{"id":14188,"date":"2015-07-02T09:58:07","date_gmt":"2015-07-02T08:58:07","guid":{"rendered":"http:\/\/www.fjala.info\/?p=3934"},"modified":"2015-07-02T09:58:07","modified_gmt":"2015-07-02T08:58:07","slug":"seveme-fetiqi-ne-mes-te-yllesise-se-fjales-shqipe-dhe-imazheve-te-ringjallura","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/seveme-fetiqi-ne-mes-te-yllesise-se-fjales-shqipe-dhe-imazheve-te-ringjallura\/","title":{"rendered":"SEV\u00cbME FETIQI N\u00cb MES T\u00cb YLL\u00cbSIS\u00cb S\u00cb FJAL\u00cbS SHQIPE DHE IMAZHEVE T\u00cb RINGJALLURA"},"content":{"rendered":"

Xhemail Peci<\/strong><\/p>\n

\u201cAshtu si\u00e7 jetoi arti fisnik m\u00eb gjat\u00eb se natyra fisnike, po ashtu ai ia kalon asaj edhe n\u00eb gjinin\u00eb frym\u00ebzuese q\u00eb vazhdimisht formon dhe zgjon shpirtra. Prepare se e verbena at departure driven e saj ngadh\u00ebnjyese n\u00eb thell\u00ebsit\u00eb e zemr\u00ebs, poezia arrin t\u2019i kap\u00eb k\u00ebto rreze, duke b\u00ebr\u00eb q\u00eb edhe majat e njer\u00ebzimit t\u00eb shk\u00eblqejn\u00eb nga nj\u00eb drit\u00eb l\u00ebbyr\u00ebse, teksa nata e zymt\u00eb dhe ende e lag\u00ebsht q\u00ebndron si e varur n\u00ebp\u00ebr lugina.<\/em>\u201d (Fridirih Shileri: Letra e n\u00ebnt\u00eb)<\/p>\n

\"\"Poetja Sev\u00ebme Fetiqi<\/strong>
\n(Duke lexuar v\u00ebllimin poetik t\u00eb Sev\u00ebme Fetiqit: Imazhe t\u00eb ringjallura<\/em>)<\/p>\n

I<\/strong>.
\nKur poetja frym\u00ebzohet nga imazhet e ringjallura
\nPoetja Sev\u00ebme Fetiqi me poezin\u00eb e saj lirike t\u00eb k\u00ebtij v\u00ebllimi poetik, me k\u00ebng\u00ebtimet e shtresave t\u00eb holla shpirt\u00ebrore, me z\u00ebrin e gjakut n\u00eb kresht\u00ebn e fjal\u00ebs e n\u00eb maje t\u00eb vargut, m\u00eb kujton th\u00ebnien e G\u00ebtes: Sa e \u00ebmb\u00ebl ting\u00ebllon gjuha e n\u00ebn\u00ebs, n\u00eb vend t\u00eb huaj!
\nP\u00ebrmbledhja poetike Imazhe t\u00eb ringjallurahapet me nj\u00eb kushtim q\u00eb n\u00eb vete ng\u00ebrthen p\u00ebrmasat e q\u00ebndres\u00ebs n\u00eb proporcionet koha dhe toka, nj\u00eb prolog ky q\u00eb na e kujton zotimin e Petro Nini Luarasit se dhe nj\u00ebqind her\u00eb po t\u00eb biem, t\u00eb nj\u00ebqind e nj\u00ebt\u00ebn duhet s\u00ebrish t\u00eb ngritemi!
\nN\u00ebp\u00ebrmes projekcionit poetik shpalosen rrjedhat e koh\u00ebs, n\u00eb ball\u00eb t\u00eb s\u00eb cil\u00ebs jan\u00eb heronjt\u00eb e saj. Jan\u00eb ata t\u00eb cil\u00ebt ringjallen n\u00eb verbin poetik mbrujtur me imazhe t\u00eb lindura rishtas, imazhe t\u00eb cilat shpalosen deri n\u00eb p\u00ebrjet\u00ebsi:
\nAta q\u00eb jetojn\u00eb
\nP\u00ebr t\u00eb vdekur vet\u00ebm nj\u00eb her\u00eb
\nLe t\u00eb mos jetojn\u00eb fare
\nN\u00eb rrjedh\u00ebn e koh\u00ebs
\nE n\u00eb frym\u00ebmarrjen e Tok\u00ebs sime<\/em><\/p>\n

K\u00ebng\u00ebtimi lirik i poetes Sev\u00ebme Fetiqi n\u00eb vetvete \u00ebsht\u00eb nj\u00eb lirik\u00eb e holl\u00eb n\u00eb yll\u00ebsin\u00eb e fjal\u00ebs shqipe. Kjo yll\u00ebsi e fjal\u00ebs shqipe p\u00ebr poeten e ndjenj\u00ebs s\u00eb theksuar lirike, rr\u00ebnj\u00ebt i ka tek dheu dhe lasht\u00ebsia e tij. \u00cbsht\u00eb shenjt\u00ebria e dheut dhe dashuria p\u00ebr t\u00eb, ajo q\u00eb poetes ia shtrydh\u00eb lotin. \u00cbsht\u00eb prandaj vargu ai q\u00eb n\u00eb vete ng\u00ebrthen dhembjen dhe psher\u00ebtim\u00ebn, klithjen dhe mall\u00ebngjimin. P\u00ebr m\u00eb tep\u00ebr se kaq \u00ebsht\u00eb nj\u00eb mall atdheu n\u00eb nj\u00eb q\u00ebndism\u00eb m\u00ebndafshi e cila bie me but\u00ebsi e ngash\u00ebrim p\u00ebrmbi zem\u00ebr-klithjen Dheu im. Pa dyshim nj\u00eb klithm\u00eb e si e arb\u00ebresh\u00ebve, si e simotr\u00ebs s\u00eb saj Kate Xukaros, por edhe e poeteve si Af\u00ebrdita Sk\u00ebnderi apo edhe Flora Brovina.<\/p>\n

N\u00eb poezin\u00eb e saj poetja Sev\u00ebme Fetiqi e shkrin\u00eb ndjeshm\u00ebrin\u00eb e vet t\u00eb skajshme, sa her\u00eb q\u00eb flet p\u00ebr shenja t\u00eb shenjta, sa her\u00eb q\u00eb p\u00ebrmes shpalosjes s\u00eb dhembjes m\u00ebton t\u00eb zgjon shpres\u00ebn, p\u00ebr t\u00eb cil\u00ebn ajo beson se doemos, nj\u00eb dit\u00eb edhe agon. Tek shprehja poetike e k\u00ebsaj ndieshm\u00ebrie lirike, vala e detit i p\u00ebrlan\u00eb lot\u00ebt, e loti nuk pran\u00eb. Bul\u00ebzat e lot\u00ebve arrijn\u00eb deri n\u00eb re, pask\u00ebtaj s\u00ebrish n\u00eb pika shiu, e m\u00eb tej edhe n\u00eb fjolla bore. N\u00eb nj\u00eb cik\u00ebl t\u00eb till\u00eb t\u00eb rrug\u00ebtimit t\u00eb lotit, poetja e ka projektuar shtegun e shpres\u00ebs. Ajo e ka shpalosur gjakimin e saj lirik:<\/p>\n

t\u2019ia freksoj\u00eb etjen Dheut tim
\ntok me lotin e mallit<\/em><\/p>\n

Zem\u00ebr-klithja Dheu im, p\u00ebrkat\u00ebsisht Dheut tim, nuk \u00ebsht\u00eb nj\u00eb rast\u00ebsi. Poetja d\u00ebshmon k\u00ebshtu se q\u00ebndron n\u00eb vazhd\u00ebn e tradit\u00ebs, se pi uj\u00eb nga gurra e frym\u00ebzimeve q\u00eb ushqejn\u00eb letrat shqipe q\u00eb nga lasht\u00ebsia, e q\u00eb p\u00ebrjet\u00ebsohen n\u00eb klithmat e poet\u00ebve, si fjala vjen tek Mikel Meruli (Vog\u00eblush kam qen\u00eb,\/ m\u00ebrguar nga dheu i t\u00eb par\u00ebve) apo edhe tek ajo e Zef Skiroit, i cili me zem\u00ebr-klithjen e tij Tek dheu i huaj, shprehte n\u00eb t\u00eb v\u00ebrtet\u00eb zem\u00ebr-klithjen e nj\u00ebjt\u00eb: Dheu im\u2026<\/p>\n

Por poetja Sev\u00ebme Fetiqi e ka thurur k\u00ebng\u00ebtimin e saj edhe nga nj\u00eb priz\u00ebm tjet\u00ebr, nga ai epik. Duke g\u00ebrshetuar k\u00ebshtu t\u00eb dy sfondet, at\u00eb lirik me at\u00eb epik, ajo shpesh u qaset katrahurave t\u00eb historis\u00eb. E till\u00eb\u00ebsht\u00eb poezia Kafk\u00eb stuhish, n\u00eb t\u00eb cil\u00ebn me nj\u00eb gradacion t\u00eb theksuar q\u00eb realizohet aq bukur p\u00ebrmes shprehjes s\u00eb latuar poetike, p\u00ebr t\u00eb arritur deri tek ajo q\u00eb poetja e quan n\u00eb m\u00ebnyr\u00eb simbolike: Ringjallje me dy gishta:<\/p>\n

n\u00eb loj\u00eb djalli<\/em><\/p>\n

Kafk\u00ebn time sa her\u00eb
\ne pash\u00eb varur
\nskenar i trisht\u00eb
\nqetim i brisht\u00eb
\nvorbull e vyshkur
\napo mallkim
\nndarje muresh
\nshenjt\u00ebri epokash
\ne varret kurr\u00eb s\u2019u mbyll\u00ebn
\nas k\u00ebng\u00ebvaji s\u2019pushoi<\/p>\n

Ringjallje me dy gishta
\nfluturim
\nmbi krah\u00eb shqiponje
\nqiellit t\u00eb blert\u00eb
\nn\u00eb gjirin atm\u00ebm\u00eb<\/p>\n

Duke v\u00ebn\u00eb m\u00eb tej koh\u00ebt p\u00ebrball\u00eb nj\u00ebra-tjetr\u00ebs, e duke skalitur n\u00eb yll\u00ebsin\u00eb e fjal\u00ebs shqipe portretet e atyre q\u00eb vetes i ngren\u00eb nj\u00eb piadestal n\u00eb mermerin m\u00eb monumental, poetja Sev\u00ebme Fetiqi ia ka dalur q\u00eb n\u00ebp\u00ebrmjet vargut emblem\u00eb ta shkrij\u00eb n\u00eb nj\u00ebgradacionin e shprehjes n\u00eb funskion t\u00eb pamjes q\u00eb shpaloset gjith\u00eb therori e sakrific\u00eb me sfondin epik t\u00eb ligj\u00ebrimit t\u00eb saj poetik.<\/p>\n

E till\u00eb \u00ebsht\u00eb poezia N\u00eb fshatin e lindjes (kushtuar Adem Jasharit dhefamiljes s\u00eb tij), ku p\u00ebrmes kryevargut N\u00eb fshatin e lindjes, t\u00eb cilin kryevarg poetja e ka p\u00ebdorur me mjesht\u00ebri n\u00eb funksionin e nj\u00eb anafore e cila shkon aq bukur n\u00eb struktur\u00ebn poetike, arrihet shplaosja e imazheve t\u00eb ringjallura si d\u00ebshmi p\u00ebr histori se sa shum\u00eb e kan\u00eb dashur fshatin e lindjes ata q\u00ebme aktin e flijimit dhe t\u00eb martirizimit t\u00eb tyre, u prin\u00eb breznive or\u00ebmira.<\/p>\n

Sevme Fetiqi \u00ebsht\u00eb poetja q\u00eb beson se atdheu fillon tek zemra e n\u00ebn\u00ebs, prandaj p\u00ebrmes poetik\u00ebs s\u00eb shprehjes ajo ka shplaosur nj\u00eb heroiz\u00ebm ilir\u00ebsh, ajo ka ngritur nj\u00eb obelisk nga fjala q\u00eb del prej palc\u00ebs s\u00eb zemr\u00ebs. Gjithsesi, ajo ka lart\u00ebsuar nj\u00eb monument p\u00ebr t\u00eb gjith\u00eb ata q\u00eb ran\u00eb me kok\u00ebn sip\u00ebr pragut, p\u00ebr t\u00eb gjith\u00eb ata q\u00eb e shkruan p\u00ebrjet\u00ebsin\u00eb me shenjt\u00ebrin\u00eb e z\u00ebrit t\u00eb gjakut t\u00eb tyre.<\/p>\n

Nga ky priz\u00ebm, gati \u00e7do varg i thurur q\u00ebndron n\u00eb vete me pesh\u00ebn e kuptimit q\u00eb ka, me mesazhin q\u00eb shpalos, me tablon\u00eb q\u00eb ng\u00ebrthen, me kronik\u00ebn e gjakut t\u00eb cil\u00ebn poetja e shkruan n\u00eb ballin e koh\u00ebs sa tragjike, po aq edhe epike:<\/p>\n

N\u00eb fshatin e lindjes
\nS\u2019kishte grunaja
\nAs fusha e luadhe
\n\u00c7do stin\u00eb pikonte lot
\nLulet pik\u00eblloheshin
\nRrezet i vrisnin \u00e7do agim
\nP\u00ebr t\u00eb zgjatur pafund\u00ebsisht nata
\n\u00c7do \u00ebnd\u00ebrr aty zgjaste shtat\u00eb shekuj<\/em><\/p>\n

Nuk \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb kuptohet se \u00e7\u2019frym\u00ebzim epik gjen poetja menduar mbi vargun, me t\u00eb cilin p\u00ebrjet\u00ebson gjakun e t\u00eb r\u00ebn\u00ebve p\u00ebr liri dhe p\u00ebr atdhe. Nj\u00eb poete q\u00eb frym\u00ebzohet nga t\u00eb b\u00ebmat e popullit liridash\u00ebs, nuk mund t\u00eb jet\u00eb indiferente. P\u00ebrkundrazi. Ajo u kthehet imazhave t\u00eb ringjallura p\u00ebr q\u00ebndismat e vashave. Ajo ka kthyer kok\u00ebn kah honet e shekujve, nd\u00ebrkaq q\u00eb syt\u00eb e saj dhe vargjet e saj flasin p\u00ebr lenta t\u00eb ylebrit. Ca imazhe ylebrore bien mbi tok\u00ebn arb\u00ebrore. Kush do t\u00eb shkruaj\u00eb p\u00ebr lavdin\u00eb tuaj? Kjo \u00ebsht\u00eb zem\u00ebr-klithja e koh\u00ebs. E poetja kthehet s\u00ebrish kah mij\u00ebvje\u00e7ar\u00ebt p\u00ebr t\u00eb p\u00ebrjet\u00ebsuar flamurtar\u00ebt e rilindur t\u00eb cil\u00ebt ia fshin\u00eb vuajtjet k\u00ebtij populli martir, nga gjiri i t\u00eb cilit dol\u00ebn:<\/p>\n

N\u00eb fshatin e lindjes
\nQ\u00ebndismat e vashave
\nI kalbin ftonjt\u00eb e harruar
\nDjemt\u00eb luan\u00eb kishin shkuar larg
\nP\u00ebr t\u00eb kapur fillin e ylberit
\nP\u00ebr t\u2019ua fshir\u00eb lot\u00ebt shekujve<\/em><\/p>\n

N\u00eb syt\u00eb e vargut rri nj\u00eb bot\u00eb epike e cila ka hedhur shtat si kullat q\u00eb rrit\u00ebn burrat. Sakaq nj\u00eb gjarp\u00ebr i zi p\u00ebrdredh trupin e tij, gj\u00eb q\u00eb poetja e ka shpalosur me nj\u00eb gdhendje aq t\u00eb q\u00eblluar t\u00eb shprehjes poetike:<\/p>\n

N\u00eb fshatin e lindjes
\nNet\u00ebt mb\u00ebshtilleshin n\u00eb l\u00ebkur\u00eb t\u00eb vet
\nS\u2019gjendej dot vend p\u00ebr dashuri
\nMbillej liria edhe n\u00eb sy f\u00ebmij\u00ebsh
\nLulet nuk vyshkeshin as n\u00eb stin\u00ebn
\nKur u k\u00ebputeshin gjethet<\/em><\/p>\n

N\u00eb struktur\u00ebn kompozicionale, v\u00ebrehet mjesht\u00ebria e poetes q\u00eb n\u00eb vargjet e para t\u00eb secil\u00ebs strof\u00eb t\u00eb shpalosin nj\u00eb pamje ekspresive t\u00eb nj\u00eb oguri tragjik. Nd\u00ebrkaq, n\u00eb pjes\u00ebn e dyt\u00eb t\u00eb secil\u00ebs strof\u00eb shprehet shpresa, shpaloset kthesa. Duke paraqitur k\u00ebshtu dy bot\u00eb paralele: tragjiken dhe epiken, poetja kalon n\u00eb nj\u00eb strukturim tjet\u00ebr t\u00eb vargut. Sikur m\u00ebton t\u00eb d\u00ebshmon k\u00ebshtu me struktur\u00ebn e vargut edhe p\u00ebr ledhet e k\u00ebshtjellave, edhe p\u00ebr trar\u00ebt e kullave, edhe p\u00ebr bedenat e tyre:<\/p>\n

N\u00eb fshatin e lindjes
\nZjarri n\u00eb vatra ishte shuar
\nDhembja gacullonte n\u00eb hirin e shkelur<\/em><\/p>\n

Vet\u00ebm kullat flisnin me gjuh\u00eb zjarri<\/p>\n

\u00c7dokush n\u00eb klithma rr\u00ebfente legjend\u00ebn<\/p>\n

Legjenda e b\u00ebr\u00eb realitet. Miti q\u00eb erdhi q\u00eb nga lasht\u00ebsia p\u00ebr fuqin\u00eb q\u00eb Toka M\u00ebm\u00eb u jep atyre q\u00eb i lindi dhe i rriti. Epika legjendare n\u00eb vargjet q\u00eb p\u00ebrc\u00ebllojn\u00eb zjarre lirie n\u00eb k\u00ebt\u00eb tok\u00eb Ilirie:<\/p>\n

Mes dy zjarresh n\u00eb ethe
\nK\u00ebndonte k\u00ebng\u00ebn e gjakut dhe liris\u00eb
\nDhe vdiste n\u00eb k\u00ebmb\u00eb
\nSi lisat q\u00eb i godet rrufeja<\/em><\/p>\n

Mes Scill\u00ebs dhe Haridb\u00ebs, mes kudhr\u00ebs dhe \u00e7ekanit, mes hijenave t\u00eb\u00e7mendura – pre e lukunive t\u00eb ujqve t\u00eb Ballkanit! K\u00ebshtu kan\u00eb q\u00ebndruar edhe ata q\u00eb e kan\u00eb frym\u00ebzuar krye-heroin e liris\u00eb s\u00eb Kosov\u00ebs: Zenel Gjoleka e Rrapo Hekali, Mic Sokoli e Oso Kuka, Jakup Ferri e Mehmet Shpendi, Elez Isufi e Zhuj\u00eb Selmani, Bajo e \u00c7er\u00e7iz Topulli, Nebih e Tahir Meha, dhe sa e sa t\u00eb tjer\u00eb – sogjetar\u00eb amshimi n\u00eb mbrojtje t\u00eb liris\u00eb dhe t\u00eb t\u00ebr\u00ebsis\u00eb tok\u00ebsore. Shk\u00ebmb n\u00eb k\u00ebmb\u00eb:<\/p>\n

N\u00eb fshatin e lindjes
\nNj\u00eb shtatore madh\u00ebshtore
\nSodit pranver\u00ebn q\u00eb harliset
\nMe lule e grunaja<\/em><\/p>\n

Nj\u00eb poezi-poem\u00eb. Nj\u00eb obelisk q\u00eb ngre fjala. Nj\u00eb q\u00ebndism\u00eb q\u00eb e thur\u00eb zemra. Nj\u00eb pranver\u00eb q\u00eb ligj\u00ebron me z\u00eb lulesh. Nj\u00eb p\u00ebrmendore fjal\u00ebsh. S\u00ebrish: Nj\u00eb Poezi. Nj\u00eb Poezi t\u00eb cil\u00ebs nuk ke \u00e7far\u00eb t\u2019i heq\u00ebsh. Nj\u00eb testament brezash: \u201cNet\u00ebt mb\u00ebshtilleshin n\u00eb l\u00ebkur\u00eb t\u00eb vet\u2026Dhembja gacullonte n\u00eb hirin e shkelur\u201d.<\/p>\n

Vall\u00eb, \u00e7\u2019pamje tjet\u00ebr a \u00e7\u2019tablo m\u00eb epike do t\u00eb ket\u00eb patur Ezhen Delakroa, kur pag\u00ebzoi nj\u00eb nga kryeveprat e tij me titullin aq dometh\u00ebn\u00ebs: Liria i prin\u00eb popullit!?<\/p>\n

E populli \u00ebsht\u00eb n\u00ebna q\u00eb e p\u00ebrkund\u00eb djepin e fatit t\u00eb tij, t\u00eb historis\u00eb s\u00eb tij. Populli parakalon p\u00ebrpara flamurit t\u00eb tij. Flamuri – krushku i par\u00eb. Parakalon edhe poetja duke p\u00ebrkujtuar se sa shum\u00eb gjak \u00ebsht\u00eb derdhur \u201cn\u00ebp\u00ebr pore\/t\u00eb p\u00eblhur\u00ebs\/s\u00eb rob\u00ebris\u00eb.\u201d<\/p>\n

Poetja bashk\u00ebbisedon me flamurin e kombit:<\/p>\n

N\u00eb guximin t\u00ebnd
\nzbret nj\u00eb shqiponj\u00eb
\ne zez\u00eb
\nt\u00eb sjell\u00eb bardh\u00ebsin\u00eb<\/em><\/p>\n

Nj\u00eb brerore
\nstolis kokat
\nhyjnores s\u00eb urt\u00eb
\nnga lufta n\u00eb luft\u00eb<\/p>\n

Poetja nuk ndalet por parakalon me krenarin\u00eb e saj t\u00eb ligjshme n\u00eb nderim t\u00eb breznive or\u00ebmira (poezia Para Flamurit Kuqezi):<\/p>\n

un\u00eb me gjakimin
\nkrenarisht parakaloj<\/em><\/p>\n

madh\u00ebshtis\u00eb sate<\/p>\n

Mish\u00ebrimi i qenies poetike me t\u00eb pritmen, v\u00ebrehet edhe n\u00eb dy poezit\u00eb e radh\u00ebs Nat\u00eb e plagosur I dhe Nat\u00eb e plagosur II. Duke e ndar\u00eb dhembjen n\u00eb dy pjes\u00eb, poetja ka p\u00ebrdorur n\u00eb funksion t\u00eb vlerave t\u00eb mir\u00ebfillta ideo-estetike metafor\u00ebn dhe simbolik\u00ebn e shprehjes, tek i ka thurur t\u00eb dy poezit\u00eb n\u00eb Motin e Madh 1981.<\/p>\n

Poezia e titulluar Nat\u00eb e plagosur I, n\u00eb vete ng\u00ebrthen simbolik\u00ebn e agimit dhe t\u00eb p\u00ebllumbave t\u00eb bardh\u00eb:<\/p>\n

N\u00eb shtegun e pritjes
\nme agim t\u00eb bardh\u00eb
\nt\u00eb gjeta
\nn\u00eb loj\u00ebra stin\u00ebsh
\nme p\u00ebllumba t\u00eb bardh\u00eb
\nnga syri im l\u00ebshoje
\nn\u00eb qiellin t\u00ebnd t\u00eb paskaj
\n<\/em>
\nNj\u00eb sfond i till\u00eb shfaqet n\u00eb pjes\u00ebn e par\u00eb t\u00eb k\u00ebsaj poezie, nd\u00ebrkaq q\u00eb pjesa e dyt\u00eb n\u00eb retrospektiv\u00eb kujton nat\u00ebn:<\/p>\n

Hiri yt pluhrosi shekujt
\nkur ra nata e plagosur
\nmbi fytyrat e p\u00ebrlotura
\nnata e pagjum\u00ebsis\u00eb erdhi
\nheshtas gjurm\u00ebve t\u00eb mia
\nnga ik\u00ebn p\u00ebllumbat e agut<\/em><\/p>\n

E ve\u00e7anta e poezis\u00eb s\u00eb Sev\u00ebme Fetiqit \u00ebsht\u00eb mish\u00ebrimi i syve me qiellin, si dhe i gjurm\u00ebve t\u00eb poetes me p\u00ebllumbat e agut. N\u00eb nj\u00eb projekcion t\u00eb till\u00eb t\u00eb shprehjes artistike, nuk \u00ebsht\u00eb e v\u00ebshtir\u00eb t\u00eb kuptohet se poetja flet me z\u00ebrin e gjakut dhe se atdheut t\u00eb vet ia fal\u00eb ato hap\u00ebsira dhe ato bardh\u00ebsi, t\u00eb cilat ajo i nj\u00ebjt\u00ebson me syt\u00eb dhe me duart.<\/p>\n

N\u00eb poezin\u00eb Nat\u00eb e plagosur II, Sev\u00ebme Fetiqi shpalos sfondin e frym\u00ebzimit q\u00eb p\u00ebr thelb ka motivin e kthimit. P\u00ebrderisa fjala vjen, n\u00eb baladat dhe legjendat shqiptare, kthimi vjen si pasoj\u00eb e fjal\u00ebs s\u00eb dh\u00ebn\u00ebapo t\u00eb mallit t\u00eb pafund, p\u00ebrderisa n\u00eb nj\u00eb nga poezit\u00eb e Filip Shirok\u00ebs jan\u00eb dall\u00ebndyshet ato q\u00eb shkojn\u00eb e vijn\u00eb- si simbolik\u00eb n\u00ebp\u00ebrmjet t\u00eb cilave poeti m\u00ebrgimtar shprehte dashurin\u00eb p\u00ebr Shkodr\u00ebn dhe p\u00ebr gjith\u00eb Shqip\u00ebrin\u00eb, n\u00eb ligj\u00ebrimin lirik t\u00eb tablove ekspresive q\u00eb shpalos poetja, jan\u00eb p\u00ebllumbat ata q\u00eb kthehen si nj\u00eb paraljm\u00ebrim i cili n\u00eb vete ng\u00ebrthen nj\u00eb ogur t\u00eb bardh\u00eb.<\/p>\n

Paraljm\u00ebrim p\u00ebr ca shenja t\u00eb shenjta n\u00eb t\u00eb cilat beson poetja, p\u00ebr t\u00eb cilat shpreson ajo dhe p\u00ebr t\u00eb cilat gjakon me fjal\u00ebn e gdhendur gjith\u00ebbardh\u00ebsi.<\/p>\n

Me dor\u00ebn n\u00eb zem\u00ebr e zemr\u00ebn n\u00eb let\u00ebr, Sev\u00ebme Fetiqi ka besuar dhe beson se do vjen nj\u00eb pranver\u00eb tjet\u00ebr. P\u00ebrkund\u00ebr plagom\u00ebs, p\u00ebrkund\u00ebr zezon\u00ebs, p\u00ebrkund\u00ebr ankthit dhe psher\u00ebtimave q\u00eb n\u00eb vete i mbart\u00eb nata, poeten nuk e bjerr\u00eb shpresa:<\/p>\n

S\u00ebrish u kthyen p\u00ebllumbat e mi
\nt\u00eb agimeve t\u00eb vrara
\n\u2026
\nE dinin se dita po vjen
\nkur sqepat i ngjyrosnin
\nn\u00eb lumin e p\u00ebrgjakur
\nt\u00eb k\u00ebsaj nate t\u00eb plagosur<\/em><\/p>\n

N\u00eb latimin e holl\u00eb t\u00eb shprehjes poetike, n\u00eb galdimin lirik, n\u00eb frym\u00ebzimin dhe n\u00eb p\u00ebrkushtimin e saj, poetja shkruan se \u00ebsht\u00eb pagjum\u00ebsia ajo e cila sh\u00ebrben \u201cn\u00eb rolin e d\u00ebshmitares s\u00eb pagabueshme\u201d, dhe n\u00eb p\u00ebrvijim t\u00eb m\u00ebtejsh\u00ebm t\u00eb nj\u00eb sfondi t\u00eb till\u00eb, pagjum\u00ebsia:<\/p>\n

me p\u00ebllumbat s\u00eb bashku
\ni shkundin krah\u00ebt e lodhur
\nnga pluhuri i shekujve puthnin guximsh\u00ebm
\nplag\u00ebt e muzgut t\u00eb skuqur all<\/em><\/p>\n

dhe krejt\u00ebsisht n\u00eb fund t\u00eb k\u00ebtij sfondi, Sev\u00ebme Fetiqi kujton me krenari se agu ngadh\u00ebnjen p\u00ebrmbi nat\u00ebn:<\/p>\n

nata e p\u00ebrlotur gjunj\u00ebzohej
\npara trim\u00ebris\u00eb s\u00eb agut t\u00eb bardh\u00eb<\/em><\/p>\n

Pra, \u00ebsht\u00eb bardh\u00ebsia ajo q\u00eb e mund nat\u00ebn, \u00ebsht\u00eb shpresa ajo q\u00eb e mund terrin dhe shqet\u00ebsimin, \u00ebsht\u00eb agu i nj\u00eb dit\u00eb t\u00eb re dhe t\u00eb nj\u00eb shprese t\u00eb re p\u00ebr t\u00eb cilin paraljm\u00ebron poetja.<\/p>\n

Duke ia v\u00ebn\u00eb kuror\u00ebn nj\u00eb paraljm\u00ebrimi t\u00eb till\u00eb, n\u00eb poezin\u00eb e radh\u00ebs Kuror\u00eb prilli (e shkruar po m\u00eb prill t\u00eb vitit 1981), kreshat e fjal\u00ebs zbardh\u00ebllon edhe m\u00eb tej duke p\u00ebrkujtar se n\u00eb prillin heroik:<\/p>\n

kur lulet
\nmor\u00ebn
\nngjyr\u00eb gjaku
\n\u2026
\nkur fjal\u00ebt kuror\u00ebzuan
\nguximin e p\u00ebrjetsh\u00ebm<\/em><\/p>\n

Ishte prilli
\nkur apel i trim\u00ebris\u00eb
\nzgjonte djepin
\nt\u00eb shkruaj historin\u00eb
\nmaj plisit t\u00eb bardh\u00eb<\/p>\n

thurte kuror\u00ebn
\nq\u00eb s\u2019vyshket<\/p>\n

Poezia tjet\u00ebr po me p\u00ebrmbajtje atdhetare, titulluar Ata ishin yje n\u00eb qiellin e vet, kushtuar Jusufit, Bardhoshit dhe Kadriut, shquhet p\u00ebr nd\u00ebrthurjen e bukur t\u00eb vargut me pamjen q\u00eb shpaloset nga kuptim\u00ebsia e fjal\u00ebs, me pesh\u00ebn e s\u00eb cil\u00ebs poetja ngre n\u00eb lart\u00ebsi nj\u00eb sfond epik n\u00ebp\u00ebrmjet nj\u00eb ligj\u00ebrimi lirik, i cili fillon me zem\u00ebr-klithjen:<\/p>\n

Ah N\u00ebn\u00eb
\nata ishin yje n\u00eb qiell
\nhorizonteve t\u00eb drit\u00ebs nisur
\ndrejt K\u00ebshtjell\u00ebs s\u00eb Liris\u00eb<\/em><\/p>\n

N\u00eb k\u00ebt\u00eb sfond, pena me v\u00ebrtitjet e saj t\u00eb holla v\u00eb p\u00ebrball\u00eb nj\u00ebra-tjetr\u00ebs shtigjet e shpres\u00ebs dhe stuhit\u00eb e Karpateve. Jan\u00eb bart\u00ebsit e idealeve t\u00eb liris\u00eb, ata p\u00ebr t\u00eb cil\u00ebt ligj\u00ebrimi lirik thur nj\u00eb himn nderimi e respekti, sepse si\u00e7 thot\u00eb poetja, ata \u201cbart\u00ebn atdheun me vete\u201d, \u201csi zogjt\u00eb n\u00eb er\u00eb\/ n\u00ebp\u00ebr nat\u00eb acari e stuhie\/hap\u00ebsira ankthesh sfiduan\/n\u00eb kreshta trim\u00ebrie u shnd\u00ebrruan\u201d, \u201csi lul\u00ebkuqe me k\u00ebmisha t\u00eb bardha\u201d.<\/p>\n

Duke e strukturuar k\u00ebt\u00eb poezi kushtimi e nderimi n\u00eb tri pjes\u00eb, poetja ka d\u00ebshmuar se n\u00eb aktet e tilla madhore t\u00eb flijimit, e ve\u00e7anta b\u00ebhet e p\u00ebrgjithshme:<\/p>\n

Ata nuk mbet\u00ebn zogj me flatra t\u00eb gjymtuara
\nas t\u00eb plagosur si vargjet e mia t\u00eb pakryera
\nata u b\u00ebn\u00eb shk\u00ebmbinj t\u00eb thepisur
\nku vet\u00ebm shqiponjat mund t\u00eb ulen
\nq\u00ebndres\u00ebn e tyre p\u00ebr ta p\u00ebrjet\u00ebsuar
\nBuz\u00ebqesh n\u00ebn\u00eb buz\u00ebqesh<\/em><\/p>\n

me buz\u00ebt tua t\u00eb etshme
\nata duan t\u2019i puthin me shpirtin t\u00ebnd
\nmermer\u00ebt me epitaf Kosove<\/p>\n

Me ligj\u00ebrimin e saj poetik, Sev\u00ebme Fetiqi e ka p\u00ebrjet\u00ebsuar gjakimin epik t\u00eb martir\u00ebve t\u00eb liris\u00eb:<\/p>\n

p\u00ebr lirin\u00eb ton\u00eb shk\u00eblqimtare
\nn\u00eb gjokset e krenaris\u00eb
\nlapidar\u00ebt tan\u00eb t\u00eb lavdis\u00eb<\/em><\/p>\n

Nj\u00eb rreze drite e nj\u00eb fije shprese k\u00ebrkon poetja m\u00eb tej n\u00eb poezin\u00eb Pak diell, p\u00ebr t\u00eb sfiduar k\u00ebshtu n\u00ebn simbolik\u00ebn e drit\u00ebs hijen q\u00eb ndrydh. Nuk \u00ebsht\u00eb pra rast\u00ebsi pse poet\u00ebt n\u00eb k\u00ebng\u00ebtimet e tyre gjithmon\u00eb k\u00ebrkojn\u00eb pak diell. Nuk \u00ebsht\u00eb rast\u00ebsi pse G\u00ebte n\u00eb momentet e fundit t\u00eb jet\u00ebs s\u00eb tij, klithte p\u00ebr m\u00eb shum\u00eb drit\u00eb, p\u00ebr m\u00eb shum\u00eb diell. Nuk \u00ebsht\u00eb rast\u00ebsi pse Lorka duke l\u00ebshuar zem\u00ebr-klithjen e tij p\u00ebrpara togut t\u00eb pushkatimit: Poet\u00ebt nuk vriten, do t\u00eb l\u00ebshonte nj\u00ebkoh\u00ebsisht edhe zem\u00ebr-thirrjen e tij: Ballkonin, lereni t\u00eb hapur! Nuk \u00ebsht\u00eb rast\u00ebsi pse poeti i himnit komb\u00ebtar Aleksand\u00ebr Stavri Drenova-Asdreni, do ta titullonte nj\u00ebr\u00ebn prej p\u00ebrmbledhjeve m\u00eb t\u00eb bukura t\u00eb poezis\u00eb shqipe, me titullin aq simbolik e aq dometh\u00ebn\u00ebs: Rreze Djelli; ashtu si\u00e7 nuk \u00ebsht\u00eb rast\u00ebsi pse gjeniu popullor do t\u00eb k\u00ebndonte nga thell\u00ebsit\u00eb e shpirtit t\u00eb tij:<\/p>\n

\u00c7\u2019k\u00ebrkoi shqiptari nd\u00ebr shekuj?
\nPak buk\u00eb, pak drit\u00eb dhe pak hekur!
\nI erdh\u00ebn njiherit te tria,
\nq\u00eb dit\u00ebn kur erdhi liria.<\/em><\/p>\n

Liria dhe Kosova \u00ebsht\u00eb frym\u00ebzimi q\u00eb shpaloset edhe n\u00eb poezin\u00eb e titulluar Jeta, strukturuar n\u00eb kat\u00ebr pjes\u00eb: Lindja, Rrita, Pleq\u00ebria dhe Vdekja. Kat\u00ebr pjes\u00eb si t\u00eb kat\u00ebr stin\u00ebt.<\/p>\n

N\u00eb pjes\u00ebn e par\u00eb, poetja kujton:<\/p>\n

Un\u00eb dhe Kosova
\nnga hiri lind\u00ebm
\n\u2026<\/em><\/p>\n

Ishim t\u00eb vegj\u00ebl
\nkur kafshuam
\ndhembjet tona
\n\u2026
\nplag\u00ebt i lidh\u00ebm
\npal\u00eb-pal\u00eb me fasha
\nsa her\u00eb t\u00eb p\u00ebrgjakura
\nme flamuj t\u00eb bardh\u00eb
\ni p\u00ebrsh\u00ebndet\u00ebm agimet
\ngj\u00ebm\u00ebn u lam\u00eb
\nkorbave krah\u00ebshtjerr\u00eb<\/p>\n

N\u00eb pjes\u00ebn e dyt\u00eb, s\u00ebrish p\u00ebrmes evokimeve lirike, fjala e latuar ka p\u00ebrshkruar rrug\u00ebtimin jet\u00ebsor t\u00eb nj\u00eb poeteje e cila atdheun e sheh me syt\u00eb kah dielli:<\/p>\n

u rrit\u00ebm gjer n\u00eb dit\u00ebn e liris\u00eb
\nme blerim n\u00eb p\u00ebll\u00ebmb\u00ebt tona<\/em><\/p>\n

N\u00eb pjes\u00ebn e tret\u00eb shpaloset p\u00ebrballja mes koh\u00ebs s\u00eb venitur dhe kujtes\u00ebs:<\/p>\n

Kosov\u00eb koh\u00eb e venitur
\nrrokulliset \u00e7mendur
\nn\u00eb flokun e bardh\u00eb
\n\u2026
\nEdhe ti Kosov\u00eb
\nkurr\u00eb mos harro
\nkull\u00ebn e gjyshit
\ndhe flokun e thinjur
\nmbi ball\u00eb<\/em><\/p>\n

Dhe s\u00eb fundmi, n\u00eb pjes\u00ebn e kat\u00ebrt (Vdekja), s\u00ebrish n\u00ebp\u00ebrmjet nj\u00eb latimi t\u00eb holl\u00eb t\u00eb shprehjes poetike gjith\u00eb durim dhe p\u00ebrkushtim, poetja e cila ndjenj\u00ebn atdhetare di ta shpalos me fjal\u00eb lapidare, duke p\u00ebrdorur anafor\u00ebn e ka shprehur sa shqet\u00ebsimin po aq edhe dashurin\u00eb p\u00ebr kryefjal\u00ebn e poezis\u00eb s\u00eb saj-Kosov\u00ebn:<\/p>\n

E pas vdekjes Kosov\u00eb
\nkush do t\u00eb shkruaj\u00eb
\nepitaf mbi varrin tim
\nkush do t\u00eb mbjell\u00eb
\nindin e g\u00ebrshetit tim
\nn\u00eb gurin shk\u00ebmbor
\nkush do t\u2019m\u2019i shartoj\u00eb
\ndhembjet me g\u00ebzimet e bot\u00ebs
\n\u2026
\nKosov\u00eb
\ngjysh\u00ebrit e mi
\ne lan\u00eb peng
\nk\u00ebng\u00ebn p\u00ebr rinin\u00eb t\u00ebnde
\nmos i shenjt\u00ebro
\nfjal\u00ebt e k\u00ebsaj nate
\np\u00ebrkunde p\u00ebrrall\u00ebn
\ne gjysh\u00ebrve t\u00eb mi
\nn\u00eb qet\u00ebsin\u00eb e nj\u00eb dashurie
\nlul\u00ebzo me lirin\u00eb t\u00ebnde t\u00eb bukur
\nKosova ime
\ne lindur
\n\u2026nga hiri
\n\u2026nga gjaku
\n\u2026nga eshtrat
\ne d\u00ebshmor\u00ebve.<\/em><\/p>\n

Kosova pra n\u00eb fillim t\u00eb vargut a n\u00eb mbarim t\u00eb tij, \u00ebsht\u00eb lajtmotivi jo vet\u00ebm i k\u00ebsaj poezie, n\u00ebp\u00ebrmjet t\u00eb cil\u00ebs shpaloset drama e nj\u00eb kombi t\u00eb t\u00ebr\u00eb.<\/p>\n

Poetja Sev\u00ebme Fetiqi flet n\u00eb em\u00ebr t\u00eb brezave e n\u00eb em\u00ebr t\u00eb breznive or\u00ebmira edhe n\u00eb poezin\u00eb e titulluar Metamorfoz\u00eb, n\u00eb t\u00eb cil\u00ebn shpaloset mish\u00ebrimi epik i historis\u00eb, histroi kjo e cila p\u00ebr tok\u00ebn bujare t\u00eb gjakut q\u00eb na lindi dhe rriti, shpesh ka qen\u00eb tragjike:<\/p>\n

Vendi im prore ishte
\nkull\u00eb e ngritur
\nmbi gjakun e d\u00ebshmor\u00ebve
\nku fjala ishte Betim
\nhistoria gjymtim
\nbaroti gjoksflijim
\nk\u00ebng\u00eb n\u00eb pentagram
\ndielli paprarim
\nt\u00eb vdekurit
\nlegjend\u00eb frymim<\/em><\/p>\n

N\u00eb poezin\u00eb e radh\u00ebs, t\u00eb titulluar Kush jam un\u00eb, shpaloset nj\u00eb monolog me koh\u00ebn, duke v\u00ebn\u00eb si prelud fjal\u00ebt e atribuara nj\u00eb atdhetari: Mua m\u00eb thon\u00eb: je nj\u00eb atdhetar i marr\u00eb! Ani, le t\u00eb thon\u00eb, kok\u00ebn ndoshta e kam t\u00eb prishur, por gjakun assesi.<\/p>\n

M\u00eb tej, n\u00ebp\u00ebrmjet m\u00ebdyshjes dhe kontrastit shprehet nj\u00ebkoh\u00ebsisht ironia e koh\u00ebs:<\/p>\n

A jam zjarr n\u00eb akull
\napo akull n\u00eb zjarr
\nmes s\u00eb v\u00ebrtet\u00ebs
\ne g\u00ebnjeshtr\u00ebs<\/em><\/p>\n

A jam tr\u00ebndafil n\u00eb hi
\napo Liz\u00eb n\u00eb bot\u00ebn e \u00e7udirave
\nme mallin q\u00eb djeg
\nnd\u00ebr dh\u00ebmb\u00ebt zg\u00ebrdhir\u00eb<\/p>\n

Nj\u00eb monolog i filluar si ironi me koh\u00ebn, p\u00ebrfundon me nj\u00eb bashk\u00ebbisedim me tok\u00ebn:<\/p>\n

Vet\u00ebm ti m\u00eb njeh
\nkush jam un\u00eb<\/em><\/p>\n

Toka ime
\nkur nj\u00eb dit\u00eb
\nt\u00eb prehem e qet\u00eb
\nme buz\u00ebqeshje epitafi<\/p>\n

Nd\u00ebrkazq, n\u00eb prizmin e vrojtimit dje dhe sot,\u00ebsht\u00eb e shkruar poezia Pasqyra e kujtimeve, n\u00eb t\u00eb cil\u00ebn poetja thekson mendimin se pa lirin\u00eb Kosova ishte \u201cn\u00eb bot\u00ebn e hi\u00e7it\u201d.<\/p>\n

Kuptimin e nj\u00eb atdheu t\u00eb cilin duhet lart\u00ebsuar sa m\u00eb shum\u00eb, atij ia kan\u00eb dh\u00ebn\u00eb njer\u00ebzit e sakrific\u00ebs por edhe ata t\u00eb cil\u00ebt ishin p\u00ebrkushtuar q\u00eb me k\u00ebng\u00eb t\u00eb shpalosin kronikat epike t\u00eb nj\u00eb kohe t\u00eb trazuar. Nga nj\u00eb sfond si ky del poezia Pena dhe z\u00ebri i tij n\u00eb \u00e7ifteli (-Agim Gashit, poetit e rapsoditton\u00eb-), n\u00eb t\u00eb cil\u00ebn shquhet p\u00ebrdorimi me mjaft zot\u00ebsi i anafor\u00ebs poetike: Aty, strukur\u00eb kjo mbi t\u00eb cil\u00ebn nd\u00ebrtohet shpesh poezia e Sev\u00ebme Fetiqit.<\/p>\n

Duket qart\u00eb se nj\u00eb strukturim i till\u00eb, nj\u00eb procedim i till\u00eb poetik, mund\u00ebson q\u00eb t\u00eb thuhet shum\u00eb e t\u00eb shprehet nj\u00eb ndieshm\u00ebri e theksuar. \u00c7do fjal\u00eb q\u00ebndron bukur dhe me vend n\u00eb ritmin e vargut, e \u00e7do varg ka pesh\u00ebn e vet n\u00eb struktur\u00ebn e strof\u00ebs, e cila nganj\u00ebher\u00eb p\u00ebrb\u00ebhet edhe nga dy pjes\u00eb kuptimore:<\/p>\n

Aty ku brenga e tij p\u00ebrjet\u00ebsohet
\nderisa t\u00eb shnd\u00ebrrohet n\u00eb dhembje
\ne dhembja sfidohet me k\u00ebng\u00eb
\nAty bashkohen lumenjt\u00eb
\nn\u00eb nj\u00eb det t\u00eb madh malli
\nsi\u00e7 bashkohet i biri me t\u2019\u00ebm\u00ebn
\ndhe merren n\u2019gryk me mall<\/em><\/p>\n

N\u00eb pen\u00ebn e Sev\u00ebme Fetiqit, rapsodi shkrihet n\u00eb nj\u00eb me tok\u00ebn dhe me tradit\u00ebn e tij, kurse kreshta e fjal\u00ebs \u00ebsht\u00eb ajo e cila e ngre lart portretin e k\u00ebtij rapsodi:<\/p>\n

Aty ku pagjum\u00ebsia e tij b\u00ebn roje
\nsi uj\u00ebvar\u00eb e bardh\u00eb p\u00ebr lul\u00ebkuqe
\n\u2026
\nAty ku qan e r\u00ebnkon toka e tij
\ne lar\u00eb n\u00eb lot e djegur me flak\u00eb
\nai e d\u00ebrgon fresk\u00ebt k\u00ebng\u00ebn e ringjalljes
\nflamurin e fitoreve duke mbajtur lart
\nderisa t\u00eb b\u00ebhet yll n\u00eb qiellin e vet<\/em><\/p>\n

Aty ku burr\u00ebria dhe trim\u00ebria
\nb\u00ebhen shpirt i krenaris\u00eb
\nAi n\u00eb ball\u00eb t\u00eb oxhakut
\ni b\u00ebn roje k\u00ebng\u00ebs dhe dashuris\u00eb
\nq\u00eb do t\u00eb na bashkojn\u00eb<\/p>\n

Me buk\u00eb krip\u00eb zem\u00ebr sofr\u00ebn e shpirtit shtron
\nme ndjenj\u00ebn e \u00e7ilt\u00ebrsis\u00eb<\/p>\n

Duke e ngritur k\u00ebshtu lart figur\u00ebn e rapsodit popullor, e cila n\u00eb vete p\u00ebrmban tipare dhe virtyte fisnik\u00ebrie e bujarie, poetja ia ka dalur q\u00eb ta shtrij\u00eb n\u00eb nj\u00eb plan m\u00eb t\u00eb gj\u00ebr\u00eb sfid\u00ebn me t\u00eb cil\u00ebt ndeshet shpesh tradita e lasht\u00eb:<\/p>\n

Aty ku lakmia e zilia verbojn\u00eb arsyen
\ne ndjenja b\u00ebhet d\u00ebshmitare
\ne koh\u00ebs s\u00eb m\u00ebkateve t\u00eb m\u00ebdha
\nai i b\u00ebn konak bujaris\u00eb
\nme fjal\u00ebn mjalt\u00eb sh\u00ebron
\nme z\u00ebrin pushk\u00eb th\u00ebrret horizontet e drit\u00ebs
\nt\u00eb arrijm\u00eb n\u00eb pranver\u00eb<\/em><\/p>\n

Me nj\u00eb latim kaq t\u00eb holl\u00eb t\u00eb verbit poetik, me nj\u00eb frym\u00ebzim kaq t\u00eb thell\u00eb, me nj\u00eb p\u00ebrkushtim kaq t\u00eb ve\u00e7ant\u00eb, Sev\u00ebme Fetiqi n\u00eb fakt ka ngritur lart jo vet\u00ebm figur\u00ebn e k\u00ebtij rapsodi, por n\u00ebp\u00ebrmjet tij edhe simbolikisht, figur\u00ebn e dashur e t\u00eb admiruar t\u00eb rapsodit shqiptar n\u00eb p\u00ebrgjith\u00ebsi.<\/p>\n

Duke e gdhendur nj\u00eb portret t\u00eb till\u00eb, poetja ka shpalosur nj\u00ebkoh\u00ebsisht t\u00eb v\u00ebrtet\u00ebn e madhe se ndeshen k\u00ebshtu n\u00eb rrjedh\u00ebn e historis\u00eb lufta e pashpallur tinzare dhe p\u00ebrballja me t\u00eb, n\u00eb nd\u00ebrkoh\u00eb q\u00eb poetika e shprehjes sfidon p\u00ebrthithjen:<\/p>\n

Aty ku heshtja shnd\u00ebrrohet n\u00eb harres\u00eb
\ne njeriu n\u00eb rob n\u00eb kamleon
\nai i jep shpirt e jet\u00eb\u00e7iftelis\u00eb
\ne p\u00ebrjet\u00ebsi \u00ebndrr\u00ebs dhe bes\u00ebs<\/em><\/p>\n

Aty ku kurbeti di vet\u00ebm gjuh\u00ebn e mallit
\nlarg\u00ebsis\u00eb i shtohet shtati
\ne i thinjen flok\u00ebt
\nai lufton me harrimin
\nasimilimin konvertimin
\nn\u00eb k\u00ebng\u00eb duke p\u00ebrjet\u00ebsuar flijimin<\/p>\n

N\u00eb nj\u00eb vall\u00ebzim t\u00eb k\u00ebtill\u00eb fjal\u00ebsh, t\u00eb cilat shemb\u00ebllejn\u00eb me nj\u00eb vall\u00ebzim lulesh n\u00eb shp\u00ebrthim t\u00eb prillit, poetja ka shpalosur tablon\u00eb e dhembshme t\u00eb plag\u00ebs s\u00eb m\u00ebrgimit. Ajo ka nd\u00ebrthurur aq bukur motivin e kurbetit me \u00ebndrr\u00ebn e kthimit, nj\u00eb pik\u00eb n\u00eb t\u00eb cil\u00ebn sikur takohet balada me legjend\u00ebn:<\/p>\n

Atje ku rrudhat e ballit
\nskalisin dhembjen p\u00ebr n\u00ebn\u00ebn
\nq\u00eb e la me kok\u00eb n\u00eb dritare
\nme duar n\u00eb gji te pargu i pritjes
\nai synon t\u00eb kthehet
\nt\u2019i b\u00ebhet diell vendlindjes
\ndhe fole zogjve t\u00eb braktisur
\nlogjeve t\u00eb mallit horizonteve t\u00eb drit\u00ebs<\/em><\/p>\n

nga \u00ebndrra t\u00eb futet n\u00eb histori<\/p>\n

Pena dhe perla b\u00ebhet nj\u00eb, e si nj\u00eb pe i kuq p\u00ebrshkojn\u00eb nj\u00eb hap\u00ebsir\u00eb hyjnore t\u00eb shqipes dykrenore, n\u00eb t\u00eb cil\u00ebn gjithmon\u00eb ka mbijetuar q\u00ebndresa shekullore.<\/p>\n

Aty, aty, aty\u2026 Gjithmon\u00eb \u00ebsht\u00eb Ai:<\/p>\n

Aty ku pena e tij \u00ebsht\u00eb kushtrim
\n\u00ebsht\u00eb frym\u00eb e par\u00eb dhe e fundit
\n\u00ebsht\u00eb perla e uj\u00ebrave t\u00eb \u00ebmbla
\nq\u00eb i v\u00eb em\u00ebr k\u00ebng\u00ebs
\nku atdhe e ka kull\u00ebn e q\u00ebndres\u00ebs
\naty shnd\u00ebrrohet n\u00eb uj\u00ebvar\u00eb
\nzemrat e strukura p\u00ebr t\u2019i freskuar
\nme \u00ebmb\u00eblsin\u00eb e buz\u00ebqeshjes
\nme drit\u00ebn e dashuris\u00eb
\nmiq\u00ebsi mbjell n\u00eb t\u00eb gjitha fushat e bot\u00ebs
\nai ngrihet deri n\u00eb maje
\nhap\u00ebsir\u00eb e rrug\u00eb p\u00ebr t\u2019i hapur fatit atdhetar<\/em><\/p>\n

Nuk \u00ebsht\u00eb rast\u00ebsi pse kjo p\u00ebrmbledhje poetike \u00ebsht\u00eb titulluar Imazhe t\u00eb ringjallura. Poetja me fjal\u00ebn e saj artistike ringjall imazhe ylberore. Pranvera gjall\u00ebron natyr\u00ebn dhe gjall\u00ebria e g\u00ebzon jet\u00ebn. \u00cbsht\u00eb pra e qart\u00eb se asgj\u00eb nuk e g\u00ebzon poeten m\u00eb shum\u00eb se ringjallja e imazheve, p\u00ebrpunimi i parafytyrimeve, risjellja pran\u00eb e figurave t\u00eb shquara q\u00eb ringjall\u00ebn nj\u00eb komb t\u00eb t\u00ebr\u00eb me flak\u00ebn e shenjt\u00eb t\u00eb atdhedashuris\u00eb s\u00eb tyre. Dhe krejt\u00ebsisht n\u00eb fund, ajo kthehet tek dhembja e lasht\u00eb sa plisat e dheut, tek malli p\u00ebr gjakun e shprishur. Ajo bashkon k\u00ebshtu vijat dalluese t\u00eb nj\u00eb portreti prej rapsodi, por jo vet\u00ebm t\u00eb tij. Ajo bashkon epokat dhe shekujt me unaz\u00ebn e gjelb\u00ebrt t\u00eb verbit poetik. Me kresht\u00ebn e fjal\u00ebs shqipe ajo m\u00ebto t\u00eb zgjon bardh\u00ebsit\u00eb dhe dashurit\u00eb e atdheut st\u00ebrgjyshor:<\/p>\n

P\u00ebr fisin e ndar\u00eb p\u00ebr gjakun e shprishur
\nk\u00ebndon si Naimi si qiriri i tij shkrihet
\nn\u00eb p\u00ebrmendore t\u00eb gjall\u00eb e ngre
\nguximin dhe shpres\u00ebn q\u00eb na duhen<\/em><\/p>\n

Nuk ka dyshim se nj\u00eb hartues antologjie i lirik\u00ebs shqipe e ka t\u00eb v\u00ebshtir\u00eb dhe t\u00eb pamundur p\u00ebr ta l\u00ebn\u00eb jasht\u00eb saj, nj\u00eb q\u00ebndism\u00eb poetike si kjo. Nj\u00eb q\u00ebndism\u00eb lirike e cila shquhet me nj\u00eb rit\u00ebm poetik q\u00ebshemb\u00ebllen me pikat e shiut q\u00eb th\u00ebrmohen n\u00eb gur\u00eb. Nj\u00eb kronik\u00eb kohe. Pena dhe z\u00ebri i koh\u00ebs\u2026<\/p>\n

N\u00eb sfondin e ligj\u00ebrimit lirik dje dhe sot, \u00ebsht\u00eb e thurur edhe poezia (\u201cq\u00eb u shp\u00ebrblye me vendin e dyt\u00eb n\u00eb Or\u00ebn e madhe letrare tradicionale n\u00eb Koblenz m\u00eb 2009, dhe e fitoi \u00e7mimin e tret\u00eb n\u00eb Takimet e Poeteshave Shqiptare n\u00eb Vushtrri 2010\u201d) me titullin Diellin e pash\u00eb (K\u00ebnga e lulediellit), n\u00eb t\u00eb cil\u00ebn l\u00ebshohet zem\u00ebr-klithja:<\/p>\n

o Diell o lule
\npa ty me shekuj isha
\n\u2026
\n\u2026dhe plumbat shekullor\u00eb
\nballin ma q\u00eblluan
\nsyt\u00eb m\u2019i verbuan
\nme hirin e rob\u00ebris\u00eb
\nMe shtat\u00ebqind dimra
\nfjal\u00ebn n\u00eb gjuh\u00eb ma ngrin
\npetalet m\u2019i shp\u00ebrndan\u00eb nj\u00eb nga nj\u00eb
\nkah bota e larg\u00ebt<\/em><\/p>\n

Shp\u00ebrndar\u00eb n\u00eb t\u00eb kat\u00ebr an\u00ebt e globit – si flatrat e Sibilave t\u00eb Virgjilit, si\u00e7 do t\u00eb shkruante Elena Gjika. Por p\u00ebrmbi k\u00ebt\u00eb tragjedi shekullore, shpaloset epika e plisave t\u00eb dheut:<\/p>\n

U b\u00ebra muran\u00eb n\u00eb pritje
\nklithje n\u00eb heshtje
\nu sh\u00ebndrova
\nn\u00eb nyj\u00eb t\u00eb pamposhtur
\nme fije shpresash
\nthura kuotat e fitoreve
\npikova lot t\u00eb kuq
\nshqiponjat lajm\u00ebronin fest\u00ebn e pritur<\/em><\/p>\n

Ngrita kok\u00ebn
\nrrezet t\u2019i putha
\nun\u00eb lulja jote e vuajtur
\nu ktheva kah ti
\ntash dhe n\u00eb vdeksha
\nndasht\u00eb<\/p>\n

Poezia e Sev\u00ebme Fetiqit nuk \u00ebsht\u00eb nj\u00eb poezi patetike e as deklarative. Ajo \u00ebsht\u00eb poezi e ndjenj\u00ebs s\u00eb\u00e7ilt\u00ebrt, e frym\u00ebzimit t\u00eb thell\u00eb, e p\u00ebrjetimit t\u00eb sinqert\u00eb, e dashuris\u00eb p\u00ebr atdheun, p\u00ebr gjuh\u00ebn dhe kultur\u00ebn, n\u00eb t\u00eb cil\u00ebn fjala p\u00ebrdoret me pesh\u00ebn e saj e n\u00eb vendin e saj. Fjala gdhendet bukur dhe q\u00ebndron hijsh\u00ebm n\u00eb funksion t\u00eb ligj\u00ebrimit lirik.<\/p>\n

Her\u00eb si zem\u00ebr-klithje e her\u00eb si zem\u00ebr-thirrje, poezia e Sev\u00ebme Fetiqit \u00ebsht\u00eb edhe nj\u00eb bot\u00eb me zana e me shtojzovalle (poezia Eja), ajo \u00ebsht\u00eb pjes\u00eb e pandar\u00eb e k\u00ebng\u00ebs \u00e7am\u00ebrishte, k\u00ebng\u00eb e cila nuk \u00ebsht\u00eb gj\u00eb tjet\u00ebr ve\u00e7se gjakim p\u00ebr t\u00eb qen\u00eb t\u00eb lir\u00eb n\u00eb hap\u00ebsir\u00ebn shqiptare:<\/p>\n

Eja
\nshiko zanat shpleksin
\ng\u00ebrshetat p\u00ebr fitoren e \u00ebnd\u00ebrruar<\/em><\/p>\n

Eja
\nmerrja k\u00ebng\u00ebs
\n\u00e7am\u00ebrisht drejt Tiran\u00ebs
\n\u2026
\nb\u00ebhu jet\u00eb mbi varret e Drenic\u00ebs
\nngjitu n\u00eb freskin\u00eb e Bjeshk\u00ebve t\u00eb Nemuna
\n\u2026
\nEja
\nkoh\u00ebs s\u00eb gurit
\npalc\u00ebn t\u2019ia rrjepim<\/p>\n

Eja
\nqiellit t\u00eb lir\u00eb
\nt\u2019ia qepim fustanin e m\u00ebndafsht\u00eb
\nas m\u00eb t\u00eb gj\u00ebr\u00eb as m\u00eb t\u00eb ngusht\u00eb<\/p>\n

Eja
\nk\u00ebtu t\u00eb lundrojm\u00eb
\nn\u00eb lumenjt\u00eb e p\u00ebrt\u00ebrir\u00eb<\/p>\n

Sev\u00ebme Fetiqi \u00ebsht\u00eb poetja e cila e shtron sofr\u00ebn e atdheut n\u00eb poezin\u00eb e saj. Dhe pasi e shtron k\u00ebt\u00eb sof\u00ebr dielli, shpalos lutjen, d\u00ebshir\u00ebn, dashurin\u00eb dhe gjakimin e saj t\u00eb p\u00ebrhersh\u00ebm e t\u00eb p\u00ebrjetsh\u00ebm, n\u00eb poezin\u00eb M\u00eb merr:<\/p>\n

Kosov\u00eb
\nm\u00eb merr \u00e7do dit\u00eb
\nt\u00eb sh\u00ebtis damar\u00ebve tu
\n\u2026
\nPasdite m\u00eb fal shi
\nn\u00eb buz\u00ebt e mia
\nq\u00eb l\u00ebngojn\u00eb
\np\u00ebr nj\u00eb fjal\u00eb shqip<\/em><\/p>\n

\u00cbsht\u00eb ndjenja e mallit t\u00eb m\u00ebrgimtarit e shprehur n\u00eb k\u00ebto vargje, nj\u00eb ndjenj\u00eb e theksuar e mallit t\u00eb p\u00ebrjetuar thell\u00eb:<\/p>\n

M\u00eb merr mua
\ndo g\u00ebzohem si kalama
\nn\u00eb vatr\u00ebn e kujtimeve
\nKosov\u00eb<\/em><\/p>\n

N\u00eb poezin\u00eb kushtuar Dr. Flora Brovin\u00ebs, me titullin Ti sh\u00ebron vuajtjet e f\u00ebmij\u00ebve, me nj\u00eb nd\u00ebrthurje lirike shpaloset n\u00ebp\u00ebrmjet prizmit dje dhe sot,nj\u00eb bashk\u00ebbisedim mes dy poeteshave: nj\u00ebra p\u00ebrtej grilave (\u201cje z\u00ebn\u00eb peng rrezedielli\/\u201dme emrin tend fluturim\u201d) e tjetra q\u00eb e pret tek zem\u00ebr-klithja e p\u00ebrbashk\u00ebt: \u201cderi n\u00eb lasht\u00ebsi\/p\u00ebr Liri.\u201d<\/p>\n

Poezia Mitrovica, \u00ebsht\u00eb nj\u00eb klithm\u00eb tjet\u00ebr p\u00ebr qytetin e ndar\u00eb n\u00eb dysh. N\u00eb k\u00ebt\u00eb poezi shprehet shqet\u00ebsimi i drejt\u00eb n\u00ebp\u00ebrmjet nj\u00eb dialogu me qytetin argjend e flori:<\/p>\n

ngrite z\u00ebrin n\u00eb pafund\u00ebsi
\nt\u00eb t\u00eb mos mashtroj\u00eb gjumi<\/em><\/p>\n

Ti q\u00eb gurgullon dhembsh\u00ebm
\nmallit tim
\nmos u ndal s\u00eb dashuri<\/p>\n

Krahu i shqiponj\u00ebs i poetit \u00e7am Bilal Xhaferit shfaqet s\u00ebrish si pjes\u00eb e tragjikes, si krah i shk\u00ebputur. Dheu i jugut e sheh \u00ebnd\u00ebrr dheun e veriut|! K\u00ebshtu do t\u00eb shprehte zem\u00ebr-klithjen e saj poeteja Af\u00ebrdita Sk\u00ebnderi. Edhe Ernest Koliqi e shprehte shqet\u00ebsimin e nj\u00ebjt\u00eb: K\u00ebtu banon gjumi! E n\u00eb ligj\u00ebrimin lirik, shpaloset etja sepse si\u00e7 shkruan poetja:<\/p>\n

Krahu tjet\u00ebr
\n\u00e7do dit\u00eb vuan
\np\u00ebr ujin t\u00ebnd t\u00eb \u00ebmb\u00ebl<\/em><\/p>\n

Nd\u00ebrkaq, n\u00eb pjes\u00ebn p\u00ebrmbyll\u00ebse t\u00eb k\u00ebsaj poezie, balada e murimit hedh shtat p\u00ebrmes ligj\u00ebrimit lirik:<\/p>\n

Ura jote do b\u00ebhem
\nmesp\u00ebrmes<\/em><\/p>\n

Me gjakun tim
\ndo t\u00eb lidh\u00eb p\u00ebrjetsh\u00ebm
\nZem\u00ebrarta e Kosov\u00ebs
\nMitrovic\u00eb<\/p>\n

II<\/strong>.<\/p>\n

Ah! Hija ime nuk m\u00eb braktis
\nEdhe pse dielli n\u00eb metropol per\u00ebndon
\nHija ime besnike e l\u00ebvizjeve t\u00eb mia<\/em><\/p>\n

Hija shfaqet si metafor\u00eb, dhe hija \u00ebsht\u00eb atdheu t\u00eb cilin poet\u00ebt e marrin me vete. Poezia Gjurm\u00eb, shpalos t\u00eb v\u00ebrtet\u00ebn e hidhur t\u00eb nj\u00eb plage t\u00eb kamotshme: M\u00ebrgimi \u00ebsht\u00eb shpell\u00eb e (t)err\u00ebt. Ai shfaqet kudo:<\/p>\n

Udh\u00ebtojn\u00eb k\u00ebto \u00ebndrra
\nme piktura malli n\u00ebn sqetull
\nplot zemr\u00ebn lecka t\u00eb vuajtjes
\nzbresin me bagazh t\u00eb pasigurt
\nimazhesh t\u00eb ringjallura<\/em><\/p>\n

Un\u00eb f\u00ebmija n\u00ebna e re nuse
\nndez zjarrin e kujtimeve
\nball vatr\u00ebs
\najo m\u00eb buz\u00ebqesh\u00eb malluar
\nm\u2019i ngroh gjymtyr\u00ebt e m\u00ebrdhir\u00eb
\nnga asfaltet e metropoleve<\/p>\n

N\u00ebp\u00ebrmjet tablove ekspresive shprehet malli, dhembja, vetmia, ankthi dhe shqet\u00ebsimi:<\/p>\n

Sa peshojn\u00eb \u00ebndrrat e bukura
\nn\u00eb flladin e pranver\u00ebs braktisur
\nsi gur i ftoht\u00eb m\u00eb godet (mu) n\u00eb zem\u00ebr
\nulur k\u00ebmb\u00ebkryq af\u00ebr vatr\u00ebs ringjallur
\n\u2026
\nZemra shpell\u00eb terri
\nku \u00ebndrrat e mia
\nlozin stin\u00ebt.<\/em><\/p>\n

E till\u00eb\u00ebsht\u00eb edhe poezia Ah, e cila n\u00eb vete ng\u00ebrthen nj\u00eb zem\u00ebr-klithje tjet\u00ebr: \u201ce vardisja s\u2019pran\u00eb\/as edhe nj\u00eb shekull\u201d. Duke e shpalosur nj\u00eb tablo t\u00eb till\u00eb, kjo poezi q\u00ebndron n\u00eb mes dy klithjeve:<\/p>\n

Ah\u2026
\nhije e l\u00ebnduar
\nn\u00eb mjegull
\nAh\u2026<\/em><\/p>\n

E p\u00ebrmasave t\u00eb tilla \u00ebsht\u00eb edhe poezia e radh\u00ebs, titulluar M\u00ebrgimtare. Kjo poezi me motivin e m\u00ebrgimit, shquhet p\u00ebr gjendjen emocionale t\u00eb mallit e t\u00eb klithjes n\u00eb dhe t\u00eb huaj:<\/p>\n

E malli i ndezur si pishtar ngadh\u00ebnjimi
\nn\u00eb hap\u00ebsir\u00eb nuk preket
\ngravitimi mba peng shpres\u00ebn
\npezull n\u00eb ajrin e varf\u00ebr
\nme trup e shpirt t\u00eb ndar\u00eb
\n\u2026
\nJam m\u00ebrgimtare or v\u00eblla<\/em><\/p>\n

Poetja flet n\u00eb em\u00ebr t\u00eb brezave t\u00eb t\u00ebr\u00eb t\u00eb cil\u00ebt e kan\u00eb p\u00ebrjetuar ndjenj\u00ebn e hidhur t\u00ebm\u00ebrgimit. Nd\u00ebrkaq, n\u00eb poezin\u00ebMacja me virtyte(\u201cKjo poezi u shp\u00ebrblye me \u00e7mimin e tret\u00eb n\u00eb Takimin e Poeteshave Shqiptare n\u00eb Vushtrri, 2011\u201d) e cila fillon me nj\u00eb mohim q\u00ebsimbolikisht shpalos koh\u00eb zezonash, \u00ebsht\u00eb shprehur n\u00eb m\u00ebnyr\u00eb alegorike nj\u00eb nd\u00ebrthurje e q\u00eblluar n\u00eb mes fatit t\u00eb asaj q\u00eb poetja e quan macja mevirtyte dhe motivit t\u00eb kthimit, e q\u00eb n\u00eb vete ng\u00ebrthen vuajtje dhe breng\u00eb, mall dhe kujtime p\u00ebr pragun e sht\u00ebpis\u00eb:<\/p>\n

Ndonj\u00ebher\u00eb e mllefosur
\nme thonjt\u00eb e mpreht\u00eb
\ng\u00ebrryente
\ndurimin e saj
\nmbi gur<\/em><\/p>\n

Nuk e pinte
\nqum\u00ebshtin nga pjata
\nas ujin e shiut
\ntet\u00eb shpirtat e saj
\nk\u00ebtu n\u00eb k\u00ebt\u00eb vend
\ni kishte l\u00ebn\u00eb
\nshpirtin e n\u00ebnt\u00eb
\ne mbante peng si kujtim
\np\u00ebr kthimin e premtuar
\nsa her\u00eb ia mbyll\u00ebn der\u00ebn
\nsa her\u00eb
\ne humb\u00ebn n\u00eb larg\u00ebsi
\n\u00e7do her\u00eb e gjeti
\nrrug\u00ebn
\nderi te pragu
\ni sht\u00ebpis\u00eb
\nku kishte lindur<\/p>\n

E ngjashme me k\u00ebt\u00eb poezi-p\u00ebr kah motivi, dhe e nagjshme me poezin\u00eb Dheu im – p\u00ebr kah procedimi poetik, \u00ebsht\u00eb poezia Malli. V\u00ebrehet k\u00ebshtu tendenca e poetes q\u00eb gati secil\u00ebs pjes\u00eb t\u00eb m\u00ebrgimit, t\u2019i qaset n\u00ebp\u00ebrmjet varg\u00ebzimit lirik, pra q\u00eb n\u00ebp\u00ebrmjet shprehjes s\u00eb gdhendur poetike t\u00eb shpalos ndjeshm\u00ebrin\u00eb e theksuar t\u00eb breng\u00ebs dhe t\u00eb dhembjes s\u00eb p\u00ebrjetuar:<\/p>\n

Shp\u00ebrfillsh\u00ebm ndiej
\nmall si n\u00eb thik\u00eb dy tehe
\ngjirit t\u00eb nat\u00ebs
\nbredh n\u00eb pagjum\u00ebsi
\nmes mureve t\u00eb ftohta<\/em><\/p>\n

T\u00eb b\u00ebhem pik\u00eb shiu
\n\u2026
\nsi fjoll\u00eb bore n\u00eb krahnez\u00eb<\/p>\n

Ende rrokullisem
\nn\u00eb er\u00ebrat e Per\u00ebndimit
\nsi gjeth vjeshte
\nzverdhur pa Ty<\/p>\n

Kosov\u00eb<\/p>\n

Kosova \u00ebsht\u00eb n\u00eb fillim, n\u00eb mes dhe n\u00eb fund t\u00eb poezive. Ajo \u00ebsht\u00eb kudo. Kosova \u00ebsht\u00eb lajtmotivi i poetes. Kosova \u00ebsht\u00eb lajtmotivi i ligj\u00ebrimit lirik, i gjakimit t\u00eb saj poetik. Kosova \u00ebsht\u00eb pjes\u00eb e pandashme e meditimit, \u00ebsht\u00eb pjes\u00eb e p\u00ebrhershme e frym\u00ebzimit. Kosova \u00ebsht\u00eb frym\u00ebzimi i gjall\u00eb, \u00ebsht\u00eb loti i val\u00eb q\u00eb pikon n\u00eb fjal\u00eb. Kosova pra \u00ebsht\u00eb parafjala dhe paralaksa e dashuris\u00eb s\u00eb poetes Sev\u00ebme Fetiqi.<\/p>\n

Kjo ndjenj\u00eb e theksuar e lidhjes s\u00eb pashmangshme me vendlindjen, me atdheun dhe me gjuh\u00ebn, shfaqet edhe n\u00eb poezin\u00eb Hija n\u00eb metropol. Nj\u00eb poete shqiptare kalon pran\u00eb bustit t\u00eb poetit t\u00eb madh gjerman G\u00ebtes \u201cme trishtimin e koh\u00ebs moderne\u201d. Vargu shpalos nj\u00eb p\u00ebrballje mes realitetit t\u00eb hidhur dhe rr\u00ebmuj\u00ebs e rr\u00ebmetit. Kuadri poetik hapet me me shprehjen e gdhendur n\u00eb nj\u00eb paraljm\u00ebrim t\u00eb monotonis\u00eb:<\/p>\n

N\u00eb vijat e hirta t\u00eb monotonis\u00eb
\nk\u00ebrkoj drejtimin tim t\u00eb humbur
\nnga nj\u00ebzeteshtat\u00eb kate t\u00eb rrokaqiejve
\nshikoj metropolin q\u00eb prek qiellin
\n\u2026
\nduke hedhur lulet n\u00eb er\u00eb
\np\u00ebrsh\u00ebndes e huaj zvarritjen
\ne dit\u00ebs s\u00eb p\u00ebrshpejtuar
\nq\u00eb zgjohet e fle harruar
\nnga njer\u00ebzit e ftoht\u00eb<\/em><\/p>\n

Kontraste t\u00eb nj\u00eb ironie t\u00eb koh\u00ebs shpalosen tutje n\u00ebp\u00ebrmes verbit poetik:<\/p>\n

Hija ime si skllave e p\u00ebrbetuar
\nbesnike p\u00ebrcjell\u00eb shtatin tim
\n\u2026
\np\u00ebshtyj ajrin q\u00eb ma z\u00eb frym\u00ebn
\n\u2026
\nvuaj p\u00ebr oksigjenin e vendlindjes
\nbijat e mia v\u00ebrdall\u00eb m\u00eb sillen
\ngjer n\u00eb marramendje lozin me ret\u00eb
\ndrita i rrit me shpejt\u00ebsi astronomike
\nn\u00eb vend t\u00eb huaj<\/em><\/p>\n

Nj\u00eb bot\u00eb kontrastesh dhe nj\u00eb bot\u00eb e t\u00ebr\u00eb shqet\u00ebsimesh e dhembjesh, g\u00ebrshetohen me nj\u00ebra-tjetr\u00ebn. Poetja me vete e bart\u00eb bot\u00ebn e vendlindjes, shpalos nj\u00eb horizont t\u00eb kthjell\u00ebt t\u00eb saj, nj\u00eb frym\u00ebzim q\u00eb zanafill\u00ebn e ka n\u00eb nj\u00eb natyr\u00eb t\u00eb bukur shqiptare. E sakaq, k\u00ebsaj bote i shfaqet dhe i rishfaqet si nj\u00eb sfid\u00eb e p\u00ebrhershme bota e m\u00ebrgimit:<\/p>\n

I buz\u00ebqeshin ato diellit t\u00eb shkrir\u00eb
\nn\u00eb asflatin e betonuar
\nq\u00eb nuk tregon jet\u00eb
\ngjendem p\u00ebrnj\u00ebher\u00eb
\nn\u00eb nj\u00eb udh\u00ebkryq vajesh
\nflisni shqip\u2026shqip flisni
\nT\u00eb gjith\u00eb e kuptojm\u00eb f\u00ebmij\u00ebrin\u00eb<\/em><\/p>\n

Ah! Hija ime nuk m\u00eb braktis
\nEdhe pse dielli n\u00eb metropol per\u00ebndon
\nHija ime besnike e l\u00ebvizjeve t\u00eb mia<\/p>\n

Poetja Sev\u00ebme Fetiqi i bashkohet mendimit t\u00eb njohur t\u00eb De Rad\u00ebs, i cili thoshte se vjershat jan\u00eb bijat besnike t\u00eb fatit tim! Nisur nga nj\u00eb pik\u00ebtakim si ky, ajo ndalet me verbin e saj poetik edhe tek trungu i p\u00ebrbashk\u00ebt ilir, duke p\u00ebrkujtuar se \u201ct\u00eb t\u00eb nj\u00ebjtit trung jemi\u201d, p\u00ebr t\u00eb shprehur shpres\u00ebn e m\u00ebtejme p\u00ebr at\u00eb q\u00eb Ernest Koliqi me t\u00eb drejt\u00eb e quante \u201cama e qum\u00ebshtit t\u00eb p\u00ebrbashk\u00ebt\u201d:<\/p>\n

Trungje t\u00eb t\u00eb nj\u00ebjt\u00ebs rr\u00ebnj\u00eb
\ndeg\u00eb t\u00eb t\u00eb nj\u00ebjtit trung<\/em><\/p>\n

Duke u bul\u00ebzuar
\nme beharin e ardhm\u00ebris\u00eb
\nn\u00eb bashkimin e bekuar<\/p>\n

N\u00eb poezin\u00eb tjet\u00ebr, titulluar N\u00eb korniz\u00eb t\u00eb heshtjes, \u00ebsht\u00eb vargu i nj\u00eb but\u00ebsie t\u00eb m\u00ebndafsht\u00eb ai i cili e p\u00ebrshkon shpesh poezin\u00eb e k\u00ebsaj krijueseje. Ajo d\u00ebshmon q\u00ebllimin e saj t\u00eb qart\u00eb: \u201c\u00ebndrrat p\u00ebr t\u2019i p\u00ebrg\u00ebzuar\/ p\u00ebr imazhe t\u00eb ringjallura\u201d. Kundruall k\u00ebtij motivi, shfaqet edhe nj\u00eb gjendje e trisht\u00eb: \u201cN\u00eb korniz\u00eb t\u00eb verdh\u00eb t\u00eb heshtjes\u201d, p\u00ebrballur me \u201cmuret e vetmis\u00eb\u201d. Pastaj \u00ebsht\u00eb koha ajo q\u00eb parakalon n\u00eb m\u00ebnyr\u00eb tinzare, nd\u00ebrkaq q\u00eb poetja n\u00eb retrospektiv\u00eb kujtimesh e ka shprehur shprehur shqet\u00ebsimin me vend se shija e buk\u00ebs n\u00eb dhe t\u00eb huaj \u00ebsht\u00eb shum\u00eb m\u00eb ndryshe:<\/p>\n

F\u00ebmij\u00ebt e vegj\u00ebl ishin rritur
\nt\u00eb rriturit ishin moshuar
\nt\u00eb moshuarit kishin vdekur<\/em><\/p>\n

As vat\u00ebr n\u00eb dru s\u2019ndizej
\nflaka e ngroht\u00ebsis\u00eb
\nrreth s\u00eb cil\u00ebs mblidheshim
\nishte shuar<\/p>\n

Duke kjutuar foton e vjet\u00ebr e cila \u201cende qeshte\u201d, poetja e ka shprushur k\u00ebshtu: \u201cHirin e kujtimeve t\u00eb lumtura\u201d, si dhe \u201cmallin q\u00eb ende vlon\u201d.
\n\u00cbsht\u00eb e kuptueshme se n\u00eb nj\u00eb sfond si ky, koha e b\u00ebn t\u00eb veten. Si rrjedhim i k\u00ebsaj, gjithmon\u00eb di\u00e7ka mungon:<\/p>\n

Por veten m\u00eb nuk e gjeta
\ntek ai prag<\/em><\/p>\n

Modestin\u00eb e saj e ka shprehur edhe n\u00eb poezin\u00ebme titullin Fatjete. Q\u00eb n\u00eb hyrje t\u00eb saj, poetja ka lart\u00ebsuar s\u00ebrish vatr\u00ebn kundruall luksit:<\/p>\n

S\u2019dua gj\u00ebra luksi shum\u00ebngjyr\u00ebshe
\nas stoli nga metrot\u00eb e bot\u00ebs
\ns\u2019m\u00eb ngacmojn\u00eb dot
\nsa tym\u2019i vatr\u00ebs<\/em><\/p>\n

E n\u00eb pjes\u00ebn p\u00ebrmbyll\u00ebse q\u00eb trajton nj\u00eb fat jete, shprehet dashuria p\u00ebr njer\u00ebzit e af\u00ebrm:<\/p>\n

Ku jan\u00eb njer\u00ebzit e dashur
\nher\u00eb l\u00ebndohem her\u00eb zmbrapsem
\njan\u00eb sh\u00ebrim n\u00eb plag\u00ebn e regjur
\ndua \u00e7do p\u00ebrshp\u00ebrim\u00eb t\u00eb ndjej
\nku rri nyj\u00eb Fati
\nJet\u00ebnur i fal<\/em><\/p>\n

Tregim i trilluar, \u00ebsht\u00eb titulluar poezia e projektuar n\u00eb prizmin e ligj\u00ebrimit ato dhe ne, dje dhe sot. Duke v\u00ebn\u00eb p\u00ebr sh\u00ebnim fjal\u00ebt: \u201c-Ky frym\u00ebzim poetik lindi mu n\u00eb dit\u00ebn e par\u00eb t\u00eb m\u00ebrgimit, kur mundohesha q\u00eb bij\u00ebs sime 7-vje\u00e7are, Blert\u00ebs, t\u2019ia zbut mallin p\u00ebr Kosov\u00ebn.\u201d, poetja ka shpalosur s\u00ebrish ironin\u00eb e koh\u00ebs:<\/p>\n

Koha tallej me ne
\nkur mbi supe mbanim rrug\u00ebt e mundimit
\nme buqeta shprese se do t\u00eb kthehemi<\/em><\/p>\n

Blert\u00eb
\nloti n\u00eb faqe ishte m\u00eb i r\u00ebnd\u00eb
\nse Bjeshk\u00ebt e Nemuna n\u00eb prehrin e Tok\u00ebs<\/p>\n

Fytyrat e zbehura
\nmbeten imazhe t\u00eb kthyera<\/p>\n

Pastaj zem\u00ebr-klithja tjet\u00ebr: K\u00ebtu dimrat jan\u00eb t\u00eb ftoht\u00eb. E m\u00eb tej s\u00ebrish ironia e nj\u00eb fati tragjik:<\/p>\n

me kryevepr\u00ebn ton\u00eb
\nsa bukur kemi vizatuar jet\u00ebn e re<\/em><\/p>\n

Lundra t\u00eb bardha do t\u00eb nd\u00ebrtojm\u00eb
\nme to t\u00eb lundrojm\u00eb\u00e7do nat\u00eb
\nn\u00eb lumenjt\u00eb e lot\u00ebve tan\u00eb
\nderi te Edina Fitorja Lumnia
\npeshqeshe dhembjeje do t\u2019u d\u00ebrgojm\u00eb<\/p>\n

E ve\u00e7anta k\u00ebshtu b\u00ebhet e p\u00ebrgjithshme. Lumenjt\u00eb e lot\u00ebve si tek L\u00ebndinae Lot\u00ebve (e Teodor La\u00e7os). Si tek Fusha e Korabit!…Dhe s\u00ebrish ironia tall\u00ebse:<\/p>\n

ajri k\u00ebtu \u00ebsht\u00eb i past\u00ebr
\na e di ajri k\u00ebtu blihet me t\u00eb holla<\/em><\/p>\n

N\u00eb pjes\u00ebn e tret\u00eb t\u00eb k\u00ebtij dialogu me Blert\u00ebn, dhe gjithsesi n\u00ebp\u00ebrmes saj edhe me koh\u00ebn, poetja shpreh ankthin e saj:<\/p>\n

Deri kur do t\u00eb qeshesh me fytyr\u00eb kah era
\nderi kur do t\u00eb vizatosh lot
\nn\u00eb vend t\u00eb luleve t\u00eb vendlindjes
\nderi kur do t\u2019i shikosh yjet n\u00eb qiell
\nme shikimin e l\u00ebn\u00eb peng atje
\n<\/em>
\nN\u00ebp\u00ebrmjet shqiptimit t\u00eb emrit Blert\u00eb, poetja ka artikuluar n\u00eb funksion t\u00eb imazheve zem\u00ebr-klithjen e saj:<\/p>\n

Nuk e di Blert\u00eb ku ta gjej at\u00eb pastel
\nt\u2019ua jap\u00eb ngjyr\u00ebn e v\u00ebrtet\u00eb
\npremtimeve t\u00eb mia<\/em><\/p>\n

E di vet\u00ebm k\u00ebt\u00eb e di
\n\u00e7ka qe ajo q\u00eb p\u00ebrcaktoi fatin e k\u00ebtij tregimi<\/p>\n

me t\u00ebr\u00eb kuptimin e hidhur t\u00eb mashtrimit<\/p>\n

Konotacioni poetik \u00ebsht\u00eb i qart\u00eb. N\u00ebp\u00ebrmjet k\u00ebtij ligj\u00ebrimi lirik, poetja sikur e shtron pyetjen e vetvetishme: Blert\u00eb, kush na la pa atdhe?!<\/p>\n

III<\/strong>.<\/p>\n

Nuk isha kurr\u00eb m\u00eb i ndersh\u00ebm
\nse n\u00eb \u00e7astin kur kisha frik\u00eb
\nq\u00eb do t\u00eb d\u00ebshtoj<\/em><\/p>\n

Poezia e titulluar Nj\u00eb\u2026shquhet p\u00ebr nj\u00eb konglomerat ngjyrash. N\u00eb fjal\u00ebn q\u00eb shpalos imazhe t\u00eb ringjallura, ka klithje, drit\u00eb t\u00eb vrenjtur, rreze dielli, por edhe pamje n\u00eb t\u00eb cil\u00ebn herku i ylberit \u00ebsht\u00eb i thyer:<\/p>\n

\u2026nj\u00eb hark i thyer ylberi
\ni njeriut q\u00eb vdes<\/em><\/p>\n

Nd\u00ebrkaq, n\u00eb poezin\u00eb tjet\u00ebr T\u00eb jesh njeri, p\u00ebr Sev\u00ebme Fetiqin t\u00eb jesh njeri, do t\u00eb thot\u00eb:<\/p>\n

T\u00eb ngritesh n\u00eb lart\u00ebsi pafund
\nme k\u00ebng\u00ebn e zogjve
\nmbi deg\u00eb lisi
\nt\u00eb prek\u00ebsh
\nkalt\u00ebrsit\u00eb
\ndhe buz\u00ebqeshjen e diellit
\nn\u00eb rreze t\u00eb strukesh
\ne k\u00ebmb\u00ebt t\u2019i kesh
\nrr\u00ebnjosur
\nn\u00eb zemr\u00ebn e Tok\u00ebs am\u00eb.<\/em><\/p>\n

Poetja beson n\u00eb misionin aq fisnik poetik t\u00eb shpalosur nga poeti Alan Gizenberg, se \u201cbota ka shpirt\u201d, se \u201cuniversi \u00ebsht\u00eb nj\u00eb lule e re\u201d. Para s\u00eb gjithash ajo beson n\u00eb fuqin\u00eb e fjal\u00ebs duke iu falur asaj, gj\u00eb q\u00eb reflektohet edhe n\u00eb poezin\u00eb Re\u00e7et\u00eb fjale. N\u00eb k\u00ebt\u00eb poezi shprehet qart\u00eb adhurimi p\u00ebr fjal\u00ebn dhe p\u00ebrkushtimi p\u00ebr t\u00eb, duke p\u00ebrkujtuar se:<\/p>\n

\u00c7doher\u00eb kur flitet
\ne para fjala
\ndo pastrohet
\nn\u00eb lart\u00ebsit\u00eb e qiellit
\nn\u00eb uj\u00ebmjel\u00ebsi deti
\nt\u00eb pikaset n\u00eb nektar lulesh<\/em><\/p>\n

N\u00eb pjes\u00ebn e dyt\u00eb t\u00eb k\u00ebsaj poezie, n\u00ebp\u00ebrmes bukuris\u00eb s\u00eb fjal\u00ebs poetike dhe mendimit t\u00eb ngjeshur, gjithashtu shpaloset misioni q\u00eb ka fjala me pesh\u00ebn e saj. K\u00ebt\u00eb pesh\u00eb dhe k\u00ebt\u00eb mision q\u00eb ka fisnik\u00ebria e fjal\u00ebs, poetja e ka artikulur n\u00eb nj\u00eb dimension q\u00eb n\u00eb vete ng\u00ebrthen but\u00ebsi dhe dashuri, bardh\u00ebsi dhe \u00ebmb\u00eblsi t\u00eb ndjenj\u00ebs poetike:<\/p>\n

Fjala gur q\u00eb peshon n\u00eb vend t\u00eb vet
\nfreski ere val\u00ebvit si flamur
\nt\u00eb lidhet me fjongo m\u00ebndafshi
\nt\u00eb dhurohet neuron\u2019 i trurit
\nt\u2019ngulitet n\u00eb aort\u00ebn time
\nThuaje fjal\u00ebn n\u00eb fund
\nmelodi cic\u00ebrim\u00eb zogu<\/em><\/p>\n

Me lakonin\u00eb e shprehjes\u00ebsht\u00eb nd\u00ebrthur gjakimi p\u00ebr artin magjik t\u00eb fjal\u00ebs, \u00ebsht\u00eb shprehur adhurimi p\u00ebr t\u00eb deri n\u00eb p\u00ebrmasat q\u00eb mund t\u00eb ket\u00eb nj\u00eb ajo, e p\u00ebr t\u00eb cilat p\u00ebrmasa poetja ka p\u00ebrpunuar p\u00ebrfytyrimin si p\u00ebr nj\u00eb \u201cmelodi cic\u00ebrim\u00eb zogu\u201d.<\/p>\n

Fjala dhe simfonia e saj \u00ebsht\u00eb imagjinuar si nj\u00eb melodi a si nj\u00eb cic\u00ebrim\u00eb zogu. Ky \u00ebsht\u00eb edhe misioni poetik, kjo \u00ebsht\u00eb sofra e fjal\u00ebs, \u00ebsht\u00eb odeoni i saj. Me k\u00ebt\u00eb prirje, poetja ka gatuar fjal\u00eb zemre edhe n\u00eb poezin\u00eb e titulluar Sofra, e cila u \u00ebsht\u00eb kushtuar: \u201cF\u00ebmij\u00ebve t\u00eb rritur para kohe n\u00eb Kosov\u00eb\u201d, poezi e cila p\u00ebrmes fuqis\u00eb s\u00eb fjal\u00ebs hapet me nj\u00eb kontrast:<\/p>\n

Syrin e kan\u00eb
\n\u00e7doher\u00eb t\u00eb njomur
\nuria loz me (pa) ngop\u00ebsin\u00eb
\nkur l\u00ebng u rrjedh nga gjuha
\nbuz\u00ebt shije t\u00eb njelm\u00ebt djerse
\nfal\u00ebnderojn\u00eb zot\u00ebrin\u00eb
\nme zem\u00ebr t\u00eb thyer
\n\u201cgjithmon\u00eb pa\u00e7 zoti t\u00eb dhasht\u00eb\u201d<\/em><\/p>\n

Poetja nuk mund t\u00eb rri kurr\u00eb indiferente p\u00ebrball\u00eb pamjeve migjeniane. D\u00ebshmi p\u00ebr k\u00ebt\u00eb\u00ebsht\u00eb fakti se ajo kundron tablot\u00eb e jet\u00ebs, drit\u00eb-hijet e saj, kontrastet e theksuara. Ajo regjistron n\u00eb mendjen e saj sfidat me t\u00eb cilat p\u00ebrballet mosha njom\u00ebzake, f\u00ebmij\u00ebt e nj\u00eb trualli t\u00eb lar\u00eb me gjak e t\u00eb zhytur shpesh n\u00eb pellgun e padrejt\u00ebsive t\u00eb panum\u00ebrta sociale. Kalamanjt\u00eb e cfilitur t\u00eb Kosov\u00ebs martire b\u00ebhen pjes\u00eb p\u00ebrb\u00ebr\u00ebse dhe e pashmangshme e vrojtimeve poetike. Pamjet dhe vuajtjet e tyre nuk shqiten nga mendja e poetes. K\u00ebto vuajtje dhe k\u00ebto pamje b\u00ebhen bashkudh\u00ebtar\u00eb n\u00eb rrug\u00ebn e m\u00ebrgimit . Nuk jan\u00eb pamjet e shk\u00eblqimit t\u00eb luksit ato q\u00eb mbeten shum\u00eb gjat\u00eb n\u00eb mbamendjen e poetes. P\u00ebrkundrazi, jan\u00eb tablot\u00eb e nj\u00eb jete gjith\u00eb sfida, gjith\u00eb ndeshtrasha q\u00eb nga dje e deri sot, ato q\u00eb l\u00ebn\u00eb gjurm\u00eb n\u00eb bot\u00ebn poetike t\u00eb Sev\u00ebme Fetiqit:<\/p>\n

Kur \u00e7ajn\u00eb cop\u00eb buke t\u00eb pjekur
\nn\u00eb diellin e f\u00ebmij\u00ebris\u00eb
\nn\u00eb hirin e k\u00ebrkimit t\u00eb shpres\u00eb
\nkore buke thar\u00eb e zbusin me lot<\/em><\/p>\n

E m\u00eb tej nj\u00eb psher\u00ebtim\u00eb prej poeteje sfidon shum\u00eb\u00e7ka q\u00eb n\u00eb nj\u00eb m\u00ebnyr\u00eb ose tjet\u00ebr, drejtp\u00ebrdrejt apo t\u00ebrthorazi vret ardhm\u00ebrin\u00eb e k\u00ebtyre f\u00ebmij\u00ebve, p\u00ebr t\u00eb cil\u00ebt poetja me t\u00eb drejt\u00eb p\u00ebrkujton se jan\u00eb \u201crritur para kohe\u201d:
\nJu lutem mos ua p\u00ebrbuzni sofr\u00ebn
\nshtruar mes dhom\u00ebs
\nzogjt\u00eb t\u00eb ulur p\u00ebrreth
\nme shije i mbledhin th\u00ebrrimet e skamjes
\n\u00ebnd\u00ebrrojn\u00eb p\u00ebr nes\u00ebr bler\u00ebs tregu
\nrriten e v\u00ebshtrojn\u00eb me nj\u00eb sy
\nn\u00eb germat e abetares
\ne vrapojn\u00eb pas rrezeve<\/em><\/p>\n

N\u00eb ligj\u00ebrimin e lirik\u00ebs s\u00eb fjal\u00ebs s\u00eb latuar poetike, \u201cn\u00eb hirin e k\u00ebrkimit t\u00eb shpres\u00ebs\u201d, pamja e k\u00ebtyre f\u00ebmij\u00ebve krahasohet me pamjen e zogjve t\u00eb uritur t\u00eb cil\u00ebt ngarendin p\u00ebr ca th\u00ebrmia buke. \u00cbsht\u00eb e qart\u00eb pra, se p\u00ebr pamjet prek\u00ebse, p\u00ebr pamjet t\u00eb cilat e shqet\u00ebsojn\u00eb skajshm\u00ebrisht neurastenin\u00eb krijuese t\u00eb nj\u00eb poeteje e cila i falet ligj\u00ebrimit lirik, Sev\u00ebme Fetiqi e k\u00ebrkon me nj\u00eb p\u00ebrkushtim t\u00eb ve\u00e7ant\u00eb fjal\u00ebn e nj\u00eb lirizmi t\u00eb holl\u00eb, e gdhend ate dhe e v\u00eb pastaj n\u00eb funksion t\u00eb vargut e n\u00eb sh\u00ebrbim t\u00eb tablove ekspresive sa edhe prek\u00ebse.<\/p>\n

N\u00eb poezin\u00eb e radh\u00ebs Libri q\u00eb vuan, poetja b\u00ebn nj\u00eb monolog me librin, duke e v\u00ebn\u00eb librin n\u00eb p\u00ebrballje me koh\u00ebn, dhe duke klithur nj\u00ebkoh\u00ebsisht p\u00ebr fatin e librit n\u00eb koh\u00ebn ton\u00eb: \u201cSa vuaj\/ t\u00eb zbres nga rafti\u201d.<\/p>\n

Drit\u00eb-hijet e jet\u00ebs, dromca dhe cop\u00ebza jete, kund\u00ebrshtit\u00eb e theksuara t\u00eb nj\u00eb jete gjith\u00eb gjethe e lule, tr\u00ebndafila dhe gjemba, vija dhe vrrag\u00eb, e p\u00ebrshkojn\u00eb nj\u00eb varg t\u00eb poezive t\u00eb k\u00ebsaj p\u00ebrmbledhje poetike. E till\u00eb\u00ebsht\u00eb poezia Njer\u00ebz dhe fate, t\u00eb cil\u00ebt vihen kundruall nj\u00ebri-tjetrit n\u00eb nd\u00ebrkoh\u00eb q\u00eb poetja d\u00ebshmon prirjen dhe zot\u00ebsin\u00eb e saj q\u00eb me pak fjal\u00eb t\u00eb thot\u00eb shum\u00eb:<\/p>\n

R\u00ebndojn\u00eb n\u00eb qepall\u00eb
\nKameleon drit\u00ebvrar\u00eb
\nBot\u00eb e marr\u00eb
\njet\u00ebvrer\u00eb
\ngur Sizifi
\nndjenj\u00eb ferri<\/em><\/p>\n

Nd\u00ebrkaq, n\u00eb poezin\u00eb e titulluar Si u b\u00ebra grua e keqe (kushtuar \u201c-Vashave t\u00eb mashtruara q\u00eb trafikohen me dhun\u00eb-\u201c), vihet n\u00eb pah nj\u00eb plag\u00eb e r\u00ebnd\u00eb dhe tejet e sh\u00ebmtuar e nj\u00eb koh\u00eb tep\u00ebr tinzare. Shpaloset tragjika e vajzave t\u00eb mashtruara t\u00eb cilat ngjasojn\u00eb me lulet e vrara, por nj\u00ebkoh\u00ebsisht shprehet edhe ndjenja e dhembjes p\u00ebr fatin e qenieve t\u00eb p\u00ebrdhunuara njer\u00ebzore:<\/p>\n

N\u00eb labirintin
\ne dhembsh\u00ebm t\u00eb jet\u00ebs
\nnuk gjeta nj\u00eb cop\u00ebz drit\u00eb
\naskush nuk m\u00eb tregoi
\nkuptimin e territ
\nshpirti m\u2019u gjnuj\u00ebzua
\npara m\u00ebkateve
\n\u2026
\nPlag\u00ebt
\nme helmin e gjarprit
\ni sh\u00ebrova
\nku djajt\u00eb
\nkafshonin virgj\u00ebrin\u00eb time
\n\u2026
\nm\u2019i kallnin fustanet
\nn\u00eb t\u00eb cil\u00ebt ishin vizatuar
\nlulet e vendlindjes<\/em><\/p>\n

N\u00eb poezin\u00eb tjet\u00ebr me titullin \u00cbndrra, gradacioni i shprehjes s\u00eb gdhendur poetike shkon aq bukur n\u00eb funksion t\u00eb semantik\u00ebs s\u00eb vargut n\u00ebp\u00ebrmes t\u00eb cilit shprehet ankthi dhe shqet\u00ebsimi:<\/p>\n

mbi kurriz bart lodhjen e dit\u00ebs
\nme \u00ebndrra sy\u00e7elta
\nprehen mbi jastakun e bardh\u00eb
\nsyt\u00eb e mekur
\ne ballin prush t\u00eb hirt\u00eb
\ngacullojn\u00eb n\u00eb err\u00ebsir\u00eb<\/em><\/p>\n

Fluturojn\u00eb \u00ebndrrat brigjeve
\nval\u00ebt pluskojn\u00eb shqet\u00ebsimet
\nku mrizon vetmia
\n\u2026
\nSa zgjat nata me (pa) sy
\npse vjen i mug\u00ebt m\u00ebngjesi<\/p>\n

Me ngjyra t\u00eb nj\u00eb kontrasti t\u00eb theksuar \u00ebsht\u00eb shtruar edhe pyetja n\u00eb poezin\u00eb e titulluar E kujt \u00ebsht\u00eb jeta, n\u00eb t\u00eb cil\u00ebn paraqiten \u201crrath\u00eb purgatori v\u00ebrvitur\/labirineve dinake e t\u00eb rr\u00ebpirta\u201d, p\u00ebr t\u00eb sjellur m\u00eb af\u00ebr nj\u00eb konrast tjet\u00ebr:<\/p>\n

dikush gjysm\u00eb i gjall\u00eb me lak n\u00eb fyt
\npret ekzekutimin e fatit
\ndhe pret t\u00eb d\u00ebgjoj\u00eb se bota \u00ebsht\u00eb e t\u00eb gjith\u00ebve<\/em><\/p>\n

N\u00eb vargjet e poetes shpalosen k\u00ebshtu val\u00ebt e jet\u00ebs:<\/p>\n

jeta \u00ebsht\u00eb nyje e drit\u00ebs
\njeta as e elit\u00ebs as klasik\u00ebs
\nk\u00ebrkuam e k\u00ebnduam
\ntelin s\u2019ia akorduam<\/em><\/p>\n

E kush bart bot\u00ebn n\u00ebn sqetull
\np\u00ebrtej vdekjes\u2026!<\/p>\n

Mbi po t\u00eb nj\u00ebjtin sfond \u00ebsht\u00eb shkruar edhe poezia Antonim, q\u00eb n\u00eb vete ng\u00ebrthen nj\u00eb luft\u00eb kontrastesh, q\u00eb paraqet nj\u00eb gjendje patologjike:<\/p>\n

\u2026
\nSot qesh me pala\u00e7on
\nnes\u00ebr qaj me lot
\np\u00ebr bot\u00ebn e s\u00ebmur\u00eb<\/em><\/p>\n

Tani pikturoj nj\u00eb sh\u00ebmti
\nnes\u00ebr ujis lulet<\/p>\n

\u00cbndrrat shpalos
\nn\u00eb sheshin e p\u00ebrjetimeve t\u00eb lira
\n\u2026
\nSot mallkoj jet\u00ebn
\nnes\u00ebr gatuaj \u00ebmb\u00eblsir\u00eb<\/p>\n

Sot shigjetoj nj\u00eb dashuri n\u00eb sh\u00ebtitore
\nnes\u00ebr f\u00ebmij\u00ebve dhembje u shp\u00ebrndaj<\/p>\n

Ironia e koh\u00ebs dhe tragjika e saj q\u00ebndrojn\u00eb krah p\u00ebr krah me nj\u00ebra-tjetr\u00ebn:<\/p>\n

N\u00eb pasqyr\u00ebn e thyer
\nbuz\u00eb jet\u00ebs
\nfytyr\u00ebn s\u2019e njoh<\/em><\/p>\n

Befas
\ntjer\u00ebt me adhurim
\npranojn\u00eb t\u00eb lozin
\nme maska<\/p>\n

Sot vras nj\u00eb zog
\nnes\u00ebr m\u00eb quajn\u00eb bamir\u00ebs<\/p>\n

Duke k\u00ebshilluar me ironi: \u201cVet\u00ebm nat\u00ebn vrite djallin\/ do kesh m\u00eb pak d\u00ebshmitar\u00eb\u201d, n\u00eb poezin\u00eb e titulluar T\u00eb k\u00ebshilloj, p\u00ebrmes vargut poetik \u00ebsht\u00eb th\u00ebn\u00ebqart\u00ebse: \u201cLumi nuk fle as nat\u00ebn\u201d, p\u00ebr t\u00eb porositur krejt\u00ebsisht n\u00eb fund:<\/p>\n

ti rri zgjuar
\ngjithnji shiko pas
\nmos bjer pre<\/em><\/p>\n

Shpirti i saj aty fle. Kjo \u00ebsht\u00eb zem\u00ebr-klithja e nxjerr\u00eb nga thell\u00ebsit\u00eb e vargut e cila shquan poezin\u00eb me titull Syri:<\/p>\n

Kurr\u00eb nuk e kuptova
\nthell\u00ebsin\u00eb t\u00ebnde
\nsa deti
\nas ngjyr\u00ebn q\u00eb ke
\nn\u00eb beb\u00ebz
\nshpirti i saj aty fle
\nO bot\u00eb e krisur<\/em><\/p>\n

N\u00eb projekcionin poetik t\u00eb thell\u00ebsive t\u00eb syrit dhe detit, t\u00eb cil\u00ebve u atribohet edhe p\u00ebrmasa e shpirtit dhe e k\u00ebrkimit q\u00eb ka vasha, gjakimi i katarsisit dhe i p\u00ebrsosm\u00ebris\u00eb shprehet pik\u00ebrisht p\u00ebrmes dlir\u00ebsis\u00eb s\u00eb lotit, i cili vet\u00ebkuptohet se i ka t\u00eb gjitha:<\/p>\n

Dikush tha
\nvasha k\u00ebrkon at\u00eb
\nt\u00eb humbur
\nn\u00eb thell\u00ebsit\u00eb e tua
\ndo t\u00eb gjej\u00eb
\nt\u00eb t\u00eb rr\u00ebfej\u00eb
\nvall\u00eb
\nn\u00eb dlir\u00ebsin\u00eb e lotit<\/em><\/p>\n

N\u00eb poezin\u00eb e radh\u00ebs Kull\u00eb vash\u00ebrie, \u00ebsht\u00ebs\u00ebrish kreshat e fjal\u00ebs ajo q\u00eb ka ngritur nj\u00eb kull\u00eb vash\u00ebrie:<\/p>\n

Diku thell\u00eb n\u00eb mua
\nnjiher\u00eb n\u00eb Unin tim
\nnd\u00ebrtova nj\u00eb kull\u00eb
\nt\u00eb Vash\u00ebris\u00eb<\/em><\/p>\n

Beatris\u00eb e quajta
\naty ne t\u00eb dyja
\nfsheh\u00ebm dashurin\u00eb
\ngjarp\u00ebrinjt\u00eb
\nmos ta helmojn\u00eb<\/p>\n

N\u00ebp\u00ebrmes fuqis\u00eb s\u00eb fjal\u00ebs, poetja shpalos nga prizmi i vrojtimit dje dhe sot p\u00ebrballjen, shpalos mjaltin kundruall helmit, drit\u00ebn p\u00ebrball\u00eb err\u00ebsir\u00ebs, zjarrin kundrejt akullit:<\/p>\n

Dikush m\u2019i fikte yjet
\ndikush deshi dashurin\u00eb
\nq\u00eb kishte form\u00ebn e zemr\u00ebs
\nt\u00eb ma shnd\u00ebrroj\u00eb
\nn\u00eb acar shikimesh
\ne vullkanet me shpirt zjarri
\nt\u2019i balsamos\u00eb
\nn\u00eb gjuh\u00ebn e akullit<\/em><\/p>\n

N\u00ebp\u00ebrmjet nj\u00eb lirizmi t\u00eb theksuar, n\u00ebp\u00ebrmjet but\u00ebsis\u00eb s\u00eb fjal\u00ebs dhe bardh\u00ebsis\u00eb s\u00eb vargut, n\u00eb poezin\u00ebHije vargu, e q\u00eb mba p\u00ebr sh\u00ebnim fjal\u00ebt kushtim: Rrit\u00ebs s\u00eb f\u00ebmij\u00ebve, p\u00ebrzgjedhja e fjal\u00ebve n\u00eb funksion t\u00eb epiteteve d\u00ebshmon p\u00ebr nj\u00eb ndjenj\u00eb tep\u00ebr subtile sa dhe t\u00eb natyrshme:<\/p>\n

Jeni drit\u00eb n\u00eb beb\u00ebzat e syve t\u00eb mi
\nlot i shpres\u00ebs s\u00eb rrit\u00ebs
\nengj\u00ebj t\u00eb drit\u00ebs
\nk\u00ebng\u00eb n\u00eb jet\u00eb rinimi
\nbuz\u00ebqeshje agimi
\nhije e vargut
\nk\u00ebng\u00eb e zogut<\/em><\/p>\n

Ledhatim \u00ebndrrave t\u00eb shtigjeve
\nidil buz\u00eb brigjeve<\/p>\n

Urat\u00eb shpirt n\u00ebne
\narom\u00eb n\u00eb cep h\u00ebne<\/p>\n

Nuk \u00ebsht\u00eb rast\u00ebsi q\u00eb nj\u00eb frym\u00ebzimi si ky, q\u00eb nj\u00eb sfondi si ky, poetja ia ka falur si nj\u00eb emblem\u00eb titullin simbolik Hije vargu. Nuk \u00ebsht\u00eb rast\u00ebsi as fakti q\u00eb poezia kushtuar gjyshes, mba titullin Testamenti. P\u00ebrmes shpalsojes s\u00eb memoareve, riakltualizohet porosia-testamenti:<\/p>\n

Kodin e m\u00ebndafsht\u00eb
\nt\u00eb ark\u00ebs s\u00eb dellit
\nmos e zbulo
\nt\u00eb z\u00eb prit\u00eb djalli<\/em><\/p>\n

Po u zure merimang\u00eb n\u00eb mur
\nb\u00ebhu trim burr\u00eb<\/p>\n

Nd\u00ebrkaq, n\u00ebp\u00ebrmjet poezis\u00eb tjet\u00ebr Numrat, \u00ebsht\u00eb paraqitur jo vet\u00ebm ironia dhe tragjikja, por edhe nj\u00eb e v\u00ebrtet\u00eb e madhe sa lasht\u00ebsia:<\/p>\n

Numrat jan\u00eb
\nnet\u00ebt e kaluara n\u00eb vetmi
\nmotet e zbraz\u00ebta
\n\u2026
\nNumrat jan\u00eb
\nf\u00ebmij\u00ebt q\u00eb rriten
\nt\u00eb uritur n\u00eb skamje
\ne bota mundane fle
\nn\u00eb kadifet\u00eb e tr\u00ebndafilta
\n\u2026
\nVet\u00ebm num\u00ebr nj\u00eb \u00ebsht\u00eb dashuria
\n\u00e7do stin\u00eb \u00e7do epok\u00eb
\npa numra tej p\u00ebr loj\u00eb
\nnj\u00eb e papers\u00ebritur n\u00eb koh\u00eb<\/em><\/p>\n

E pamjeve ekspresive dhe e nj\u00eb d\u00ebshmie t\u00eb nd\u00ebrthurjes s\u00eb shprehjeve t\u00eb goditura poetike me ato t\u00eb p\u00ebrp\u00eblitjes p\u00ebr jet\u00ebn, \u00ebsht\u00eb poezia e titulluar Patologji, kushtuar: \u201cShoqes s\u00eb dashur F.K.\u201d Kjo poezi \u00ebsht\u00eb poezi e shprehjes s\u00eb dashuris\u00eb p\u00ebr shoqen e dikurshme t\u00eb klas\u00ebs, d\u00ebshmi e shprehjes s\u00eb dashuris\u00eb p\u00ebr nj\u00eb lule t\u00eb k\u00ebputur n\u00eb pranver\u00ebn e jet\u00ebs s\u00eb saj:
\n\u2026
\nE agu ngadal\u00eb hap krah\u00ebt
\np\u00ebrqafon
\nval\u00ebt e lodhura nga nata<\/em><\/p>\n

Si hije shqiponj\u00eb
\nm\u00eb fanitet buzagaz
\nme plag\u00ebt pal\u00ebfshehur
\n\u2026
\nStuhit\u00eb qiellit ret\u00eb cop\u00ebtojn\u00eb
\np\u00ebrdhunsh\u00ebm deri n\u00eb amshim
\ne z\u00ebrat e korit t\u00eb klas\u00ebs
\nluten me dashuri
\np\u00ebr Dashurin\u00eb e humbur
\nn\u00eb skaj t\u00eb globit<\/p>\n

Stin\u00ebt sillen v\u00ebrdall\u00eb
\nkujtesa mbetet gjall\u00eb
\ne n\u00eb zemrat prush mall<\/p>\n

Nd\u00ebrkaq, n\u00eb poezin\u00eb Mandolina, jo vet\u00ebm q\u00eb d\u00ebshmohet intuita p\u00ebr t\u00eb gjetur n\u00eb val\u00ebt e kreshp\u00ebruara t\u00ebjet\u00ebs motivet e frym\u00ebzimeve poetike, por nj\u00ebkoh\u00ebsisht shprehet edhe delikatesa e ndjenjave, e cila krahasohet me at\u00eb t\u00eb melodive t\u00eb vegl\u00ebs muzikore:<\/p>\n

Zemra ime
\n\u00ebsht\u00eb nj\u00eb mandolin\u00eb<\/em><\/p>\n

Mos i bjer n\u00ebse s\u2019din<\/p>\n

Sepse
\nN\u00eb vend t\u00eb melodise s\u00eb dashuris\u00eb
\nDo t\u00eb v\u00ebrshojn\u00eb
\ntinguj pik\u00ebllimi<\/p>\n

IV<\/strong>.<\/p>\n

Mos m\u00eb trazo
\njam heshtja jote
\nq\u00eb fle vet\u00ebm
\nn\u00eb zemr\u00ebn t\u00ebnde<\/em><\/p>\n

Duke e gdhendur fjal\u00ebn e cila p\u00ebrmbi \u00e7do gj\u00eb shpreh mallin dhe dashurin\u00eb, n\u00ebp\u00ebrmjet k\u00ebtyre vargjeve t\u00eb cilat q\u00ebndrojn\u00eb si prelude p\u00ebr secilin cik\u00ebl, poetja ka thurur nj\u00eb kuror\u00eb fjal\u00ebsh. K\u00ebto emblema poetike gjithsesi se shpalosin nj\u00eb bot\u00eb t\u00eb ndieshme lirike, shpesh t\u00ebshqet\u00ebsuar nga er\u00ebrat e koh\u00ebve, t\u00eb cilat shp\u00ebrndajn\u00eb n\u00eb t\u00eb kat\u00ebr an\u00ebt si zogj shtegtar\u00eb shpirtat e engj\u00ebjve t\u00eb trazuar.<\/p>\n

N\u00eb k\u00ebt\u00eb cik\u00ebl t\u00eb fundit poetja i kthehet s\u00ebrish vendlindjes, dashuris\u00eb s\u00eb saj t\u00eb madhe: Vushtrris\u00eb. N\u00eb nj\u00eb ligj\u00ebrim t\u00eb holl\u00eb lirik, n\u00eb poezin\u00eb e titulluar Vendlindja ime, fillon bashk\u00ebbisedimi me vendlindjen:<\/p>\n

Vushtrria ime
\nTi je drita ime e par\u00eb
\nnga u nisa n\u00eb jet\u00eb
\nn\u00eb Ty
\nqava p\u00ebr her\u00eb t\u00eb par\u00eb
\nkur n\u00eb qeprik\u00eb pikoi loti
\ndhe buz\u00ebqeshja e bardh\u00eb
\np\u00ebr her\u00eb t\u00eb par\u00eb
\nn\u00eb buz\u00ebn time foshnjore
\nrrodhi akoma
\ne kopshteve t\u00eb magjishme
\np\u00ebr her\u00eb t\u00eb par\u00eb
\nshkela kalldr\u00ebmin t\u00ebnd
\necejake hapmbar\u00eb
\nfreski rrite e malli
\ndashuri e pasosur p\u00ebr Ty<\/em><\/p>\n

N\u00eb kalldr\u00ebmet e kujtimeve e n\u00ebp\u00ebrmjet zem\u00ebr-klithjes M\u00eb kujtohet, e cila vihet n\u00eb funksion t\u00eb anafor\u00ebs poetike, shpaloset gjith\u00eb detaje nj\u00eb bashk\u00ebbisedim lirik me ur\u00ebn:<\/p>\n

M\u00eb kujtohet
\nzbathur kaloja
\nUr\u00ebn e Gurit
\ne ajo \u00ebnd\u00ebrronte lumin
\ne thar\u00eb p\u00ebr shekujt
\nbetohesha n\u00eb pranverat e tua
\nme freskin\u00eb e luleve
\nse do t\u00eb b\u00ebhem lum
\ne t\u2019i ujis dit\u00ebt e ardhme
\n\u2026
\nM\u00eb kujtohet
\nkur me p\u00ebrqafimin tim
\nbarta n\u00eb gjoks kalan\u00eb
\ne lart\u00ebsin\u00eb e saj
\ne masja me rrit\u00ebn time
\nlakmoja t\u00eb b\u00ebhem gur
\ni pal\u00ebkundur n\u00eb koh\u00eb
\nduke lar\u00eb fytyr\u00ebn
\ne f\u00ebmij\u00ebris\u00eb s\u00eb hareshme
\nn\u00eb burimin e saj nga bjeshk\u00ebt<\/em><\/p>\n

Ura dhe Kalaja, dy simbolet e qytetit b\u00ebhen simbole t\u00eb nj\u00eb poezie e cila \u00ebsht\u00eb e ngritur n\u00eb sfondin e shpalosjes s\u00eb kujtimeve kalldr\u00ebmeve t\u00eb koh\u00ebs. S\u00ebrish shfaqet sfondi i imazheve t\u00eb ringjallura:<\/p>\n

\u2026
\nImazhet e trimave t\u00eb Drenic\u00ebs i shihja
\nz\u00ebrin e legjendave d\u00ebgjoja
\nq\u00eb ishin rr\u00ebnjosur
\nb\u00ebr\u00eb trung lisash t\u00eb gjat\u00eb
\nme prekje n\u00eb liri<\/em><\/p>\n

Ti je epiqendra ime
\nrreth s\u00eb cil\u00ebs
\nzhgrehem e p\u00ebrp\u00eblitem
\nn\u00eb vaje e g\u00ebzime<\/p>\n

F\u00ebmij\u00ebt e lagjes sime
\nfestojn\u00eb tash kaq shum\u00eb
\nfest\u00eb pa mua
\ne un\u00eb tretem me mallin
\nsi gjeth i k\u00ebputur
\nv\u00ebrvit nga stuhia
\nn\u00eb t\u00eb panjohurin vend<\/p>\n

Dhe n\u00eb pjes\u00ebn e pest\u00eb t\u00eb k\u00ebtij kushtimi lirik, s\u00ebrish stacioni i fundit:<\/p>\n

Ti je stacioni im i fundit
\nn\u00eb vallen e molisur t\u00eb jet\u00ebs sime
\n\u2026
\nma tregoni mesin e bot\u00ebs
\ndo t\u00eb zbres nga kurbeti
\ne n\u00eb flokun tim t\u00eb bardh\u00eb
\nti do t\u2019i num\u00ebrosh
\nvitet e humbura<\/em><\/p>\n

Apo si epitaf ende gjall\u00eb
\nme vuajtje e mall
\ndo shkund nga qepalla
\nlotin tim t\u00eb fundit
\np\u00ebr Ty
\nduke u p\u00ebrqafuar
\np\u00ebrlotur
\nsi Am\u00eb e bij\u00eb
\nVushtrri.<\/p>\n

Vushtrria dhe zem\u00ebr-klithja me mosh\u00eb biblike: do t\u00eb zbres nga kurbeti. N\u00eb mes \u00ebsht\u00eb poetja, e cila n\u00eb poezin\u00eb e shfaqur n\u00eb form\u00ebn e nj\u00eb n\u00ebncikli t\u00eb titulluar Viti, (t\u00eb ndar\u00eb n\u00eb kat\u00ebr pjes\u00eb: Pranver\u00eb, Ver\u00eb, Vjesht\u00eb, Dim\u00ebr) kthehet tek kujtimet e s\u00eb kaluar\u00ebs, tek Ura e Gurit, e cila n\u00eb vargun lirik merr nj\u00eb simbolik\u00eb t\u00eb ve\u00e7ant\u00eb:<\/p>\n

T\u00eb kujtohet
\nkur zbathur e kalonim
\nUr\u00ebn e Gurit
\nt\u00eb stin\u00ebve tona plot behar<\/em><\/p>\n

N\u00eb pjes\u00ebn e dyt\u00eb t\u00eb k\u00ebtij n\u00ebncikli poetik (Ver\u00eb), pamja e natyr\u00ebs shpaloset kundruall qenies poetike n\u00eb p\u00ebrmasa t\u00eb nj\u00eb kontrasti q\u00eb n\u00eb vete ng\u00ebrthen ekstaz\u00ebn kundruall pagjum\u00ebsis\u00eb:<\/p>\n

H\u00ebna sillet me eleganc\u00eb
\nn\u00eb ekstaz\u00ebn e vet verore
\nn\u00eb delirium
\ngjurm\u00ebt e mia t\u00eb pluhurosura
\nnga pagjum\u00ebsit\u00eb e mekura
\nhumben n\u00eb petalet
\ne luleve n\u00eb err\u00ebsir\u00eb<\/em><\/p>\n

Malli, koha dhe m\u00ebrgimi p\u00ebrshkojn\u00eb kujtimet e f\u00ebmij\u00ebris\u00eb:<\/p>\n

F\u00ebmij\u00ebt e lagjes sime
\nbuz\u00eb lumit t\u00eb friksh\u00ebm
\nfestojn\u00eb agimet ngjyr\u00eb verdh\u00eb
\nderisa qepallat shkundin
\nedhe nj\u00eb koh\u00eb t\u00eb\u00ebmb\u00ebl
\nnga kornizat e ver\u00ebs
\nku rrjedhin dejt\u00eb e p\u00ebrv\u00ebluar<\/em><\/p>\n

Nd\u00ebrkaq, n\u00eb pjes\u00ebn e tret\u00eb (Vjesht\u00eb), p\u00ebr dallim nga qepallat t\u00eb cilat \u201cshkundin\/edhe nj\u00eb koh\u00eb t\u00eb\u00ebmb\u00ebl\/nga kornizat e ver\u00ebs\u201d (Ver\u00eb), k\u00ebtu \u201cqepallat shkundin\/edhe nj\u00eb koh\u00eb t\u00eb\u00ebmb\u00ebl\/me fruta t\u00eb pjekura\/nga deg\u00ebt e vona.\u201d Me nj\u00eb p\u00ebrshkall\u00ebzim t\u00eb till\u00eb t\u00eb shprehjes poetike, t\u00eb v\u00ebn\u00eb n\u00eb funksion t\u00eb ekspresivitetit t\u00eb tablove t\u00eb natyr\u00ebs paralel me ato t\u00eb jet\u00ebs, poetja e ka projektuar paraqitjen e radiografis\u00eb s\u00eb shqet\u00ebsimeve:<\/p>\n

Nj\u00eb n\u00ebntor \u00ebsht\u00eb
\nvarur n\u00eb deg\u00eb beb\u00ebze
\ndhe palca e trungut
\nndjen zbraz\u00ebti n\u00eb shpirt
\nnj\u00eb verdh\u00ebsi gjethesh
\ngjaku zbeh ngjyrimin
\nblerimi humb arom\u00ebn
\nnga zjarri i shqet\u00ebsimeve<\/em><\/p>\n

Gjuha e simbolik\u00ebs dhe e metaforave t\u00eb poetes Sev\u00ebme Fetiqi shpesh shkon p\u00ebrtej simbolik\u00ebs individuale, duke paraqitur k\u00ebshtu edhe nj\u00eb gjendje kolektive. Ajo p\u00ebrkujton me verbin e saj poetik se \u201c\u00ebsht\u00eb koh\u00eb e ngrir\u00eb\u201d, e megjithat\u00eb ndon\u00ebse dim\u00ebr (pjesa Dim\u00ebr):<\/p>\n

Vet\u00ebm nj\u00eb oaz\u00eb shprese
\nka mbetur n\u00eb heshtjen
\ne vetmis\u00eb s\u00eb Saharas\u00eb s\u00eb\u00e7mendur
\nn\u00eb akullin e shpirtit
\nbalerinat maj\u00ebgishti
\nvall\u00ebzojn\u00eb jet\u00ebn nga fillimi<\/em><\/p>\n

N\u00eb poezit\u00eb n\u00eb vijim, nj\u00eb lirik\u00eb dashurie p\u00ebrvijohet me ca \u00e7aste kontemplative melankolike. Poezia e titulluar N\u00eb duart e tua, n\u00eb vete ng\u00ebrthen nj\u00eb liriz\u00ebm t\u00eb theksuar n\u00ebp\u00ebrmjet t\u00eb cilit poetja k\u00ebrkon pjalmin si dhurat\u00eb:
\nPjalmin dua dhurat\u00eb
\nnga buz\u00ebt tua
\nd\u00ebshiroj ta pi
\nsi pik\u00ebn e fundit t\u00eb ver\u00ebs
\nn\u00eb got\u00ebn e shpres\u00ebs<\/em><\/p>\n

E sakaq p\u00ebrball\u00eb but\u00ebsis\u00eb, ajo sikur don ta v\u00eb n\u00eb sprov\u00eb dashurin\u00eb si nj\u00eb p\u00ebrjetim me nj\u00eb sfid\u00eb t\u00eb re:<\/p>\n

N\u00eb arom\u00ebn e flok\u00ebve
\nq\u00eb v\u00ebrsh\u00ebllejn\u00eb n\u00eb er\u00eb
\ndua t\u2019i p\u00ebrjetoj stuhit\u00eb<\/em><\/p>\n

Pasi ka kaluar k\u00ebshtu n\u00ebp\u00ebr but\u00ebsin\u00eb dhe n\u00eb ashp\u00ebrsin\u00eb e jet\u00ebs, \u00ebsht\u00eb s\u00ebrish ndjenja subtile ajo q\u00eb triumfon me sinqeritetin e saj:<\/p>\n

N\u00eb duart e tua
\ndua e lumtur t\u00eb vdes<\/em><\/p>\n

Kjo ndjenj\u00eb subtile dhe universale, \u00ebsht\u00eb shpalosur edhe n\u00eb meditimet tek poezia q\u00eb mba titullin Dashuria\u2026n\u00eb t\u00eb cil\u00ebn v\u00ebrehet duksh\u00ebm shprehja e kontrastit t\u00eb thell\u00eb. N\u00ebp\u00ebrmjet but\u00ebsis\u00eb s\u00eb fjal\u00ebs lirike, poetja ia ka dalur ta shpalos trajt\u00ebn e dashuris\u00eb n\u00eb shum\u00ebsin\u00eb e saj dhe me t\u00eb papriturat e saj. N\u00eb ligj\u00ebrimin lirik t\u00eb poetes Sev\u00ebme Fetiqi, dashuria:<\/p>\n

\u2026\u00ebsht\u00eb nj\u00eb bot\u00eb josh\u00ebse
\nn\u00eb hap\u00ebsir\u00eb universi
\n\u00ebnd\u00ebrr e \u00ebmb\u00ebl
\nskenar i bardh\u00eb<\/em><\/p>\n

por gjithsesi, kjo bot\u00eb e ve\u00e7ant\u00eb sa ka hiret, po aq ka edhe huqet e saj. Ajo \u00ebsht\u00eb:<\/p>\n

stuhi q\u00eb godet
\nbeb\u00ebz syri djeg
\n\u2026
\npasion i vrar\u00eb
\ntingull n\u00eb kitar\u00eb
\n\u2026
\nThik\u00eb me dy tehe
\n\u2026
\nher\u00eb qelq kristal
\nher\u00eb got\u00eb e thyer
\nle vrag\u00eb n\u00eb shpirt
\ndjeg pa m\u00ebshir\u00eb<\/em><\/p>\n

N\u00eb artikulimin poetik t\u00eb ndieshm\u00ebris\u00ebs\u00eb theksuar, ajo \u00ebsht\u00eb:<\/p>\n

Si buz\u00ebmbr\u00ebmje
\ne me t\u00eb gdhir\u00eb
\np\u00ebrrall\u00eb e mpir\u00eb
\nn\u00eb g\u00ebrmadhat e dhembjes<\/em><\/p>\n

Nga nj\u00eb gjendje e p\u00ebraf\u00ebrt psikologjike n\u00eb t\u00eb cil\u00ebn k\u00ebrkohet p\u00ebrmes vargut poetik t\u00eb gjendet kodi p\u00ebr ta thyer heshtjen – t\u00eb cil\u00ebn poetja e quan nj\u00eb heshtje prej varri, shquhet edhe poezia Kodi i zemr\u00ebs. Nga nj\u00eb gjendje e till\u00eb, e ve\u00e7mas nga nj\u00eb pamje ku shquhet kontrasti bardh e zi, zb\u00ebrthehet kodi i zemr\u00ebs:<\/p>\n

bie vet\u00ebm nata
\ndhe fjollat e bor\u00ebs
\nmbi flok\u00ebt e mia<\/em><\/p>\n

Vet\u00ebm kodi i nj\u00ebjt\u00eb
\nme zemr\u00ebn time
\nmund ta hap\u00eb k\u00ebt\u00eb port\u00eb<\/p>\n

Kodi i nj\u00ebjt\u00eb me zemr\u00ebn mund t\u2019i hap\u00eb portat e dashuris\u00eb-thot\u00eb poetja. E portat e poezis\u00ebsi prelud i dashuris\u00eb, i hap\u00eb edhe m\u00eb shum\u00eb kodi i fjal\u00ebs, t\u00eb cil\u00ebs Sev\u00ebme Fetiqi i fal\u00eb flatra, sa poezia e titulluar G\u00ebrshetim (e ndar\u00eb n\u00eb pjes\u00eb) \u00ebsht\u00eb nj\u00eb g\u00ebrshetim fjal\u00ebsh q\u00eb anon kah poema:<\/p>\n

Hesht zem\u00ebr
\nvetmia vetmis\u00eb i shtrin\u00eb
\nshallin e bardh\u00eb
\nn\u00eb \u00ebndrrat e zgjuara
\nfjala merr flatrat
\ndashuris\u00eb fllad i b\u00ebhet
\nn\u00eb fsheht\u00ebsin\u00eb e nat\u00ebs
\nn\u00eb cep t\u00eb h\u00ebn\u00ebs<\/em><\/p>\n

Tik-taket e zemr\u00ebs
\nor\u00ebt e dashuris\u00eb
\ndikton vegimet
\nn\u00eb petale lulealli
\nqoft\u00eb rig\u00eb tetori
\na fllad marsi
\nkur dita agon<\/p>\n

Poetja sikur th\u00ebrret s\u00ebrish pamjet e natyr\u00ebs si d\u00ebshmitare t\u00eb nj\u00eb gjendjeje t\u00eb thell\u00eb psikologjike:<\/p>\n

A lul\u00ebzon behari
\nbora pa shkri
\ne klithja jote
\nn\u00eb heshtje ngel
\npeng n\u00eb zem\u00ebr
\ns\u2019dua q\u00eb fjala
\nt\u00eb rr\u00ebshqas gremin\u00ebs
\nsi atak pas shpin\u00ebs<\/em><\/p>\n

N\u00eb pjes\u00ebn e dyt\u00eb ritmi i ligj\u00ebrimit lirik merr ritmin e pikave t\u00eb shiut:<\/p>\n

Erdhe dhe shkove si \u00e7do stin\u00eb
\ne kujton ardhjen t\u00ebnde
\npranver\u00eb e quaja
\nsyri rob m\u00eb zuri
\nn\u00eb shikimin e par\u00eb
\nn\u00eb qerpik\u00ebt e mi
\nt\u00eb kujtohet hapja e qiellit
\nnga fjal\u00ebt rrufe
\n\u2026
\nun\u00eb dhe ti
\ni v\u00ebm\u00eb kuror\u00eb
\nnat\u00ebs s\u00eb err\u00ebt
\nn\u00eb parkun halor<\/em><\/p>\n

Mallin ia fal\u00ebm err\u00ebsir\u00ebs
\nmbase yjet i grabit\u00ebm
\nterri mbi terrin ra
\nnata mbi nat\u00ebn zbriti
\nbeb\u00ebzat peng m\u00eb mor\u00ebn
\nshk\u00ebmbinjt\u00eb pluhur b\u00ebr\u00eb
\nn\u00eb syt\u00eb e mi syt\u00eb e tu
\nbrengat lidh\u00ebn
\ne vjeshta e p\u00ebrlotur
\ns\u2019po gjen ikjen
\ne zogjve shtegtar\u00eb
\nmbi gur gur u b\u00ebra
\nheshtja ime nga turpi
\nmure t\u00eb ftohta thuri
\npik\u00eb loti
\nmbi hirin e pik\u00ebllimit
\nvetmia loz vallen e harrimit<\/p>\n

Labirinthet e jet\u00ebs shoq\u00ebrohen s\u00ebrish me pamjet e natyr\u00ebs. S\u00ebrish fjala dhe kodi i saj i shenjt\u00eb p\u00ebr t\u00eb th\u00ebn\u00eb shum\u00eb\u00e7ka nga ritmi i val\u00ebve t\u00eb jet\u00ebs:<\/p>\n

N\u00eb mua gjith\u00eb z\u00ebrin
\ne val\u00ebve t\u00eb jet\u00ebs k\u00ebrkoj
\ndetet kan\u00eb shterr\u00eb
\nbuz\u00ebt jan\u00eb thar\u00eb
\ndigjen prush n\u00eb pritje
\nnga horizonti
\ns\u2019d\u00ebgjohen shenjat e ardhjes<\/em><\/p>\n

Malet na ndajn\u00eb
\nikja n\u00eb horizonte
\ne di se mali me mal s\u2019takohet
\nnjeriu me njeriun po
\nn\u00eb trillin e g\u00ebnjeshtrave
\nm\u00ebkatet mbyllin portat
\nn\u00ebse kthehesh
\nnga atje ku shkove
\nT\u00eb kujtohet
\nardhjen t\u00ebnde e quaja pranver\u00eb
\nt\u00eb kujtohet
\nshpirti shpirtit drit\u00eb reflekton<\/p>\n

Lirika e shprehjes sakaq befason me paraqitjen e gjendjes s\u00eb ndieshm\u00ebris\u00eb, e cila papritur l\u00ebshon nj\u00eb zem\u00ebr-klithje t\u00eb re:<\/p>\n

Mos u kthe
\ngjith\u00eb kafazet
\ni theva me mundim
\nn\u00eb thell\u00ebsi oqeani hodha
\nret\u00eb largova n\u00eb pafund\u00ebsi
\nnuk do t\u00eb pikoj
\nn\u00eb shuplak\u00ebn t\u00ebnde
\nas si shi i ngroht\u00eb vere
\nmos u kthe t\u00eb lutem<\/em><\/p>\n

Tr\u00ebndafilat qepen n\u00eb kopsht
\nfluturat i japin krah dit\u00ebs
\n\u00e7do m\u00ebngjes k\u00ebng\u00ebt e dashura
\nq\u00eb perk\u00ebdhel m\u00eb zbehen
\ne pabesia jote si vello
\ne zhveshur e braktisur
\nmbeti n\u00eb shkall\u00eb<\/p>\n

Zem\u00ebr-klithja mos u kthe k\u00ebtu z\u00eb vendin e nj\u00eb anafore dhe b\u00ebhet m\u00eb shum\u00eb se kaq, b\u00ebhet m\u00eb shum\u00eb se nj\u00eb psher\u00ebtim\u00eb. Ajo b\u00ebhet k\u00ebshtu nj\u00eb akuz\u00eb gjith\u00eb dramacitet:<\/p>\n

Mos u kthe
\nt\u00eb harroj mundin e shpres\u00ebs
\nmos u kthe<\/em><\/p>\n

e dashuria le t\u00eb l\u00ebshoj shtat
\nedhe pa ty<\/p>\n

Shih vetmia \u00ebsht\u00eb m\u00eb e bukur se ti
\nvetmia \u00ebsht\u00eb m\u00eb e sinqert\u00eb se ti
\nheshtja \u00ebsht\u00eb m\u00eb e fort\u00eb se fjala<\/p>\n

Mos u kthe
\nedhe pse si hije m\u00eb fanitet kthimi
\nshtegut t\u00eb mundimit
\nku malli pik\u00eblluesh\u00ebm
\np\u00ebrpjek dit\u00ebt e kujtes\u00ebs.<\/p>\n

Poete e cila beson se \u201cheshtja \u00ebsht\u00eb m\u00eb e fort\u00eb se fjala\u201d, Sev\u00ebme Fetiqi n\u00eb poezin\u00eb e radh\u00ebs, t\u00eb titulluar Heshtja e pathyer, e ka zb\u00ebrthyer edhe m\u00eb shum\u00eb kodin e heshtjes:<\/p>\n

Mbaje shikimin drejt yllit polar
\ngjen ngjyr\u00ebn e syrit tim<\/em><\/p>\n

D\u00ebgjo er\u00ebn
\n\u00ebsht\u00eb ftesa ime<\/p>\n

Ruaje zjarrin
\naty digjet dashuria ime<\/p>\n

E heshtja kur dikton
\njam heshtja jote<\/p>\n

Kontrasti i thell\u00eb i shprehjes si p\u00ebrjetim i ndjenj\u00ebs, v\u00ebrehet edhe tek poezia Ikja, ku shquhet nj\u00eb rit\u00ebm poetik me \u201cshi melankolik\u201d:<\/p>\n

Ika buz\u00ebmbr\u00ebmjes
\nnga vetmia
\ngjurmoja shtigjet e ikura
\nmos t\u00eb takoja
\necje si re e bardh\u00eb
\nmbi kurora malesh
\nduke m\u00eb ndjekur
\nsi hije e fanitur
\ndrejt zemr\u00ebs s\u00eb zhuritur<\/em><\/p>\n

Ika nga vetmia
\nvrag\u00eb e heshtjes
\ngrimos kujtimin
\nn\u00eb shiun melankolik<\/p>\n

Sa do t\u00eb doja sonte
\nt\u00eb zhytem n\u00eb detin
\ne syve tu<\/p>\n

E p\u00ebrballjes s\u00eb p\u00ebrmasave Un\u00eb dhe Ti \u00ebsht\u00eb edhe poezia Hijet, ku n\u00eb nj\u00eb p\u00ebrballje t\u00eb till\u00eb n\u00ebp\u00ebrmes loj\u00ebs s\u00eb fjal\u00ebve shprehet nj\u00eb ballafaqim i v\u00ebshtir\u00eb:<\/p>\n

Ti hija ime
\nun\u00eb hije e dashuris\u00eb
\nme vellon e nat\u00ebs
\nkameleon i fshehur
\ngjysm\u00eberr\u00ebsir\u00eb e nus\u00ebris\u00eb<\/em><\/p>\n

Un\u00eb
\np\u00ebrcjell\u00ebse besnike
\ne hijes t\u00ebnde<\/p>\n

E ti hijen time
\nshigjeton<\/p>\n

Mos shko, \u00ebsht\u00eb poezia e cila p\u00ebr dallim nga zem\u00ebr-klithja Mos u kthe, n\u00eb vete ng\u00ebrthen lutje dhe p\u00ebrgj\u00ebrim but\u00ebsie e besnik\u00ebrie, e megjithat\u00eb n\u00eb kujtimet e thadruara n\u00eb mendje shkuarja nuk u ndal:
\nMos shko
\nl\u00ebre vjesht\u00ebn
\ngjethe veshur
\nTi prap\u00eb ike
\nportat u mbyll\u00ebn
\ngjethet ran\u00eb
\ngjurm\u00ebt tret\u00ebn<\/em><\/p>\n

Si bor\u00eb e vjeme<\/p>\n

Deskriptive \u00ebsht\u00eb edhe poezia Imazhi yt, n\u00eb t\u00eb cil\u00ebn n\u00ebp\u00ebrmjet nj\u00eb monologu lirik shpaloset nj\u00eb imazh nga i cili del nj\u00eb portret:<\/p>\n

T\u00eb mashtrojn\u00eb vitet e brishta
\nlum miku
\np\u00ebr t\u00eb arritur nj\u00eb cop\u00eb jet\u00eb
\ni tejkalon aromat mahnit\u00ebse t\u00eb luleve
\nnga loti i thar\u00eb i mallit t\u00eb venitur<\/em><\/p>\n

Fjala e shtrydhur ka gdhendur nj\u00eb imazh t\u00eb zverdhur:<\/p>\n

N\u00eb ngjyr\u00eb mjalti buz\u00ebt t\u00eb shkrihen
\nmbi muzgun e purpurt t\u00eb mbr\u00ebmjes
\nkur puthjet flen\u00eb t\u00eb harruara
\ne imazhi yt i zverdhur n\u00eb molisje
\nlarg diku k\u00ebndon pa z\u00eb
\nk\u00ebng\u00ebn e pendimit<\/em><\/p>\n

Ky portret kundrohet nga an\u00eb t\u00eb shumta dhe se \u00ebsht\u00ebprap\u00ebfuqia e fjal\u00ebs ajo q\u00eb shpalos konturet e nj\u00eb portreti si ky:<\/p>\n

N\u00eb nj\u00eb m\u00ebngjes t\u00eb mjegullt
\nshikimi i hirt\u00eb t\u00eb humbet pa m\u00ebshir\u00eb
\nshtigjeve t\u00eb padukshme premtimesh
\ns\u2019mund t\u2019i mbledh\u00ebsh siluetat e shp\u00ebrndara
\nsi cop\u00ebza jete n\u00eb foto t\u00eb rreme
\nfjal\u00ebt t\u00eb prehen n\u00eb tehun e thik\u00ebs
\nashtu t\u00eb p\u00ebrgjakura
\ns\u2019mund t\u00eb dep\u00ebrtojn\u00eb
\nshesheve t\u00eb krenaris\u00eb t\u00ebnde
\nku ti defilon si nj\u00eb hero<\/em><\/p>\n

Poetja e zbret nga piadestali t\u00eb cilin m\u00ebkatari ia ka ngritur vetes. Ajo l\u00ebshon thirrjen:<\/p>\n

t\u00eb shkrihesh s\u00eb bashku me shk\u00ebmbinj
\nn\u00eb avullin e afshit t\u00ebnd m\u00ebkatar
\nt\u00eb b\u00ebhesh cop\u00eb-cop\u00eb
\n\u2026
\nt\u00eb kthesh
\nbukurin\u00eb e humbur
\nku imazhi yt zbehet p\u00ebr \u00e7do dit\u00eb<\/em><\/p>\n

Si vdes shpresa, \u00ebsht\u00eb gjithashtu poezi e thurur mbi baz\u00ebn e kontrastit e q\u00eb p\u00ebr thelb ka motivin e dashuris\u00eb:<\/p>\n

Sa her\u00eb t\u00eb kujtoj ty
\nshiu bie mbi gjokset e dridhura
\n\u2026
\nJeta merr ngjyr\u00ebn e pik\u00ebllimit
\nn\u00eb mes turma njer\u00ebzish
\nm\u00eb gllab\u00ebron zbraz\u00ebtia
\nn\u00eb hi\u00e7gj\u00ebn\u00eb e pulseve t\u00eb shpirtit
\nimazhi i d\u00ebshirave t\u00eb mia
\npikturon buz\u00ebqeshje t\u00ebnde
\nku un\u00eb ironikisht k\u00ebrkoj harrimin<\/em><\/p>\n

Sa her\u00eb t\u00eb k\u00ebrkoj ty
\nvdes nga mashtrimet e bot\u00ebs
\ne pse t\u00eb t\u00eb k\u00ebrkoj
\nkur s\u2019je m\u00eb loti im<\/p>\n

Vetmia e p\u00ebrballur me nat\u00ebn, pagjum\u00ebsia dhe kurthet e koh\u00ebs, p\u00ebrb\u00ebjn\u00eb sfondin e poezis\u00eb s\u00eb titulluar Peng nate, n\u00eb t\u00eb cil\u00ebn fjala e gdhendur e shtrydh\u00eb lotin n\u00eb paralajm\u00ebrim t\u00eb nj\u00eb agimi t\u00eb bardh\u00eb:<\/p>\n

Koh\u00eb e pam\u00ebshir\u00eb
\npa sy pa zem\u00ebr
\nbile edhe pa em\u00ebr
\nM\u00eb mban peng nate
\ne koh\u00eb e \u00e7mendur<\/em><\/p>\n

zgjon d\u00ebshira q\u00eb vall\u00ebzojn\u00eb
\nsi fjoll\u00eb bore
\nmbi zjarrin e anktheve<\/p>\n

E ti zgjohesh e kotesh
\nn\u00eb jehon\u00ebn time
\nthyen heshtje varri
\ne loti n\u00eb sy
\npikon mbi agimin e bardh\u00eb<\/p>\n

Meditimin e saj t\u00eb thell\u00eb poetja e ka shprehur edhe n\u00eb poezin\u00eb me titull N\u00eb Galerin\u00eb e Arteve, ku si\u00e7 thot\u00eb ajo: \u201c\u00e7do piktur\u00eb rr\u00ebfente\/ngjyr\u00ebn e ndjenjave tua\u201d, e n\u00eb poezin\u00eb tjet\u00ebr t\u00eb titulluar Dialog me veten, \u00ebsht\u00eb shpalosur ironia e koh\u00ebs (\u201csi sken\u00eb aktrimi\/pispillosur engj\u00ebjt\/derdhin lot krokodili\u201d) p\u00ebrmes thirrjeve drejtuar oqeanit:<\/p>\n

Un\u00eb nuk digjem
\nas nuk dridhem
\nt\u00eb kam ty
\no oqeani im paq\u00ebsor<\/em><\/p>\n

E till\u00eb\u00ebsht\u00eb edhe poezia Hyjnim, e cila shquhet p\u00ebr zem\u00ebr-klithjen e saj se:<\/p>\n

Vdiq\u00ebn hyjnit\u00eb mistike
\nbardh\u00ebsit\u00eb fisnike<\/em><\/p>\n

Ato na bashkuan mua dhe ty
\nku shpirtrat loznin si f\u00ebmij\u00eb<\/p>\n

Kurse poezia Kjo sht\u00ebpi, shpreh mallin e dhembjen p\u00ebr munges\u00ebn larg saj:<\/p>\n

Kjo sht\u00ebpi nuk u m\u00ebsua
\nme munges\u00ebn t\u00ebnde
\n\u2026
\nTerri kafshon muret
\ntendoset ve\u00e7 n\u00eb dit\u00ebn e re
\ne hijet vall\u00ebzojn\u00eb harrimin<\/em><\/p>\n

\u2026
\nDhe k\u00ebndet mallkojn\u00eb
\ne vjeshtat sjellin arom\u00ebn
\nsi dikur
\ner\u00eb dashurie<\/p>\n

Nj\u00eb bashk\u00ebbisedim gjith\u00eb mall\u00ebngjim shpaloset m\u00eb tej n\u00ebp\u00ebrmjet nj\u00eb lirizmi t\u00eb theksuar n\u00eb poezin\u00eb Lule p\u00ebr ty (N\u00ebn\u00ebs sime), e cila hapet me nj\u00eb buqet\u00eb fjal\u00ebsh rrethuar me lule t\u00eb blerta:<\/p>\n

N\u00eb lule t\u00eb blerta
\nngjyrat e dashuris\u00eb sime
\nshp\u00ebrthyen
\nn\u00eb zemr\u00ebn t\u00ebnde
\npranverat e humbura
\ndesha t\u2019i kthej
\nn\u00eb shpres\u00eb t\u00eb kahmotshme<\/em><\/p>\n

N\u00eb p\u00ebrkujtim t\u00eb but\u00ebsis\u00eb dhe t\u00eb ngroht\u00ebsis\u00eb s\u00eb perk\u00ebdheljeve q\u00eb falur ka dora e n\u00ebn\u00ebs, poetja evokon pafaj\u00ebsin\u00eb e f\u00ebmij\u00ebris\u00eb por edhe mallin e path\u00ebn\u00eb p\u00ebr bardh\u00ebsin\u00eb e nj\u00eb shpirti gjith\u00eb etje:<\/p>\n

Pafaj\u00ebsia e f\u00ebmij\u00ebris\u00eb sime
\nlozi me shpirtin t\u00ebnd t\u00eb etur
\np\u00ebrk\u00ebdheljet e tua
\nu zbeh\u00ebn n\u00eb largim
\nmbi qepallat e rinis\u00eb sime
\nm\u00eb nuk lul\u00ebzon asnj\u00eb kthim<\/em><\/p>\n

Kujtimet q\u00eb nuk shuhen q\u00ebndrojn\u00eb si nj\u00eb pe i kuq, i cili i lidh\u00eb lulet e blerta n\u00eb koh\u00eb t\u00eb ndryshme:<\/p>\n

Lulet e blerta i vura n\u00eb mur
\nn\u00eb hijen e fotografis\u00eb s\u00eb heshtur
\nfjal\u00ebn t\u00ebnde t\u00eb ngroht\u00eb
\nduke k\u00ebrkuar
\nq\u00eb t\u00eb lul\u00ebzojn\u00eb
\nsyt\u00eb e tu t\u00eb ujiten me shikimin t\u00ebnd
\nduart e tua t\u2019ia gjej vetes
\nshp\u00ebtimin nga humnera e vetmis\u00eb<\/em><\/p>\n

Duke u v\u00ebn\u00eb n\u00eb k\u00ebrkim t\u00eb gjurm\u00ebve t\u00eb tilla t\u00eb pashlyeshme, poetja futet thell\u00eb n\u00eb p\u00ebrmasat e nj\u00eb bote t\u00eb pandashme q\u00eb n\u00eb vete ng\u00ebrthen mallin dhe dashurin\u00eb p\u00ebr n\u00ebn\u00ebn, shpalosur n\u00eb nj\u00eb m\u00ebnyr\u00eb tep\u00ebr subtile n\u00ebp\u00ebrmjet nj\u00eb ylberi fjal\u00ebsh q\u00eb gjithmon\u00eb kthehet tek zanafilla e t\u00eb gjithave, tek pafaj\u00ebsia e f\u00ebmij\u00ebris\u00eb:<\/p>\n

Do t\u2019i gjej k\u00ebto n\u00ebna ime
\nn\u00eb pajtimin e urave t\u00eb thyera
\nn\u00eb mallin e zemrave t\u00eb djegura
\natje ku balerinat mbi akull
\nl\u00ebn\u00eb gjurm\u00eb jete
\nku f\u00ebmij\u00ebt i vjedhin
\nt\u00eb papjekura pjeshkat
\ne f\u00ebmij\u00ebris\u00eb s\u00eb tyre<\/em><\/p>\n

P\u00ebrderisa n\u00eb k\u00ebt\u00eb poezi duket qart\u00eb se Sev\u00ebme Fetiqi \u00ebsht\u00eb poete tek e cila atdheu fillon tek zemra e n\u00ebn\u00ebs, n\u00eb poezin\u00eb e titulluar Zemra dhe\u00ebndrrat, gjithashtu v\u00ebrehet nj\u00eb lidhje e ve\u00e7ant\u00eb e ndieshm\u00ebris\u00eb s\u00eb theksuar n\u00eb mes t\u00eb \u00ebndrrave dhe zemr\u00ebs, madje deri n\u00eb ato p\u00ebrmasa sa q\u00eb t\u00eb dyja shkrihen n\u00eb nj\u00eb:<\/p>\n

\u00cbndrrat e mia jan\u00eb ishull magjik
\nku mund t\u00eb zgjas\u00eb pa kufi nj\u00eb mrekulli<\/em><\/p>\n

Zemra ime \u00ebsht\u00eb nj\u00eb vend i shenjt\u00eb
\nku mund t\u00eb zgjas\u00eb amshuesh\u00ebm nj\u00eb dashuri<\/p>\n

Nd\u00ebrkaq n\u00eb poezin\u00ebMos m\u00eb fto, shpaloset nj\u00eb parandjenj\u00eb e dhembjes dhe e ankthit. Q\u00eb n\u00eb vargun e par\u00eb, poetja paralajm\u00ebron p\u00ebr nj\u00eb pamje ekspresive q\u00eb r\u00ebndom n\u00eb vete ng\u00ebrthen nj\u00eb shqet\u00ebsim:<\/p>\n

Kur mesnata bie<\/em><\/p>\n

Pastaj p\u00ebrmbi teknik\u00ebn e vargut q\u00eb q\u00ebndron kuptimplot\u00eb n\u00eb veten e vet si nj\u00eb mendim q\u00eb zakonisht shquan aforizmin, procedimi poetik p\u00ebrvijohet gati nj\u00eblloj deri n\u00eb vargun e dhjet\u00eb:<\/p>\n

Mbi shpirtin vetmitar
\nM\u00ebkatet na vishen
\nSi rrobe t\u00eb m\u00ebndafshta
\nFtesa jote e purport
\nMa zgjat dor\u00ebn e zjarrt\u00eb
\nM\u00eb lut t\u00eb jemi bashk\u00eb
\nT\u2019i presim agimet
\nN\u00eb bregun e bleruar
\nM\u00eb fton t\u00eb vij<\/em><\/p>\n

Nd\u00ebrkaq, n\u00eb vargjet e m\u00ebposhtme tabloja shfaqet e re dhe shum\u00eb m\u00eb komplekse. Paraqitja e dark\u00ebs solemne n\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb poezis\u00eb, merr nj\u00eb konotacion t\u00eb ve\u00e7ant\u00eb, t\u00eb cilin poetja e zb\u00ebrthen si motiv deri n\u00eb vargun e fundit, varg q\u00eb n\u00eb vete ka nj\u00eb zem\u00ebr-klithje, nj\u00eb paraljm\u00ebrim:<\/p>\n

Gjurm\u00ebve t\u00eb afsh\u00ebta
\nKur ti shtron dark\u00ebn solemne
\nT\u00eb drith\u00ebrimave t\u00eb harruara
\nN\u00eb em\u00ebr t\u00eb syve t\u00eb mi t\u00eb zi
\nE n\u00eb qerpik\u00eb t\u00eb rri
\nNj\u00eb shk\u00eblqim loti
\nVardis ngjyr\u00ebn e buz\u00ebve
\nApo dukem m\u00eb hyjnore p\u00ebr ty
\nUn\u00eb poet q\u00eb s\u00ebmurem
\nNga vargjet e tua
\nT\u00eb dhuroj dhembjen time
\nEdhe buz\u00ebqeshjen ta fal\u00eb
\nE t\u00eb lus n\u00eb em\u00ebr
\nT\u00eb dark\u00ebs solemne
\nMos i besdis m\u00ebkatet<\/em><\/p>\n

Nj\u00eb portret tjet\u00ebr t\u00eb cilin poetja e ka shpalsour n\u00ebp\u00ebrmjet verbit t\u00eb saj t\u00eb theksuar lirik, \u00ebsht\u00eb ai i v\u00ebllait. Poezia e titulluar Te varri i v\u00ebllaittim (Merastin e 12-vjetorit t\u00eb vrasjes), d\u00ebshmon se poetja Sev\u00ebme Fetiqi bashkjeton me imazhet e ringjallura, duke p\u00ebrkujtuar dhe duke gjakuar p\u00ebr t\u00eb p\u00ebrjet\u00ebsuar kujtimin dhe nderimin e tyre. Nuk ka dyshim se kjo poezi \u00ebsht\u00eb e shkruar nga parzma e zemr\u00ebs, gj\u00eb q\u00eb e p\u00ebrmban\u00eb edhe strofa e par\u00eb e saj:<\/p>\n

Lot\u00ebt n\u00eb qepall\u00eb
\nrelikte t\u00eb dhembjes
\nq\u00eb m\u00eb mbajn\u00eb peng
\np\u00ebr ty o v\u00eblla i motr\u00ebs
\nn\u00eb parz\u00ebm m\u00eb q\u00ebllojn\u00eb
\nkujtimet f\u00ebmij\u00ebrore
\nt\u00eb lidhura nyje
\nm\u00eb godasin si rrufe<\/em><\/p>\n

Duke e shprehur k\u00ebshtu p\u00ebrmas\u00ebn e dhembjes s\u00eb path\u00ebn\u00eb t\u00eb motr\u00ebs p\u00ebr v\u00ebllan\u00eb e vrar\u00eb, poetja si n\u00eb nj\u00eb vegim t\u00eb nj\u00eb imazhi t\u00eb ringjallur kujton z\u00ebrin e t\u00eb v\u00ebllait dhe shpalos sfondin i cili ng\u00ebrthen zem\u00ebr-klithje mitesh e legjendash proverbiale t\u00eb dashuris\u00eb s\u00eb motr\u00ebs p\u00ebr v\u00ebllaun:<\/p>\n

z\u00ebri yt m\u00eb vjen s\u00eb largu
\nsi puhiz\u00eb q\u00eb val\u00ebvit
\nperde e mallit tim<\/em><\/p>\n

Nj\u00eb poezi zem\u00ebr-klithjesh e zem\u00ebr-thirrjesh, poezi e psher\u00ebtimave t\u00eb thella q\u00eb p\u00ebrkujton koh\u00ebt tinzare t\u00eb cilat shpesh kafshojn\u00eb dhe gllab\u00ebrojn\u00eb shum\u00eb\u00e7ka:<\/p>\n

N\u00eb gjysm\u00eb t\u00eb rrug\u00ebs
\nmbeti \u00e7do gj\u00eb
\nmbuluar nga d\u00ebshp\u00ebrimi
\nura t\u00eb rr\u00ebnuara
\nkujtime p\u00ebrgjak\u00eb nga pabesia
\nverbuar nga gryk\u00ebsia<\/em><\/p>\n

Pjesa e dyt\u00eb e k\u00ebtij kushtimi poetik, n\u00ebp\u00ebrmes t\u00eb cilit shpaloset aq bukur dashuria dhe dhembja e pashuar q\u00eb ka motra p\u00ebr v\u00ebllaun e vrar\u00eb, n\u00eb vete kan\u00eb nurin e fjal\u00ebve m\u00eb t\u00eb p\u00ebrzgjedhura lirike, me t\u00eb cilat poetja th\u00ebrret n\u00eb kujtes\u00ebn e saj imazhet e ringjallura:<\/p>\n

Ah sikur t\u00eb dija
\ndo b\u00ebhesha mburoj\u00eb
\np\u00ebr ty
\nvdekjen t\u00ebnde ta nd\u00ebrroja
\nme jet\u00ebn time
\nq\u00eb s\u2019m\u00eb duhet pa ty<\/em><\/p>\n

Po ti heshtur
\nshkove rrug\u00ebs pa kthim
\nu trete pa m\u00eb th\u00ebn\u00eb lamtumir\u00eb
\nsa ishim larg aq larg
\nshtat\u00eb male e dete
\nshtat\u00eb konaqe mitike<\/p>\n

plag\u00ebt as syt\u00eb nuk arrita t\u2019i shoh
\nt\u00eb q\u00ebndisja kujtimet e mia
\nt\u00eb ruaja fresk\u00ebt nurin t\u00ebnd
\nm\u00eb kujtohet vet\u00ebm urimi yt
\np\u00ebr lirin\u00eb e atdheut
\nt\u00eb cilin e recitoj p\u00ebrdit\u00eb
\np\u00ebr t\u00eb mos harruar kurr\u00eb<\/p>\n

Duke e lexuar nj\u00eb poezi si kjo, nuk ka se si t\u00eb mos kujtohet dhembja dhe lot\u00ebt e motr\u00ebs s\u00eb Gjergj Elez Alis\u00eb nga eposi i kreshnik\u00ebve. Nd\u00ebrkaq, duke e rilexuar nj\u00eb poezi obelisk si\u00e7\u00ebsht\u00eb kjo poezi, dhembja e motr\u00ebs del s\u00ebrish nga epika legjendare e shtrihet n\u00eb vargje t\u00eb cilat burojn\u00eb nga thell\u00ebsit\u00ebdhe q\u00eb fjal\u00ebn e kan\u00eb frym\u00ebn m\u00eb t\u00eb shenjt\u00eb, vargje t\u00eb cilat l\u00ebn\u00eb t\u00eb kuptojn\u00eb m\u00eb mir\u00eb p\u00ebrgjigjen n\u00eb pyetjen e shtruar kaher\u00eb se kush e solli Doruntin\u00ebn:<\/p>\n

M\u00eb fal o v\u00eblla i motr\u00ebs
\np\u00ebr vones\u00ebn<\/em><\/p>\n

tridhjet\u00ebeshtat\u00eb karafila
\nt\u2019i solla mbi varr<\/p>\n

t\u00eb ujitur me treqind e shtat\u00ebdhjet\u00ebmij\u00eb lot
\nq\u00eb ta p\u00ebrjet\u00ebsoj rinin\u00eb t\u00ebnde<\/p>\n

M\u2019u b\u00eb se u takova me ty
\nkur lexova epitafin mbi varrin t\u00ebnd:
\n\u201cDuaji njer\u00ebzit dhe f\u00ebmij\u00ebt
\nkah t\u00eb shkosh nd\u00ebrto kulla mir\u00ebsie\u201d
\nnd\u00ebrsa shpirti yt mbi re
\nishte shnd\u00ebrruar n\u00eb drit\u00eb t\u00eb engj\u00ebjve<\/p>\n

M\u00eb fol di\u00e7ka o v\u00eblla i motr\u00ebs
\ne thyeje k\u00ebt\u00eb qet\u00ebsi varri
\nvet\u00ebm mos m\u00eb thuaj
\nmos qaj<\/p>\n

Tr\u00ebndafilat e fjal\u00ebs b\u00ebhen nj\u00eb me lot\u00ebt e fluturave dhe me pikat e shiut q\u00eb nuk prajn\u00eb. Poetja ka t\u00eb drejt\u00eb n\u00eb besimin e saj, kur shkruan p\u00ebr t\u00eb v\u00ebllan\u00eb e vrar\u00eb, se \u201cshpirti yt mbi re\/ ishte shnd\u00ebrruar n\u00eb drit\u00eb t\u00eb engj\u00ebjve\u201d, sepse fjala \u00ebsht\u00eb kreshta m\u00eb e bardh\u00eb mbi maj\u00ebn e s\u00eb cil\u00ebs gjithmon\u00eb p\u00ebrhapet nj\u00eb drit\u00eb p\u00ebrjet\u00ebsie.<\/p>\n

Poezia tjet\u00ebr e radh\u00ebs, me titullin E p\u00ebrditshmja n\u00eb t\u00eb p\u00ebrditshmen ton\u00eb \u201cRilindja\u201d (N\u00eb faqet e para t\u00eb faqeve t\u00eb para), p\u00ebrb\u00ebhet nga kontraste t\u00eb thella shpalosur nga faqet e para, por q\u00eb n\u00eb fjal\u00ebn e gdhendur poetike marrin nj\u00eb kuptim\u00ebsi t\u00eb ve\u00e7ant\u00eb, n\u00eb t\u00eb cil\u00ebn nuk mungon as ironia:
\n\u2026<\/p>\n

Kalkuta p\u00ebrsh\u00ebndetet p\u00ebr her\u00eb t\u00eb fundit
\nme N\u00ebn\u00eb Terez\u00ebn
\nshqiptar\u00ebt mbeten jetim
\nn\u00eb Gostivar shqipes ia thyejn\u00eb krah\u00ebt
\nia nd\u00ebrrojn\u00eb vendin n\u00eb hart\u00eb
\n\u2026
\nzhveshin l\u00ebkur\u00ebt e buta
\nnga mishi dhe dejt\u00eb nga gjaku
\nkryetar\u00eb n\u00eb krye t\u00eb kres\u00eb
\nPer\u00ebndi t\u00eb Er\u00ebs Shiut Dashuris\u00eb<\/em><\/p>\n

t\u00eb d\u00ebrguar nga vet\u00eb Zoti
\napo t\u00eb zgjedhur nga populli<\/p>\n

E ve\u00e7anta e k\u00ebtyre vargjeve \u00ebsht\u00eb aktualiteti q\u00eb p\u00ebrmbajn\u00eb ato, jo vet\u00ebm n\u00eb relacion me faqet e \u201cRilindjes\u201d s\u00eb asaj kohe por edhe t\u00eb koh\u00ebve t\u00eb m\u00ebpastajme. Poetja \u00ebsht\u00eb d\u00ebshmuar se ka nj\u00eb shije t\u00eb ve\u00e7ant\u00eb t\u00eb p\u00ebrzgjedhjes s\u00eb faqeve nga gazeta apo edhe t\u00ebtablove nga jeta \u2013N\u00eb faqet e dyta t\u00eb faqeve t\u00eb para:<\/p>\n

kafshatat e m\u00ebrgimit hapin vatra diturie
\nfantazmat me maskat e zeza
\nkorruptojn\u00eb krip\u00ebn e djers\u00ebve tona
\n\u2026
\nn\u00eb Kanalin e Otrantos me vones\u00eb
\npeshkatar\u00ebt peshkojn\u00eb pren\u00eb e tyre
\nme rrjet\u00ebn e shpresave t\u00eb humbura
\nluleborat l\u00ebshojn\u00eb rr\u00ebnj\u00eb n\u00eb fundin e deteve
\n\u2026
\nne ikim nga vetvetja
\np\u00ebr t\u00eb mbetur n\u00eb vetvete
\np\u00ebr t\u2019u takuar me vetveten
\nn\u00eb pranver\u00ebn e plumbave dhe ikjeve<\/em><\/p>\n

Drit\u00eb-hijet e nj\u00eb jete gjith\u00eb vija dhe vrrag\u00eb shpalosen nga fjala poetike edhe N\u00eb faqet e para t\u00eb faqeve t\u00eb mesme:
\n\u2026
\ngjenive iu shp\u00ebtojn\u00eb fjal\u00ebt e sh\u00ebmtuara
\nju falet prap\u00eb se jan\u00eb gjeni dhe shqiptar\u00eb
\nstudent\u00ebt nga k\u00ebmishat e bardha
\ni l\u00ebshojn\u00eb zogjt\u00eb e lir\u00eb
\nt\u00eb marrin cic\u00ebrim\u00ebn dhe i p\u00ebrqafojn\u00eb
\ntr\u00ebndafilat e heshtjes<\/em><\/p>\n

N\u00eb nj\u00eb p\u00ebrvijim poetik si ky, N\u00eb faqet e dyta t\u00eb faqeve t\u00eb mesme, gjuha e ironis\u00eb vihet n\u00ebfunksion t\u00eb spjegimit t\u00eb tragjedis\u00eb:<\/p>\n

Realizohet drama shqiptare
\n\u201cKu \u00ebsht\u00eb \u00e7el\u00ebsi\u201d i t\u00eb gjitha k\u00ebtyre tragjedive<\/em><\/p>\n

E N\u00eb faqet e para t\u00eb faqeve t\u00eb fundit, shprehet n\u00ebp\u00ebrmjet kontrastit rishtazi shqet\u00ebsimi:<\/p>\n

Kush do t\u00eb mb\u00ebrrij\u00eb i g\u00ebzuar n\u00eb cak
\nDrita Bes\u00eblidhja V\u00ebllaz\u00ebrimi<\/em><\/p>\n

Flamurtari apo Uniteti
\ncili \u00ebsht\u00eb luft\u00ebtar m\u00eb i fort\u00eb
\nmbi gjelb\u00ebrimin e thar\u00eb
\nMinatori lufton me forc\u00ebn e fundit
\ndhe fotografon mjerimin e vet
\ntopin e mban n\u00eb dor\u00eb nj\u00eb njeri<\/p>\n

Ky kontrast thellohet edhe m\u00eb sepse jeta zvet\u00ebnohet edhe m\u00eb shum\u00eb, gj\u00eb q\u00eb shprehet aq bukur n\u00eb pjes\u00ebn e fundit t\u00eb k\u00ebsaj poezie-N\u00eb faqet efundit t\u00eb faqeve t\u00eb fundit:<\/p>\n

Sigurojeni jet\u00ebn tuaj
\n\u00e7do \u00e7ast ju kanoset rreziku
\n\u2026
\nagjencit\u00eb turistike<\/em><\/p>\n

si k\u00ebpurdhat pas shiut
\nofrojn\u00eb fluturime t\u00eb lira dhe komode
\nderi n\u00eb Kosov\u00eb
\nbuz\u00ebkuqe me kuror\u00eb t\u00eb art\u00eb n\u00eb kok\u00eb
\nzgjidhet Mis Kosovarja e vitit<\/p>\n

E p\u00ebrditshmja jon\u00eb me ngjyra kontrasti
\nn\u00eb letr\u00ebn e bardh\u00eb me durim shum\u00eb<\/p>\n

E nj\u00eb meditimi t\u00eb thell\u00eb jan\u00eb poezit\u00eb n\u00eb vijim. Tek poezia \u00cbndrra, poetika e shprehjes g\u00ebrshetohet me at\u00eb t\u00eb ndjenj\u00ebs:<\/p>\n

Mbi kurriz bart lodhjen e dit\u00ebs
\nme \u00ebndrra sy\u00e7elur
\nprehen mbi jast\u00ebkun e bardh\u00eb
\nsyt\u00eb e mekur
\ne ballin prush t\u00eb hirt\u00eb
\ngacullojn\u00eb n\u00eb err\u00ebsir\u00eb
\n\u2026
\nSa zgjat nata me (pa) sy
\npse vjen i mug\u00ebt m\u00ebngjesi<\/em><\/p>\n

Tek poezia tjet\u00ebr Mbret\u00ebri bote, poetja pasi ka konstatuar me verbin poetik se \u201c\u00cbsht\u00eb ndalur koha\u201d, nj\u00ebkoh\u00ebsisht ka shtruar pyetjen:<\/p>\n

apo tradhtohen njer\u00ebzit
\nduke pritur diellin pas shiut
\noqeanet trazohen
\ndhe val\u00ebt s\u2019njohin
\nkoh\u00eb m\u00ebshirimi<\/em><\/p>\n

Nd\u00ebrsa n\u00eb pjes\u00ebn e dyt\u00eb t\u00eb poezis\u00eb, shpaloset nj\u00eb bot\u00eb e re gati-gati si d\u00ebshira e Kiplingut n\u00eb poezin\u00eb e tij t\u00eb njohur njohur N\u00ebse. Lirika e vargut \u00ebsht\u00eb vet\u00eb z\u00ebri i gjakut:<\/p>\n

Me buz\u00ebt e thara
\nk\u00ebrko t\u00eb puth\u00ebsh larg\u00ebist\u00eb
\nn\u00ebn moll\u00ebn shartuar
\nme dashuri e dhimbje
\nb\u00ebhu k\u00ebng\u00eb e re
\narom\u00eb lulemolle
\nThuaja prajsh\u00ebm vargut
\nheshtja nuk e mund breng\u00ebn
\nmbulo dashurin\u00eb me puthje
\nt\u00eb shenjt\u00ebn shpirt\u00ebrore
\nvet\u00ebm at\u00ebher\u00eb je mbret bote
\nmbush jone dashurie
\nqet\u00ebson me urti
\noqeanet e trazuara<\/em><\/p>\n

Sev\u00ebme Fetiqi \u00ebsht\u00eb poete e cila vargut e thot\u00eb prajsh\u00ebm, gj\u00eb q\u00eb v\u00ebrehet edhe tek poezia Shiu s’po ndalet. N\u00eb t\u00eb shprehet d\u00ebshira q\u00eb: Ky shi le t\u00eb bjer\u00eb, shi i e cili n\u00eb ligj\u00ebrimin lirik b\u00ebhet nj\u00eb me lot\u00ebt:<\/p>\n

Kur t\u00eb zgjohet
\najo stin\u00eb e pest\u00eb
\nun\u00eb e ti
\ndo t\u2019i pim\u00eb lot\u00ebt tan\u00eb
\nt\u00eb paduksh\u00ebm
\nFillin e ylebereve
\ndo ta mbajm\u00eb
\nn\u00eb p\u00ebll\u00ebmb\u00eb<\/em><\/p>\n

Poezia Lumturi g\u00ebnjeshtare, \u00ebsht\u00eb poezi e shprehjes s\u00eb meditimit dhe pik\u00ebllimit p\u00ebrmes kontrastit t\u00eb tablove ekkspresive t\u00eb gjendjes psikologjike, por \u00ebsht\u00eb edhe poezi e poent\u00ebs s\u00eb qart\u00eb se \u201clumturia nuk nd\u00ebrtohet\/mbi dhembjen e dikujt\u201d.<\/p>\n

Poezia tjet\u00ebr, e titulluar Un\u00eb jam d\u00ebshmitare, \u00ebsht\u00eb nj\u00eb akuz\u00eb ndajpadrejt\u00ebsis\u00eb, akuz\u00eb e dhembjes, e cila \u00ebsht\u00eb ngritur s\u00ebrish mbi baz\u00ebn e kontrastit t\u00eb fort\u00eb:<\/p>\n

Ke pasur duar t\u00eb bardha
\nt\u00eb buta si pambuku
\nduar hyjnore
\npo un\u00eb jam d\u00ebshmitare
\ne kishe zemr\u00ebn gur t\u00eb r\u00ebnd\u00eb
\npa m\u00ebshir\u00eb pa falje<\/em><\/p>\n

e q\u00eb p\u00ebrmbyllet me ndjenj\u00ebn e nj\u00eb triumfi t\u00eb sinqeritetit njer\u00ebzor n\u00ebp\u00ebrmjet pohimit: Un\u00eb jam d\u00ebshmitare.<\/p>\n

Poezia e fundit e cila e p\u00ebrmbyll\u00eb k\u00ebt\u00eb v\u00ebllim poetik, \u00ebsht\u00eb poezia Frym\u00ebzimi n\u00eb t\u00eb cil\u00ebn poetja thekson se i fal t\u00eb gjitha:<\/p>\n

Vet\u00ebm mos m\u2019i k\u00ebrkoni
\n\u00ebndrrat dhe mrekullit\u00eb
\n\u2026
\nG\u00ebrshetat
\nse me to
\nmbrohem nga stuhit\u00eb
\n\u2026
\nMos ma k\u00ebrkoni
\ndashurin\u00eb
\nme t\u00eb e rrezatoj sht\u00ebpin\u00eb<\/em><\/p>\n

T\u00eb gjitha t\u00eb tjerat ua jap
\npull\u00eb dhe monedh\u00eb
\ntesh\u00eb dhe kotesh\u00eb<\/p>\n

Por lotin
\npagjum\u00ebsin\u00eb
\nmallin
\njo<\/p>\n

Poezia
\npa to s\u2019m\u00eb do<\/p>\n

Pra, pasi e ka ngritur p\u00ebrmbledhjen e saj poetike mbi lotin, pagjum\u00ebsin\u00eb dhe mallin, mbi dhembjen dhe dashurin\u00eb p\u00ebr imazhet e ringjallura, poetja e ka p\u00ebrmbyllur v\u00ebllimin e saj poetik me poezin\u00eb Frym\u00ebzimi. Me nj\u00eb d\u00ebshmi t\u00eb till\u00eb, ajo sikur m\u00ebton t\u00eb p\u00ebrkujton se n\u00eb fillim ishte fjala, dhe se magjistar\u00ebt e fjal\u00ebs ashtu si edhe ata t\u00eb zjarrit, besojn\u00eb n\u00eb misionin e tyre tep\u00ebr t\u00eb ve\u00e7ant\u00eb. Ajo i kthehet frym\u00ebzimit sepse n\u00eb alkemin\u00eb e fjal\u00ebs prehen zemrat e zgjohen agimet.<\/p>\n

V<\/strong>.<\/p>\n

N\u00eb fillim ishte fjala!<\/em><\/p>\n

Fjala \u00ebsht\u00eb galdim i shpirtit poetik, \u00ebsht\u00eb kreshta m\u00eb e bardh\u00eb q\u00eb ngritet p\u00ebrmbi universin, e rimat jan\u00eb si krah\u00ebt e fluturave n\u00eb shpalosje t\u00eb ca imazheve t\u00eb ringjallura, t\u00eb cilat nuk jan\u00eb vet\u00ebm nj\u00eb psher\u00ebtim\u00eb lirike e nj\u00eb poeteje t\u00eb m\u00ebrguar nga vatra e t\u00eb par\u00ebve.<\/p>\n

M\u00eb shum\u00eb se kaq, k\u00ebto imazhe t\u00eb ringjallura jan\u00eb testament brezash e imazhe ylberore t\u00eb breznive or\u00ebmira.<\/p>\n

Poetja jeton p\u00ebr fjal\u00ebn sepse beson n\u00eb t\u00eb dhe se me t\u00eb shpalos sa ndjenjat po aq edhe shpresat, sa kujtimet po aq edhe dhimbjet, sa sfidat po aq edhe \u00ebndrra agimesh t\u00eb bardha.<\/p>\n

Ajo kthehet dhe rikthehet tek fjala, p\u00ebr ta shuar etjen e saj dhe p\u00ebr ta th\u00ebn\u00eb gjakimin e saj.<\/p>\n

Ajo kthehet tek fjala sepse fjala \u00ebsht\u00eb nj\u00eb kuror\u00eb me t\u00eb cil\u00ebn ngre nj\u00eb kull\u00eb me \u00ebndrra vash\u00ebrie, sepse ajo e di se: N\u00eb fillim ishte fjala!<\/p>\n

Fjala \u00ebsht\u00eb kreshta m\u00eb e bardh\u00eb dhe m\u00eb e lart\u00eb. \u00cbsht\u00eb fryma e shpirtit, ashtu si\u00e7\u00ebsht\u00eb shiu vet\u00ebpoeti – bardi i lasht\u00eb me mosh\u00eb biblike q\u00eb shkruan kronikat e dhembjes nd\u00ebr shekuj.<\/p>\n

Pikat e shiut jan\u00eb rimat e bardha t\u00eb poemave p\u00ebr mallin e path\u00ebn\u00eb.<\/p>\n

Ka shekuj t\u00eb t\u00ebr\u00eb q\u00eb ritmi i pikave t\u00eb shiut sh\u00ebmb\u00ebllen her\u00eb me ritmin e zemr\u00ebs e her\u00eb me ritmin e nj\u00eb valci vienez.<\/p>\n

Pikat e shiut e kan\u00eb but\u00ebsin\u00eb e tyre n\u00eb bekimin q\u00eb ua fali Krijuesi i Universit, k\u00ebng\u00ebt e kanarinave e kan\u00eb magjin\u00eb e z\u00ebrit p\u00ebr dhembjen q\u00eb nuk thuhet, cic\u00ebrimat e zogjve e kan\u00eb melodin\u00eb e tyre t\u00eb p\u00ebrsosur p\u00ebr mallin q\u00eb nuk shuhet, lot\u00ebt e fluturave e kan\u00eb bardh\u00ebsin\u00eb e tyre p\u00ebr dhembjen q\u00eb nuk duket, e fjala \u00ebsht\u00eb nj\u00eb sogjetar amshimi sa her\u00eb q\u00eb del nga nj\u00eb thell\u00ebsi frym\u00ebzimi dhe sa her\u00eb q\u00eb shkruhet me ndjenj\u00eb t\u00eb theksuar p\u00ebrkushtimi.<\/p>\n

T\u00eb tjerat jan\u00eb rit\u00ebm, jan\u00eb psher\u00ebtima t\u00eb thella, jan\u00eb z\u00ebra q\u00eb vijn\u00eb nga thell\u00ebsit\u00eb e shekujve, jan\u00eb lenta ylberi q\u00eb bien mbi harkun e fjal\u00ebs.<\/p>\n

Fjala \u00ebsht\u00eb nj\u00eb z\u00eb q\u00eb hesht n\u00eb let\u00ebr por edhe nj\u00eb zem\u00ebr q\u00eb flet, nj\u00eb ndjenj\u00eb q\u00eb thuhet, q\u00eb shkruhet.<\/p>\n

Fjala \u00ebsht\u00eb ndoshta bekimi i par\u00eb q\u00eb u fal si nj\u00eb ogur i bardh\u00eb, shpalosur gjithmon\u00ebme flatrat e saj:<\/p>\n

N\u00eb fillim ishte fjala!<\/p>\n

Prandaj poetja kthehet dhe ri-kthehet tek imazhet e ringjallura, sepse ajo e di se t\u00eb gjith\u00eb shpirtat e bardh\u00eb kan\u00eb di\u00e7ka nga but\u00ebsia e tr\u00ebndafilave.<\/p>\n

Shpirtat e bardh\u00eb: N\u00ebna, V\u00ebllai, Gjyshja\u2026<\/p>\n

E beb\u00ebzat e syve q\u00eb n\u00eb k\u00ebrkim t\u00eb mallit e hapin harkun e lakuar t\u00eb qepallave, jan\u00eb m\u00eb t\u00eb shpejta se sa nj\u00eb rreze drite dhe se nj\u00eb ting\u00ebllim\u00eb poezie me rima dhembshurie ia kalon \u00e7do p\u00ebrjet\u00ebsie, n\u00eb drejtim t\u00eb s\u00eb cil\u00ebs malli rri si nj\u00eb kith i kalt\u00ebrt shpalosur mbi gjethe dafine.<\/p>\n

Malli dhe shpresa, dhembja dhe dashuria rrijn\u00eb s\u00eb bashku si nj\u00eb kuror\u00eb poezie, sepse jan\u00eb poet\u00ebt gjithmon\u00ebata t\u00eb cil\u00ebt rrug\u00ebtojn\u00eb m\u00eb shum\u00eb se t\u00eb tjer\u00ebt dhe se ata i bashkon koha t\u00eb cil\u00ebs i prijn\u00eb.<\/p>\n

N\u00eb k\u00ebt\u00eb rrug\u00ebtim t\u00eb tyre, ka edhe lodhje, kapitje e sfida n\u00eb udh\u00ebn e gjat\u00eb, e megjithat\u00eb vargu i poetes si nj\u00eb ogur i bardh\u00eb, na b\u00ebhet bashkudh\u00ebtar. Nj\u00eb varg elegant e me kultur\u00eb, varg q\u00eb shpalos ndjenj\u00ebn e but\u00ebsis\u00eb dhe t\u00eb dhembshuris\u00eb, t\u00eb mallit e t\u00eb dashuris\u00eb p\u00ebr atdheun e p\u00ebr jet\u00ebn. Buqetat e fjal\u00ebve nuk jan\u00eb gj\u00eb tjet\u00ebr ve\u00e7se nj\u00eb kuror\u00eb e kalt\u00ebrt n\u00eb t\u00eb cil\u00ebn ka sa dhembshuri po aq edhe shpres\u00eb, duke m\u00ebtuar k\u00ebshtu t\u2019i bashkoj\u00eb cop\u00ebt e ndara, p\u00ebr t\u2019i b\u00ebr\u00eb\u00ebndrrat nj\u00eb, p\u00ebr t\u2019ib\u00ebr\u00ebbashk\u00eb th\u00ebrmiat e buk\u00ebs n\u00eb sofr\u00ebn poetike, duke e thyer edhe heshtjen – sa her\u00eb q\u00eb jet\u00ebs i flet me z\u00ebrin zemr\u00ebs.<\/p>\n

N\u00eb ligj\u00ebrimin lirik t\u00eb k\u00ebsaj poeteje shkrihen n\u00eb nj\u00eb fjal\u00ebt me petalet, dhe tek flet k\u00ebshtu p\u00ebr trar\u00ebt e sht\u00ebpis\u00eb a p\u00ebr sofr\u00ebn q\u00eb pret, vargu \u00ebsht\u00eb vet\u00eb z\u00ebri i gjakut q\u00eb flet p\u00ebr mallin e prakut. D\u00ebshmi e gjall\u00eb se poetja Sev\u00ebme Fetiqi i \u00ebsht\u00eb falur misionit fisnik t\u00eb fjal\u00ebs.<\/p>\n

Duke shkruar Letr\u00ebn e n\u00ebnt\u00eb, Shileri fliste edhe p\u00ebr magjin\u00eb e fjal\u00ebs. Pasi p\u00ebrkujtonte se arti zgjon shpirtra, ai e linte t\u00eb n\u00ebnkuptohej vetvetiu pjesa tjet\u00ebr t\u00eb k\u00ebsaj t\u00eb v\u00ebrtete t\u00eb madhe, sipas t\u00eb cil\u00ebs \u00ebsht\u00eb Zoti vet\u00eb ai q\u00eb fal\u00eb dhe bekon shpirtat.<\/p>\n

Arti i zgjon ata.<\/p>\n

E fjala \u00ebsht\u00eb unaz\u00eb e verdh\u00eb q\u00eb lidh\u00eb tok\u00ebn me qiellin.<\/p>\n

Fjala \u00ebsht\u00eb lutja dhe p\u00ebrgj\u00ebrimi mes shpirtave dhe Zotit.<\/p>\n

Mes jet\u00ebs dhe p\u00ebrjet\u00ebsis\u00eb.<\/p>\n

Zoti \u00ebsht\u00eb ai q\u00eb i sheh zemrat e fjala \u00ebsht\u00eb ajo q\u00eb i prek\u00eb ato, ashtu si\u00e7 shkruante Shileri: \u201cP\u00ebrpara se e v\u00ebrteta ta dep\u00ebrtoj\u00eb drit\u00ebn e saj ngadh\u00ebnjyese n\u00eb thell\u00ebsit\u00eb e zemr\u00ebs, poezia arrin t\u2019i kap\u00eb k\u00ebto rreze, duke b\u00ebr\u00eb q\u00eb edhe majat e njer\u00ebzimit t\u00eb shk\u00eblqejn\u00eb nga nj\u00eb drit\u00eb l\u00ebbyr\u00ebse, teksa nata e zymt\u00eb dhe ende e lag\u00ebsht q\u00ebndron si e varur n\u00ebp\u00ebr lugina.\u201d<\/p>\n

E n\u00eb nj\u00eb rrug\u00ebtim t\u00eb till\u00eb, fjala rri si nj\u00eb buqet\u00eb me lule t\u00eb cil\u00ebn e mba n\u00eb duar poetja.<\/p>\n

Fjala dhe hijeshia e saj rri si nj\u00eb tr\u00ebndafil mbi bok\u00ebrrima.<\/p>\n

Yll\u00ebsia e fjal\u00ebs shqipe dhe imazhe t\u00eb ringjallura.<\/p>\n

N\u00eb mes: Poetja\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Xhemail Peci \u201cAshtu si\u00e7 jetoi arti fisnik m\u00eb gjat\u00eb se natyra fisnike, po ashtu ai ia kalon asaj edhe n\u00eb gjinin\u00eb frym\u00ebzuese q\u00eb vazhdimisht formon dhe zgjon shpirtra. Prepare se e verbena at departure driven e saj ngadh\u00ebnjyese n\u00eb thell\u00ebsit\u00eb e zemr\u00ebs, poezia arrin t\u2019i kap\u00eb k\u00ebto rreze, duke b\u00ebr\u00eb q\u00eb edhe majat e njer\u00ebzimit […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,7],"tags":[],"yoast_head":"\nSEV\u00cbME FETIQI N\u00cb MES T\u00cb YLL\u00cbSIS\u00cb S\u00cb FJAL\u00cbS SHQIPE DHE IMAZHEVE T\u00cb RINGJALLURA - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/seveme-fetiqi-ne-mes-te-yllesise-se-fjales-shqipe-dhe-imazheve-te-ringjallura\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SEV\u00cbME FETIQI N\u00cb MES T\u00cb YLL\u00cbSIS\u00cb S\u00cb FJAL\u00cbS SHQIPE DHE IMAZHEVE T\u00cb RINGJALLURA - FjALA e LIR\u00cb - Arkivi\" \/>\n<meta property=\"og:description\" content=\"Xhemail Peci \u201cAshtu si\u00e7 jetoi arti fisnik m\u00eb gjat\u00eb se natyra fisnike, po ashtu ai ia kalon asaj edhe n\u00eb gjinin\u00eb frym\u00ebzuese q\u00eb vazhdimisht formon dhe zgjon shpirtra. 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