojm\u00eb nj\u00eb qasje krejt\u00ebsisht t\u00eb kund\u00ebrt: at\u00eb t\u00eb qasjes krejt\u00ebsisht t\u00eb lir\u00eb tematike, t\u00eb tematizimit t\u00eb fenomeneve letrare e kulturologjike, shoq\u00ebrore apo estetike, n\u00eb frym\u00eb plot\u00ebsisht eseistike. T\u00eb duket sikur kjo l\u00ebnd\u00eb \u00ebsht\u00eb e shkap\u00ebderdhur, por vet\u00ebm n\u00eb shikim t\u00eb par\u00eb ndodh kjo.<\/p>\n

Sepse, po e k\u00ebrkuam sistematizimin e lartheksuar akademik e akademizues, at\u00ebher\u00eb vritet shkrimi, vritet liria e tij, goditet e ngushtohet leximi pasur i asociacionev tematike q\u00eb nxit ky lexim. Studiuesi Peci, duke pasur nj\u00eb prirje t\u00eb thelluar p\u00ebr kundrime eseistike e t\u00eb rrjet\u00ebs s\u00eb gjer\u00eb asociative-tematike, konsideron se Ramiz Kelmendi, dhe, identifikuesh\u00ebm me t\u00eb, edhe vet\u00eb sdudiuesi, kan\u00eb nj\u00eb individualitet jo vet\u00ebm p\u00ebr thellime, kundrime e shpalosje t\u00eb s\u00eb bukur\u00ebs. Ramiz Kelmendi na shfaqet m\u00eb shum\u00eb se sa \u00e7\u2019\u00ebsht\u00eb nj\u00eb personalitet, ai \u00ebsht\u00eb nj\u00eb MEDIUM I GJALL\u00cb ku g\u00ebrshetohen koh\u00ebt dhe historia jon\u00eb, let\u00ebrsia jon\u00eb dhe kronika jon\u00eb, arti yn\u00eb dhe shpirti yn\u00eb, prandaj, kritiku nuk \u00ebsht\u00eb vet\u00ebm ai q\u00eb merret vet\u00ebm me leximin dhe me vler\u00ebsimin e tekstit, por \u00ebsht\u00eb shpaluesi edhe i procesit krijues t\u00eb shkrimtarit, edhe i gjendjeve shpirt\u00ebrore t\u00eb krijuesit letrar.<\/p>\n

S\u00eb k\u00ebndejmi, shkrimi i Xhemail Pecit na shfaqet m\u00eb shum\u00eb se vet\u00eb eseja dhe me shum\u00eb se nj\u00eb shkrim kritiko-letrar, m\u00eb shum\u00eb se nj\u00eb shpalosje studimore. \u00cbsht\u00eb nj\u00eb shkrim q\u00eb g\u00ebrsheton me pasion dhe dashuri t\u00eb madhe personalitetin krijues t\u00eb Ramiz Kelmendit e vepr\u00ebn e tij, p\u00ebrgjith\u00ebsish shkrimin e tij n\u00eb shume aspekte. Te libri i par\u00eb i heksalogjis\u00eb son\u00eb shpirt\u00ebrore, letrare, heksalogjis\u00eb s\u00eb letrave komb\u00ebtare e universale, Peci fut nj\u00eb varg tekstesh (ese, kumtesa, trajtesa e studime) mbi De Rad\u00ebn, Ernest Koliqin, Gjergj Komninon, Vexhi Buharan\u00eb, Lasgush Poradecin, e sidomos p\u00ebr Faik Konic\u00ebn.<\/p>\n

FLET P\u00cbR Petro Nini Luarasin e p\u00ebr Islam Vrionin, p\u00ebr Vangjel Ko\u00e7\u00ebn e p\u00ebr Ismail Kadaren\u00eb, p\u00ebr Thanas Gjik\u00ebn e Bardhyl London, e p\u00ebr dhjet\u00ebra emra t\u00eb tjer\u00eb, nga t\u00eb cil\u00ebt rimerr tekste n\u00eb funksion t\u00eb p\u00ebrzgjedhjes s\u00eb tij antologjike t\u00eb th\u00ebnies artistike e t\u00eb kategoris\u00eb estetike t\u00eb t\u00eb madh\u00ebrishmes, t\u00eb s\u00eb bukur\u00ebs n\u00eb shkrim e n\u00eb bukurshkrimin shqip. Konica kudo e kurdo \u00ebsht\u00eb bosht i qasjeve t\u00eb k\u00ebtyre autor\u00ebve, ashtu sikund\u00ebr studimi bosht i v\u00ebllimit t\u00eb par\u00eb del kapitulli Ramiz Klemendi p\u00ebr Faik Konic\u00ebn. Autori Peci thot\u00eb: \u201cRamiz Kelmendi e ka ngritur Faik Konic\u00ebn n\u00eb p\u00ebrmasat e lart\u00ebsive t\u00eb tilla monumentale, ku vet\u00ebm Per\u00ebndia dhe Shqip\u00ebria kan\u00eb t\u00eb drejt\u00eb t\u2019i prekin me dor\u00ebn e tyre.\u201d P\u00ebr t\u00eb gjith\u00eb klasik\u00ebt e p\u00ebrmendur ka shkruar edhe Ramiz Kelmendi dhe n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, na shfaqet ajo q\u00eb do ta quanim V\u00cbLLAM\u00cbRIA E SHKRIMIT LETRAR.<\/p>\n

NJ\u00cb V\u00cbLLAM\u00cbRI E TILL\u00cb na shfaqet m\u00eb t\u00eb gjitha p\u00ebrmasat e tij t\u00eb pasionit, zhdrivillimit, shkoqitjeve, meditimeve, p\u00ebrqasjeve estetike etj.<\/p>\n

Libri i dyt\u00eb “E bukura dhe e madh\u00ebrishmja n\u00eb pen\u00ebn e Ramiz Kelmendit” shpalos ngesh\u00ebm e me durim t\u00eb leximit kritiko-letra dikund nja 15 vepra t\u00eb Ramiz Kelmendit. Kritiku letrar \u00ebsht\u00eb si ai princi i p\u00ebrrall\u00ebs me mbret\u00ebr, t\u00eb cilit i duhet t\u00eb kaloj\u00eb sa e sa v\u00ebshtir\u00ebsi e pengesa p\u00ebr t\u00eb arritur te Hirushja e tij, n\u00eb k\u00ebt\u00eb rast, p\u00ebr t\u00eb arritur te qen\u00ebsia e vepr\u00ebs: n\u00eb radh\u00eb t\u00eb par\u00eb, p\u00ebr ta p\u00ebrcaktuar k\u00ebt\u00eb qen\u00ebsi si tekst letrar e mandej si zhan\u00ebr a si tipologji letrare… s\u00eb andejmi, p\u00ebr t’i nxjerr\u00eb esencat e artit e t\u00eb vlerave estetike.<\/p>\n

3. GJEDHA E LEXIMIT<\/strong><\/p>\n

Porse, secili kritik e ka gjedhen e vet t\u00eb leximit. Epoka Moderne k\u00ebrkonte vet\u00ebm Leximin e Tekstit, kurse q\u00eb nga Ni\u00e7eja e k\u00ebndej, k\u00ebrkonte vet\u00ebm Interpretimin. Dhe, ta p\u00ebrkujtojm\u00eb: edhe kritika letrare shkon p\u00ebrtej k\u00ebsaj “vet\u00ebm lexim teksti a vet\u00ebm Interpretim”, p\u00ebr deri sa estetika e repetimit na sugjeron kontekstet e p\u00ebrmendura, nd\u00ebrsa strukturalist\u00eb e autor\u00eb si Bart-i etj do t\u00eb nxjerrin trikotomin\u00eb Autori-Vepra-Lexuesi. N\u00ebse leximi konsiderohej nj\u00eb art i lasht\u00eb q\u00eb nga koh\u00ebt e dijes s\u00eb Talmudit mbi dyzet shtresat e kuptimit t\u00eb secilit fragment t\u00eb Tor\u00ebs; S\u00eb k\u00ebndejmi, edhe Xemail Peci, n\u00eb librin e dyt\u00eb, sh\u00ebmb\u00ebllyesh\u00ebm Emil Shtajgerit (\u201cArti i interpretimit\u201d) dhe t\u00eb autor\u00ebve m\u00eb t\u00eb njohur evropian\u00eb t\u00eb historis\u00eb s\u00eb interpretimit e t\u00eb praktik\u00ebs s\u00eb interpretimit; nocionet e tij sintagmatike kritiko-letrare \u201cart i mir\u00ebfillt\u00eb letrar\u201d q\u00eb i referohet esenc\u00ebs estetike t\u00eb let\u00ebrsis\u00eb artistike dhe \u201clexim m\u00eb i thell\u00eb\u201c e \u201cinterpretim m\u00eb i mir\u00ebfillt\u00eb\u201d q\u00eb i referohen vler\u00ebsimit kritik, e q\u00eb p\u00ebrdor q\u00eb n\u00eb fillim, t\u00eb \u00e7ojn\u00eb te qen\u00ebsia dhe funksioni i interpretimit p\u00ebr krijimin letrar si t\u00ebr\u00ebsi t\u00eb strukturuar.<\/p>\n

Libri i tret\u00eb “Ramiz Kelmendi dhe Sibila e Ulqinit”, na fut n\u00eb bot\u00ebn e repetimit letrar e n\u00eb historin\u00eb e receptivit. I kat\u00ebrti na jep nj\u00eb p\u00ebrzgjedhje t\u00eb epistolarit t\u00eb letrave shqipe e nd\u00ebr ta edhe t\u00eb Faik konic\u00ebs, si dhe studimet paralele t\u00eb autorit Peci e t\u00eb Ramiz Kelmendit. I pesti p\u00ebrzgjedh shkrime t\u00eb Ramiz Kelmendit p\u00ebr letrat shqipe e shkrimtar\u00ebt. Duke e p\u00ebrqasur n\u00eb raport me shkrimin, shkrimtar\u00ebt dhe me Faik Konic\u00ebn, kjo do t\u00eb thot\u00eb se krijuesi dhe personaliteti krijuesi Ramiz Kelmendit, ashtu sikund\u00ebr dhe studiuesi Peci, e konsiderojn\u00eb shkrimin letrar si tip t\u00eb krijimit poesis, mu ashtu si njer\u00ebzit e mo\u00e7\u00ebm t\u00eb antik\u00ebs, q\u00eb e konsideronin poezin\u00eb (poiesis-in) si veprimtari kreative t\u00eb krijuesit, si loj\u00eb shpirt\u00ebrore dhe si metod\u00eb a shteg p\u00ebr shkarkime t\u00eb brendshme; kur krijuesi ishte nj\u00eb MAESTRO I I LIGJ\u00cbRIMIT, MAESTRO I T\u00cb FOLURIT. Madje, maestrot e mo\u00e7\u00ebm antik\u00eb, poezin\u00eb nuk e konsideronin as zhan\u00ebr letrar, por nj\u00eb vendtakim i njeriut me per\u00ebndin\u00eb, me zotat, me poezin\u00eb. Do t\u00eb thoshim se Ramiz Kelmendi \u00ebsht\u00eb nd\u00ebr stilist\u00ebt m\u00eb t\u00eb p\u00ebrkryer t\u00eb letrave shqipe, nj\u00eb MAG I LETRAVE SHQIPE.<\/p>\n

I gjashti dhe i fundit, na p\u00ebrqas me bot\u00ebn e fejtonit letrar, shpalimit t\u00eb udh\u00ebp\u00ebrshkrimit, si dhe t\u00eb rrethanave familjare t\u00eb disa krijuesve e n\u00eb ve\u00e7anti edhe t\u00eb Ramiz Kelmendit.<\/p>\n

Prandaj, n\u00eb shkrimet e zgjedhura nga Ramiz Kelmendi e n\u00eb shkrimet e zgjedhura nga kritik\u00ebt tan\u00eb (Hasan Mekuli, Rexhep Qosja, Vehap Shita, Ali Aliu etj) p\u00ebrb\u00ebjn\u00eb nj\u00eb kureshtje t\u00eb madhe p\u00ebr lexim e studime.<\/p>\n

E pra, autor\u00ebt q\u00eb p\u00ebrfshihen n\u00eb k\u00ebt\u00eb kapitull, jan\u00eb nga koh\u00ebt e pr\u00ebparshme,me r\u00ebnd\u00ebsi t\u00eb shum\u00ebfisht\u00eb, p\u00ebr ta par\u00eb Fjal\u00ebn e Drejp\u00ebrdrejt\u00eb t\u00eb krijuesit letrar dhe Fjal\u00ebn recpetuese pran\u00eb nj\u00ebra-tjetr\u00ebs n\u00ebp\u00ebr koh\u00eb e n\u00eb koh\u00eb.<\/p>\n

E ku krijuesi na shfaqet , si natura naturans, dhe kur tash bartet tek shkrimet e autor\u00ebve t\u00eb tjer\u00eb bashk\u00ebkoh\u00ebs, na del si natura naturata, si portret i p\u00ebrve\u00e7\u00ebm i secilit prej nesh dhe si portret yni i p\u00ebrbashk\u00ebt, i identitetit nacional, kukturor e letrar.<\/p>\n

4. MISIONI I STUDIUESIT DHE KRITIKUT LETRAR<\/strong><\/p>\n

N\u00ebse interesimet p\u00ebr vepr\u00ebn letrare t\u00eb Kelmendit zgjerohen edhe me interesime t\u00eb tjera, tek n\u00ebse q\u00ebmton lidhjet midis let\u00ebrsis\u00eb s\u00eb shkruar me at\u00eb gojore, mitin literatur\u00ebn e tj; kur shkruan p\u00ebr tradit\u00ebn letrare, e sidomos p\u00ebr mendimin kritik, at\u00ebher\u00eb edhe Peci nuk iu ka larguar misionit t\u00eb kryehersh\u00ebm q\u00eb e ka pasur dhe e ka ende edhe sot kritika letrare: p\u00ebr t\u00eb qen\u00eb ur\u00eb lidh\u00ebse a nd\u00ebrmjet\u00ebsuese n\u00eb trinomin lexues-vep\u00ebr-krijues. S\u00eb k\u00ebndejmi, kjo kritik\u00eb letrare pik\u00ebsynon komunikimin sa m\u00eb t\u00eb qart\u00eb e m\u00eb t\u00eb leht\u00eb, duke e k\u00ebrkuar t\u00eb nj\u00ebjt\u00ebn gj\u00eb edhe p\u00ebr autorin, si kriter estetik. Por. gjithnj\u00eb i g\u00ebrshetuar me erudicionnin dhe me gjer\u00ebsin\u00eb e k\u00ebndv\u00ebshtrimeve.<\/p>\n","protected":false},"excerpt":{"rendered":"

Prend BUZHALA GJASHT\u00cb V\u00cbLLIMET E XHEMAIL PECIT P\u00cbR RAMIZ KELMENDIN N\u00eb v\u00ebllimin e par\u00eb t\u00eb k\u00ebsaj trilogjie letrare dhe kritiko-letrare, Xhemail Peci p\u00ebrkujton Muz\u00ebn e Sibil\u00ebs. “Kur Sibilia e Kumes e ka takuar Eneun, ajo i ka pasur shtat\u00ebqind vjet e i kishin mbetur p\u00ebr t’i jetuar edhe 300 t\u00eb tjera. jo i b\u00ebnte profecit\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,7],"tags":[],"class_list":{"0":"post-2598","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artikuj","7":"category-letersi"},"yoast_head":"\nRAMIZ KELMENDI, MAG I LETRAVE SHQIPE - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/ramiz-kelmendi-mag-i-letrave-shqipe\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RAMIZ KELMENDI, MAG I LETRAVE SHQIPE - 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