{"id":13151,"date":"2013-09-20T09:03:16","date_gmt":"2013-09-20T08:03:16","guid":{"rendered":"http:\/\/fjala.info\/?p=4726"},"modified":"2013-09-20T09:03:16","modified_gmt":"2013-09-20T08:03:16","slug":"lediana-stillo-deshira-eshte-pengu-i-endrrave-te-pathena-cikel-poezish","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/lediana-stillo-deshira-eshte-pengu-i-endrrave-te-pathena-cikel-poezish\/","title":{"rendered":"Lediana Stillo – D\u00ebshira \u00ebsht\u00eb pengu i \u00ebndrrave t\u00eb path\u00ebna (cik\u00ebl poezish)"},"content":{"rendered":"

\"\" (Cik\u00ebl poezish nga v\u00ebllimi “Kulpra e katedrales s\u00eb heshtur<\/strong>” – Lediana Stillo, 2013, 112 fq. ISBN 978-608-211-055-4 – Not\u00eb: titulli i k\u00ebtij cikli p\u00ebr Ars Poetica nga S. Guraziu<\/em>)<\/p>\n

Dy fjal\u00eb<\/strong>, S. Guraziu<\/em><\/p>\n

V\u00ebllimi “Kulpra e katedrales s\u00eb heshtur” i poetes Lediana Stillo, si lib\u00ebr e tejkalon “vetveten”. Zakonisht p\u00ebr nj\u00eb lib\u00ebr timin them “do ishte e mjaftueshme sikur brenda librit t\u00eb kishte s\u00eb paku 2-3 poezi q\u00eb ia vlejn\u00eb, ashtu libri do ta justifikonte vetveten sadopak, ose mjaftuesh\u00ebm”. Pra ngjash\u00ebm si kur blejm\u00eb nj\u00eb CD me 12-13 k\u00ebng\u00eb dhe n\u00ebse nj\u00ebra k\u00ebng\u00eb si e vetme t\u00eb jet\u00eb “hit” at\u00ebher\u00eb ne sikur jemi t\u00eb k\u00ebnaqur me gjith\u00eb CD-n\u00eb muzikore. K\u00ebshtu them p\u00ebr librat e mi eventual, pra kjo vlen p\u00ebr vjershat e mia.
\nDhe n\u00ebse n\u00eb librin tim ka nj\u00eb 10% q\u00eb ia vlen si prurje poetike (p.sh. nj\u00eb lib\u00ebr t\u00eb till\u00eb sapo e pata shp\u00ebrndar\u00eb n\u00eb adresat e miqve, disa dit\u00eb m\u00eb par\u00eb), at\u00ebher\u00eb them q\u00eb “Kulpra e katedrales s\u00eb heshtur” si v\u00ebllim poetik \u00ebsht\u00eb i “tejkaluar”, i justifikuar si lib\u00ebr nga vetvetja p\u00ebr 60-70%. Urimet e mia m\u00eb t\u00eb p\u00ebrzem\u00ebrta Lediana!<\/p>\n

N\u00eb nj\u00eb mesazh q\u00eb ia ktheva Ledian\u00ebs, i shkrova pakashum\u00eb k\u00ebshtu (duke imagjinuar nj\u00eb dor\u00eb Ledianash andej p\u00ebrtej oqeanit q\u00eb mban nj\u00eb pen\u00eb dhe shkruan poezi):<\/p>\n

e di ti si puth dor\u00ebn ai Tom-ma\u00e7oku tek vizatimori “Tom & Jerry”? Ai kur i puthte dor\u00ebn asaj mjaulushes q\u00eb e donte, q\u00eb i vardisej, ia fillonte nga gishti mpu\u00e7, mpu\u00e7, mpu\u00e7 (shpejt\u00eb) dhe i hutuar vazhdonte krahut p\u00ebrpjet, pastaj pak pa arritur te qafa, apo te faqja, diku te supi… sikur k\u00ebndellej dhe ndalej i turp\u00ebruar (dmth. gjoja dikush mund t\u00eb kujtonte se ai pretendonte dhe m\u00eb shum\u00eb, jo vet\u00ebm gishtin e dor\u00ebn) – e pra, dhe un\u00eb jam ashtu si ai Tomi, dmth. puthara\u00e7 fisnik, nuk e ngat\u00ebrroj gishtin e mjaulusheve me gjith\u00eb krahun – tani me gjentilesen m\u00eb t\u00eb kulluar t\u00eb ma\u00e7ok\u00ebve, t\u00eb puth dor\u00ebn poetike Lady Ledi-ana, have a nice day dear Camaj-ana… uuups u ngat\u00ebrrova, desha t\u00eb them Lediana (mos qesh me ngat\u00ebrres\u00ebn :), vet\u00eb ke faj… kur me 2-3 vjersha deshe t’ia kalosh dhe vet\u00eb Camajt!
\nun\u00eb, alias Ma\u00e7ok \u00c7ubardhaku i Avrupes<\/p>\n

KARMA<\/strong><\/p>\n

Masa e afsht\u00eb e gazit me arom\u00eb tr\u00ebndafil\u00ebsh
\ndal\u00eb prej pelerin\u00ebs s\u00eb Af\u00ebrdit\u00ebs s\u00eb larg\u00ebt,
\nvesh syt\u00eb e mi t\u00eb hirt\u00eb, me nektarin
\ne \u00ebmb\u00ebl t\u00eb nj\u00eb Pompei n\u00eb flak\u00eb.
\nE kurb\u00ebt. Lakesa e gisht\u00ebrinjve t\u00eb argjendt\u00eb
\nforcon themelet e faltores s\u00eb fjetur.
\nVe\u00e7 arom\u00eb virgj\u00ebreshash ndihet n\u00eb flegrat
\ne myshqeve. Dymb\u00ebdhjet\u00eb plus nj\u00eb.
\nNum\u00ebr historik. Pesha e ajrit shtyp
\nt\u00eb kujtimeve t\u00ebmth dhe val\u00ebvit dilemat
\nmbi trajektore mitesh.
\nGuri i harres\u00ebs \u00ebsht\u00eb gjethe vjeshte,
\ne kuq\u00ebrremt\u00eb, hibride, me sy t\u00eb f\u00ebrg\u00eblluar
\nnga er\u00ebrat. E pamundur t\u00eb jesh gjethe vjeshte.
\nE pamundur t\u00eb jem rrudh\u00eb n\u00eb syrin t\u00ebnd.
\nMbi or\u00eb, ndarjet jan\u00eb pyje bredhash.
\nN\u00eb qofsha banore e \u201cUltima Thule\u201d*
\noazi i klorofilt\u00eb, mbi r\u00ebr\u00eb do t\u00eb num\u00ebroj\u00eb mitet,
\npor n\u00eb syt\u00eb e mi, do t\u00eb skalit\u00eb karm\u00ebn,
\nkarm\u00ebn time.<\/p>\n

* \u201cUltma Thule\u201d \u2013 N\u00eb let\u00ebrsin\u00eb dhe hartat klasike Europiane, ajonjihet si zona m\u00eb e larg\u00ebt drejt veriut. Ky term n\u00ebnkupton vendosjen gjeografike te gjith\u00e7kaje q\u00eb shtrihet jasht\u00eb kufijve t\u00eb bot\u00ebs s\u00eb njohur. \u00cbsht\u00eb konsideruar q\u00eb t\u00eb ket\u00eb qen\u00eb nj\u00eb ishull n\u00ebantikitet. Kuptimi modern identifikon ishujt norvegjeze. bot\u00ebss\u00eb njohur. \u00cbsht\u00eb konsideruar q\u00eb t\u00eb ket\u00eb qen\u00eb nj\u00eb ishull n\u00ebantikitet. Kuptimi modern identifikon ishujt norvegjeze.<\/em><\/p>\n

27 Maj 2011<\/em><\/p>\n

V\u00cbRTET\u00cbSIA<\/strong><\/p>\n

Le ta themi t\u00eb v\u00ebrtet\u00ebn
\np\u00ebr hir t\u00eb mbret\u00ebris\u00eb s\u00eb heshtjes.
\nT\u2019i hedhim n\u00eb pusin e nat\u00ebs
\npsher\u00ebtimat, m\u00ebrm\u00ebritjet, antitezat,
\npikat, presjet, pik\u00ebpyetjet,
\npast\u00ebn e dh\u00ebmb\u00ebve…
\nNuk ka osh\u00ebtim\u00eb m\u00eb t\u00eb fuqishme
\nse piskama q\u00eb del nga shiu i njom\u00eb
\ndhe ringjall grimc\u00ebza kujtimesh t\u00eb harruara.
\nKet\u00eb t\u00eb gjith\u00eb e din\u00eb.
\nLe ta presim m\u00ebngjesin,
\nnj\u00eb dit\u00eb t\u00eb vetme,
\npa arom\u00ebn e kafes\u00eb,
\npa \u00ebndrrat e nat\u00ebs,
\npa mallin gjakosur nga shigjeta e Erosit,
\npa p\u00ebrqafimet e intrig\u00ebs,
\npa premtimin e Zotit,
\npa kurrfar\u00eb gj\u00ebje.
\nLe ta presim dhe t\u00eb m\u00ebsojm\u00eb t\u00eb v\u00ebrtet\u00ebn.<\/p>\n

BASHK\u00cbFAJTORE<\/strong>
\n(Borgesit<\/em>)<\/p>\n

N\u00eb jam poete?! – Nuk e di?!
\nRrethrrotullohem drejt shulit t\u00eb ndryshkur
\ngjithnj\u00eb n\u00eb drejtim t\u00eb kund\u00ebrt t\u00eb vidhosjes.
\n\u00c7\u2019m\u00eb plagos, e kam hajmali p\u00ebr syn\u00eb e majt\u00eb.
\nT\u00eb djathtin e mbaj ulur n\u00eb tok\u00eb.
\nUshqimi im jan\u00eb fjal\u00ebt; sallata e preferuar, metafora.
\nPesha e universit nuk m\u00eb r\u00ebndon m\u00eb shum\u00eb
\nse nj\u00eb kok\u00ebr r\u00ebre n\u00eb qerpik.
\nI falenderohem pik\u00ebs zero. Koha ec\u00ebn me naze virgj\u00ebreshe
\ndhe mua mbi kok\u00eb m\u00eb trok\u00ebllijn\u00eb
\npatkojt\u00eb e kurb\u00ebs s\u00eb mendimit.
\nVet\u00ebkryq\u00ebzohem \u00e7do m\u00ebngjes e shkryq\u00ebzohem n\u00eb muzg.
\nKamzhik\u00ebt e fatit m\u00eb rreshtohen mbi vetull
\nn\u00eb pritje p\u00ebr t\u2019i shkulur.
\nJam fajtore, sigurisht, p\u00ebr \u00e7ka s\u2019kam b\u00ebr\u00eb
\ndhe, bashk\u00ebfajtore pse dashurohem me ajrin.<\/p>\n

VRASJA E DIT\u00cbS<\/strong>
\n(Inspiruar prej poezis\u00eb s\u00eb S. Zisit<\/em>)<\/p>\n

Nuk di si t\u00eb t\u00eb vras, \u00e7do dit\u00eb, dita ime
\ndhe nat\u00ebn, \u00e7udit\u00ebrisht, dua t\u00eb t\u00eb rilind.
\nO bulkth i vetmis\u00eb sime,
\namfor\u00eb kristalesh mbi krah\u00ebt e mi
\nq\u00eb zgjaten n\u00eb ngurt\u00ebsin\u00eb e tyre p\u00ebr t\u00eb t\u00eb prekur.
\nO puhiz\u00eb verb\u00ebrie, q\u00eb mbi limanet e boshatisur
\nt\u00eb indeve t\u00eb mia, ideja p\u00ebr t\u00eb t\u00eb varrosur ty,
\np\u00ebr t\u00eb qar\u00eb mbi ty,
\np\u00ebr t\u00eb t\u00eb heshtur ty,
\n\u00ebsht\u00eb fort e d\u00ebshirueshme.
\nT\u00eb dua fort, t\u2019i besoj e di;
\npor Dielli s\u2019mund t\u00eb jet\u00eb tjet\u00ebr
\nve\u00e7se sarkofagu yt
\ndhe h\u00ebna, mitra e rimbarsur.
\nKujdes kur t\u00eb rilind\u00ebsh!
\nMos qaj mbi pla\u00e7ent\u00ebn e yjeve,
\nbelb\u00ebzo n\u00eb gugatje milingone,
\nqesh kur t\u00eb pik\u00ebsh qerpik\u00ebt e mi h\u00ebnor\u00eb.<\/p>\n

Mbaje frym\u00ebn, tani
\nduhet t\u00eb t\u00eb vras e t\u00eb t\u00eb nanurit
\nmbi \u00ebndrr\u00ebn e barit.<\/p>\n

ILUZIONI<\/strong><\/p>\n

Historia ime nuk fillon tek Eva.
\nNuk jam brinj\u00eb. As aj\u00ebr.
\nFrym\u00eb; frym\u00eb, ndoshta jam.
\nDuart e mia kan\u00eb shkruar papiruse pa fund.
\nS\u2019kan\u00eb l\u00ebn\u00eb vend e shpell\u00eb pa pikturuar
\nca p\u00ebrralla mitike.
\nDhe edhe n\u00ebse nuk kam lindur kurr\u00eb \u2500 ,
\ndi se kam vdekur.
\nNgjallem \u00e7do t\u00eb tret\u00ebn dit\u00eb t\u00eb nj\u00eb \u00ebndrre
\nsi opium p\u00ebrthith\u00ebs i heshtjes.
\nMbi trupin tim rriten kupola hibride,
\npyll i gjelb\u00ebruar para-parajse.
\nRritem si f\u00ebmij\u00eb e transformohem n\u00eb kulp\u00ebr
\nsa her\u00eb triumfoj n\u00eb vise t\u00eb pashkelura.
\nVet\u00ebvritem, vet\u00ebm kur mbi mjegull
\nshkel me hapa gjigant\u00eb mirazhi i hijes time.
\nJam histori e vet\u00ebshpikur,
\npor trash\u00ebgoj cop\u00ebza mbijetese
\nnga \u00e7do kurm, n\u00eb \u00e7do koh\u00eb.<\/p>\n

28 Maj 2011<\/em><\/p>\n

METAMORFOZA E MITEVE<\/strong><\/p>\n

I g\u00eblltit\u00ebm mitet dhe i vesh\u00ebm me l\u00ebkur\u00ebn ton\u00eb.
\nFetusin e Af\u00ebrdit\u00ebs e kthyem n\u00eb pem\u00eb adamike,
\ne urryem, e mallkuam, e p\u00ebrfol\u00ebm,
\ni vum\u00eb dhe nj\u00eb sanksion n\u00eb bib\u00ebl,
\ndhe i ngjit\u00ebm m\u00ebkatin e lindjes, t\u00eb jet\u00ebdh\u00ebnies.
\nSkeptrin e Athin\u00ebs e kthyem n\u00eb kryq mjerimi,
\nrrufet\u00eb e Zeusit n\u00eb ferr parajse tok\u00ebsore.
\nHermesin e shtrim\u00eb n\u00eb tela transmetimi
\ndhe u g\u00ebzuam edhe pse vuajm\u00eb nga gabimet tona
\nlar\u00eb me qum\u00ebsht yjesh dhe \u00ebndrra t\u00eb p\u00ebrjetshme.<\/p>\n

KULPRA E KATEDRALES S\u00cb HESHTUR<\/strong><\/p>\n

Kam koh\u00eb q\u00eb me m\u00ebndje bluaj rrug\u00ebn p\u00ebr t\u00eb hyr\u00eb n\u00eb
\nkatedralen t\u00ebnde. Ashtet e dashurive t\u00eb humbura rrin\u00eb ngrehur si
\nstatujat e \u201cNotre Dames\u201d\u2500.
\nN\u00eb stil gotik edhe ato, mprehin dh\u00ebmb\u00ebt e
\np\u00ebrbindshave me kokat zgjatur prej muresh
\nt\u00eb neveritshme, xheloze, meskine. Me sy t\u00eb ngrir\u00eb,
\nm\u00eb shohin si Meduz\u00ebn e frikshme.
\nNuk mund t\u00eb parakaloj shtratit t\u00ebnd t\u00eb lasht\u00eb pa
\nthithur eterin e v\u00ebshtrimit t\u00eb akullt
\nq\u00eb kurmit tim t\u00eb brisht\u00eb ia vesh\u00ebn mornicat e
\nthinjave mbi d\u00ebbor\u00ebn e kalt\u00ebr.
\nNuk kam se si ta gjej shtegun tim antik n\u00eb lirin\u00eb q\u00eb
\nm\u00eb \u00ebsht\u00eb parafalur.
\nAsgj\u00eb s\u2019mund t\u00eb b\u00ebhet n\u00eb liri. Asgj\u00eb s\u2019mund t\u00eb b\u00ebhet
\nme luft\u00eb.
\nTashm\u00eb duhet t\u2019i marr si t\u00eb q\u00ebna pa ditur kufirin e
\nq\u00ebn\u00ebsis\u00eb s\u00eb tyre,
\nt\u00eb mund t\u00eb shtrij jorganin e \u00ebndrrave t\u00eb mia t\u00eb
\npaplot\u00ebsuara p\u00ebrmbi aka\u00e7e
\nderi n\u00eb kacavjerjen e fundit mbi mur, p\u00ebr t\u2019u b\u00ebr\u00eb
\ndhe un\u00eb, nj\u00eb statuj\u00eb, si ato.<\/p>\n

K\u00cbNGA E FALLSIFIKATOR\u00cbVE T\u00cb SHPIRTIT<\/strong><\/p>\n

O fallsifikator\u00eb shpirtrash\u2500.
\nKodues eremit\u00ebsh t\u00eb librit tuaj unik.
\nTrinitet i p\u00ebrbaltur me apoteoza strukullash
\nme magji kokrrash gruri q\u00eb verb\u00ebrojn\u00eb
\nstomak pulisurit n\u00eb idilizmin e tyre nazik.
\nIa dol\u00ebt mban\u00eb ta fermentonit njeriun,
\nstafidh i rrall\u00eb, q\u00eb me nj\u00eb kryq kobalti mbi krye
\nsh\u00ebnjon ngadh\u00ebnjimet e pakryera mbi grabuj\u00eb.
\nE predikuat m\u00ebkatin. E predikuat edhe shpirtin.
\nIa kobit\u00ebt perandorin\u00eb e flijimit, t\u00eb shtrirjes
\nmbi petka t\u00eb m\u00ebndafsh\u00ebta, t\u00eb l\u00ebmuaraku
\ng\u00ebrryhen fosilet si kocka qensh.<\/p>\n

(2009<\/em>)<\/p>\n

NUK MUND T\u00cb JEM MEDEA<\/strong><\/p>\n

N\u00ebse sheh honin tim,
\nsi brim\u00eb t\u00eb zez\u00eb t\u00eb p\u00ebrpij\u00eb inatet,
\nmos m\u00eb quaj Medea.<\/p>\n

Z\u00ebrit tim i l\u00eb koh\u00ebn mbi krye.
\nE kryq\u00ebzoj si Sh\u00ebn Pavlin,
\nme kok\u00eb posht\u00eb.<\/p>\n

E n\u00ebse jam fajtore,
\nmeritoj t\u00eb jem edhe gozhd\u00eb,
\nedhe Golgot\u00eb. Jo shk\u00ebmb.<\/p>\n

Shk\u00ebmbi nuk e njeh shuplak\u00ebn e val\u00ebve
\ndhe pse ato, nj\u00eb dit\u00eb, ia mohojn\u00eb identitetin.
\nSi mund t\u00eb jem Medea?
\nUn\u00eb di vet\u00ebm si t\u00eb kap\u00ebrcej n\u00eb zverk
\nlakun e karafilt\u00eb e t\u00eb vetvarem!
\nMos m\u00eb quaj as martire, t\u00eb lutem!<\/p>\n

Vjen\u00eb, 5. 06. 11<\/em><\/p>\n

NOPRANI<\/strong><\/p>\n

Po gjerb nebuloz\u00eb, nopran?
\nD\u00ebshmitar i \u201chomo habilis\u201d je.
\nSi qenke shp\u00ebrndar\u00eb sot!?
\nSi stomak-esht\u00ebr.
\nSi eshtra n\u00eb stomak.
\nT\u00eb huaj n\u00eb brendshm\u00ebrin\u00eb tuaj
\ne juaja brendshm\u00ebri e huaj
\nq\u00eb treteni dhe shp\u00ebrndaheni
\nsi puhizat veshur flladesh
\ne njom\u00ebzat pa nefes
\nme bar mendafshi
\nthahen.<\/p>\n

(2008<\/em>)<\/p>\n

PANORAM\u00cb KUARTIKE<\/strong><\/p>\n

Si gjethe fluturake q\u00eb bie n\u00eb bulevardin Shanz-Elize
\ndashurohem me shpejt\u00ebsin\u00eb e er\u00ebs.<\/p>\n

P\u00ebrball\u00eb, Harku i Triumfit
\ngodet me shk\u00ebndija zjarresh t\u00eb huaja
\nshikimin tim, magjepsur n\u00ebp\u00ebr mure.<\/p>\n

Syt\u00eb e mi vishen me mite t\u00eb panjohura.
\nEkoja e fatit mban fjal\u00ebn n\u00eb maj\u00eb t\u00eb gjuh\u00ebs
\ndhe koh\u00ebrat i bashkon n\u00eb nj\u00eb byzylyk,
\nrrahur me shufra m\u00ebkatesh t\u00eb parr\u00ebfyera.<\/p>\n

Si gjethe fluturake q\u00eb bie n\u00eb bulevardin Shanz-Elize
\nth\u00ebrmohem mbi t\u00ebmthin e koh\u00ebs, mbi terr.<\/p>\n

4\/19\/11 Tiran\u00eb <\/em><\/p>\n

BUK\u00cb E VER\u00cb<\/strong><\/p>\n

Vargjet holderiane p\u00ebrplasen m\u00ebndjes time
\nsi uragani i Sandy rrug\u00ebve t\u00eb Bostonit.
\nOh ve\u00e7 pak buk\u00eb e ver\u00eb,
\nt\u00eb ushqej grer\u00ebzat e kopshtit tim.<\/p>\n

Ka mbetur ende nj\u00eb k\u00ebng\u00eb gjinkalle
\nn\u00eb p\u00ebshp\u00ebrim\u00ebn dim\u00ebrore,
\ne vetmja k\u00ebng\u00eb mbi petalin
\ne nj\u00eb tr\u00ebndafili t\u00eb ngrir\u00eb.<\/p>\n

Ve\u00e7 pak buk\u00eb e ver\u00eb
\ndhe bota do t\u00eb mbuloj\u00eb veten
\nme hipotenuz\u00ebn pranverore!
\nOh, ve\u00e7 pak buk\u00eb e ver\u00eb!<\/p>\n

DIET\u00cb FJAL\u00cbSH<\/strong><\/p>\n

O bija t\u00eb Safos, o bij t\u00eb Whitman
\nlerini heshtat e fjal\u00ebve
\ne rrokni heshtjen!
\nMbreti vdiq! Rroft\u00eb Mbreti!
\nShqisa juaj e d\u00ebgjimit
\nm\u00eb e dob\u00ebt se e nj\u00eb t\u00eb shurdh\u00ebri
\nm\u00eb kot rreket t\u00eb d\u00ebgjoj\u00eb
\nsinjalin tim t\u00eb alarmit.
\n(Mos thoni se s\u2019ju thash\u00eb!)
\nMbi h\u00ebn\u00ebn ku nj\u00eb kulp\u00ebr harliset
\nur\u00ebs me pasarela
\nq\u00eb zbret n\u00eb zemr\u00ebn time,
\ngjeta varur nj\u00eb mesazh
\ngdhendur n\u00eb argjil t\u00eb ashtit tim:
\n\u201cE v\u00ebrteta \u00ebsht\u00eb epitafi i heshtjes\u201d.
\nNdaj n\u00eb sy m\u2019u shfaq Uliksi
\n(Jo ai i p\u00ebrrall\u00ebs) me vesh\u00ebt
\ne dyll\u00ebzuar, e t\u00eb pafjal\u00eb
\nn\u00eb detin e tij t\u00eb ikjes;
\nku sirenat ia hesht\u00ebn t\u00eb kaluar\u00ebn
\nme shpres\u00eb p\u00ebr ta vetvrar\u00eb.
\nE m\u2019u kujtuat ju,
\nju pinjoll\u00eb t\u00eb Sokratit e G\u00ebtes
\nq\u00eb gangren\u00eb e keni ajrin p\u00ebrreth jush;
\najrin e \u201cliris\u00eb\u201d e t\u00eb \u201cpaqes\u201d,
\najrin e luftrave civile,
\najrin e \u201caksidenteve\u201d t\u00eb ferrit,
\najrin e Otrantos
\najrin e \u201cndotjes toksike\u201d parlamentare
\najrin e \u201cPaket\u00ebs s\u00eb Ahtisarit\u201d,
\najrin e \u201ckutis\u00eb s\u00eb Pandor\u00ebs\u201d,
\najrin e\u201ckompra\u00e7ikoz\u00ebve\u201d* modern\u00eb.
\nLe t\u2019i ham\u00eb fjal\u00ebt e fundit
\ne ta pijm\u00eb me fundkup\u00ebn e heshtjes ton\u00eb
\nn\u00eb \u201ddark\u00ebn e fundit\u201d.
\nLe t\u00eb fillojm\u00eb tashm\u00eb
\nnj\u00eb diet\u00eb moderne.<\/p>\n

* Kompra\u00e7ikoz\u00ebt \u2013 \u201cNjeriu q\u00eb qesh\u201d, Viktor Hygo, Kap. II – Ky term, vjen nga spanjishtja por njihet po k\u00ebshtu q\u00eb n\u00eb bot\u00ebnantike. Kompra\u00e7ikoz\u00ebt ishin ata, q\u00eb rr\u00ebmbenin f\u00ebmij\u00ebt dhe itransformonin n\u00eb kloun\u00eb apo gaztor\u00eb duke u krijuar difektenatyrale. Ata i operonin k\u00ebta f\u00ebmij\u00eb q\u00eb t\u00eb dukeshin se kishindhunti apo difekte natyrale; dhe do t\u00eb mbeteshin k\u00ebshtu gjith\u00eb jet\u00ebn.<\/em><\/p>\n

2011-2013<\/em><\/p>\n

PURGATORI I FATIT<\/strong><\/p>\n

Mbi k\u00ebrthiz\u00eb
\nrradhiten rrath\u00ebt e purgatorit.
\nAto djegin, djegin, djegin…
\nAjo shuan, shuan, shuan…
\nLidhur nyje mbi segmentin e jet\u00ebs
\nnxjerr grahm\u00ebn e fundit
\nt\u00eb pendes\u00ebs.<\/p>\n

2012<\/em><\/p><\/blockquote>\n

N\u00cb PARADHOM\u00cbN E ORFEUT<\/strong><\/p>\n

Lediana Stillo<\/strong><\/p>\n

(V\u00ebshtrim eseistik – Di\u00e7 si parath\u00ebnie p\u00ebr v\u00ebllimin “Kulpra e katedrales s\u00eb heshtur”, 2013<\/em>)<\/p>\n

…problemet e p\u00ebrditshme sociale, monotonia, triumfet dhe d\u00ebshtimet e tij, jan\u00eb ngacmuesit baz\u00eb t\u00eb jasht\u00ebm p\u00ebr shteg\u00ebtimin e brendsh\u00ebm t\u00eb poetit…
\n…shpeshher\u00eb, poezia p\u00ebrdor nj\u00eb pauz\u00eb p\u00ebr t\u2019i dh\u00ebn\u00eb koh\u00eb poezis\u00eb s\u00eb v\u00ebrtet\u00eb t\u00eb filtroj\u00eb veten n\u00eb llorb\u00ebn ku \u00ebsht\u00eb ngat\u00ebrruar apo hedhur. \u00cbsht\u00eb si procesi i frym\u00ebmarrjes s\u00eb njeriut, q\u00eb pa nxjerr\u00eb krejt dioksidin e karbonit prej mushk\u00ebrive, nuk do t\u00eb mund t\u2019i rifurnizoj\u00eb ato s\u00ebrisht me oksigjen…<\/p>\n

Arti \u00ebsht\u00eb boshti i vet\u00ebm q\u00eb lidh bot\u00ebn reale me at\u00eb imagjinare. Them i vet\u00ebm sepse sjell n\u00eb bot\u00ebn reale gjith\u00e7ka i mungon, gjith\u00e7ka e ngacmon, gjith\u00e7ka q\u00eb i vret syrin dhe i jep shtys\u00ebn p\u00ebr ta imagjinuar k\u00ebt\u00eb bot\u00eb m\u00eb t\u00eb mir\u00eb; p\u00ebr t\u2019i dh\u00ebn\u00eb nj\u00eb melhem shprese se \u201clot\u00ebt e pelinta\u201d nuk jan\u00eb asgj\u00eb tjet\u00ebr ve\u00e7se klithma ekzistenciale. \u00cbsht\u00eb bosht, sepse edhe pse deg\u00ebt e ndryshme t\u00eb artit jan\u00eb si pasqyra p\u00ebr nj\u00ebra-tjetr\u00ebn, n\u00eb ngacmime t\u00eb pandalshme nga vibrimet e tyre, ato s\u00ebrisht nuk mund t\u00eb jetojn\u00eb dot t\u00eb ndara, t\u00eb pakt\u00ebn jo gjithmon\u00eb. Th\u00ebn\u00eb m\u00eb thjesht, n\u00ebse trupi i njeriut simbolizon shoq\u00ebrin\u00eb e nj\u00eb vendi, arti \u00ebsht\u00eb shtylla e p\u00ebrjetshme e tij dhe nuk do ta ndryshoje kurr\u00eb vendin e tij n\u00eb k\u00ebt\u00eb shoq\u00ebri. \u00c7do rruaz\u00eb e k\u00ebsaj shtylle, do t\u00eb simbolizonte nj\u00ebr\u00ebn nga deg\u00ebt e artit.<\/p>\n

T\u00eb quhesh nj\u00eb krijues sot n\u00eb bot\u00ebn shqiptare, ndoshta \u00ebsht\u00eb shum\u00eb e thjesht\u00eb. Por nuk do t\u00eb ndalem n\u00eb k\u00ebt\u00eb \u201cgangren\u00eb\u201d q\u00eb e ka kapur koh\u00ebt e fundit shoq\u00ebrin\u00eb ton\u00eb n\u00eb nocionin e turm\u00ebs krijuese. Tentativat e gjithkujt duhet normalisht t\u00eb jen\u00eb t\u00eb mir\u00ebpritura. \u00c7dokush ka t\u00eb drejt\u00ebn t\u00eb shprehet, t\u00eb shkruaj\u00eb, t\u00eb krijoj\u00eb. Puna \u00ebsht\u00eb, a po krijojm\u00eb?<\/p>\n

Borges do t\u00eb thoshte se ide t\u00eb reja nuk do t\u00ebket\u00eb m\u00eb. Se idet\u00eb e bot\u00ebs jan\u00eb ezauruar. V\u00ebrtet q\u00eb idet\u00eb e reja jan\u00eb t\u00eb pakta. V\u00ebrtet q\u00eb bota krijuese nuk ofron shum\u00eb hap\u00ebsir\u00eb ndoshta p\u00ebr ata q\u00eb jan\u00eb n\u00eb
\nk\u00ebrkim t\u00eb \u201csubjektit\u201d, sic do t\u00eb shprehej Ramadan Musliu tek Estetika e Dallueshme, por un\u00eb jam e mendimit se ai q\u00eb krijon, ai q\u00eb di t\u00eb futet thell\u00eb n\u00eb bot\u00ebn e tij t\u00eb brendshme, ai q\u00eb di ta g\u00ebrryej\u00eb mir\u00eb veten e vet, ai njeri di dhe si t\u2019i b\u00ebj\u00eb lidhjet me bot\u00ebn e jashtme n\u00eb t\u00eb cil\u00ebn jeton. Sado e nj\u00ebjt\u00eb apo e ngjashme t\u00eb jet\u00eb historia; pavar\u00ebsisht arm\u00ebve q\u00eb p\u00ebrdoren p\u00ebr t\u00eb luftuar (se lufta nuk do t\u00eb nd\u00ebrroj\u00eb ndonj\u00ebher\u00eb nocionin e vet), secili ka nj\u00eb vizion t\u00eb vetin p\u00ebr t\u00eb gjitha p\u00ebrjetimet e tij.<\/p>\n

Un\u00eb do t\u00eb thoja: Shihni me sy f\u00ebmije, e do ta kuptoni k\u00ebt\u00eb bot\u00eb m\u00eb shum\u00eb se me syt\u00eb e nj\u00eb t\u00eb rrituri. Bota ofron aq shum\u00eb libra p\u00ebr t\u00eb lexuar sa \u00ebsht\u00eb e pamundur t\u2019i shfletosh t\u00eb gjitha. Ky \u00ebsht\u00eb nj\u00ebfar\u00eb avantazhi p\u00ebr njeriun krijues q\u00eb rrjedhimisht do t\u00eb akumuloj\u00eb informacione t\u00eb ndryshme nga ato \u00e7ka lexon e q\u00eb do ia ndikojn\u00eb tep\u00ebr psik\u00ebn e tij t\u00eb t\u00eb shkruarit. Konkretisht, nj\u00eb poet duhet, sipas mendimit tim, p\u00ebrvec talentit t\u00eb tij p\u00ebr t\u00eb shkruar, t\u00eb furnizoj\u00eb psik\u00ebn e tij me sa m\u00eb shum\u00eb lexime e nj\u00ebkoh\u00ebsisht t\u00eb mos ta harroj\u00eb kurr\u00eb ku jeton. Problemet e p\u00ebrditshme sociale, monotonia, triumfet dhe d\u00ebshtimet e tij, jan\u00eb ngacmuesit baz\u00eb t\u00eb jasht\u00ebm p\u00ebr shteg\u00ebtimin e tij t\u00eb brendsh\u00ebm. Pa k\u00ebta ngacmues, nuk do t\u00eb kemi krijim, nuk do t\u00eb kemi poezi.<\/p>\n

Shpeshher\u00eb, poezia p\u00ebrdor nj\u00eb pauz\u00eb p\u00ebr t\u2019i dh\u00ebn\u00eb koh\u00eb poezis\u00eb s\u00eb v\u00ebrtet\u00eb t\u00eb filtroj\u00eb veten n\u00eb llorb\u00ebn ku \u00ebsht\u00eb ngat\u00ebrruar apo hedhur. \u00cbsht\u00eb si procesi i frym\u00ebmarrjes s\u00eb njeriut, q\u00eb pa nxjerr\u00eb krejt dioksidin e karbonit prej mushk\u00ebrive, nuk do t\u00eb mund t\u2019i rifurnizoj\u00eb ato s\u00ebrisht me oksigjen. Prandaj nj\u00eb krijues i mir\u00ebfillt\u00eb, q\u00eb shkruan me gjak, e ka kuptuar me koh\u00eb lidhjen reale q\u00eb ekziston midis asaj q\u00eb ai shkruan dhe asaj q\u00eb do t\u00eb ngelet prej tij, n\u00ebsedo t\u00eb ngelet. Kur \u00ebsht\u00eb kaq e v\u00ebshtir\u00eb dhe kaq e mundimshme t\u00eb shkruash, pse at\u00ebher\u00eb duhet t\u2019i kushtojm\u00eb kaq shum\u00eb r\u00ebnd\u00ebsi krijimit? Kur risku q\u00eb marrim mbi supe \u00ebsht\u00eb shum\u00eb her\u00eb m\u00eb i madh se p\u00ebrfitimet objektive, pse ende vazhdojm\u00eb t\u00eb shkruajm\u00eb?<\/p>\n

Pas k\u00ebtyre pyetjesh fillon t\u00eb zvog\u00eblohet hap\u00ebsira p\u00ebr krijuesit mediok\u00ebr. Ata q\u00eb shkruajn\u00eb sepse krijimi u del prej shpirtit, e jo prej d\u00ebshir\u00ebs p\u00ebr t\u2019u ngjitur n\u00eb hierarkine e pamerituar t\u00eb letrave t\u00eb tyre, e din\u00eb se \u00e7do t\u00eb thot\u00eb t\u00eb p\u00ebrjetosh rrug\u00ebtimin t\u00ebnd brenda vetes. E din\u00eb se \u00e7do t\u00eb thot\u00eb t\u00eb ndiejn\u00eb mornicat apo bul\u00ebzat me djers\u00eb t\u00eb ftohta t\u2019ia kaplojn\u00eb trupin e ta rr\u00ebnqethin. E din\u00eb se \u00e7do t\u00ebthot\u00eb se marrja e mesazhit nga brenda vetes \u00ebsht\u00eb nj\u00eb form\u00eb jetese prej t\u00eb cil\u00ebs nuk do t\u00eb shmangen dot kurr\u00eb. E din\u00eb se, ai mesazh nuk \u00ebsht\u00eb thjesht nj\u00eb \u201ckod\u201d q\u00eb i \u00ebsht\u00eb l\u00ebshuar gabimisht.<\/p>\n

Platoni do t\u00eb thoshte se poet\u00ebt nuk din\u00eb se \u00e7’shkruajn\u00eb. Se ata nuk i kuptojn\u00eb mesazhet q\u00eb vet\u00eb i sjellin p\u00ebrmes pen\u00ebs s\u00ebtyre. Dikush tjet\u00ebr do t\u00eb thoshte se poet\u00ebt p\u00ebrdorin pen\u00ebn p\u00ebr t\u2019iu shmangur realitetit t\u00eb tyre, e p\u00ebr k\u00ebt\u00eb p\u00ebrdorin metafor\u00ebn si simbol fshehjeje. Un\u00eb them se poezia e mir\u00ebfillt\u00eb nuk jeton dot e zhveshur. E v\u00ebrteta duhet t\u00eb kuptohet si \u00ebsht\u00eb stisur. Se m\u00ebnyra shpreh\u00ebse e e poetit ka po aq r\u00ebnd\u00ebsi sa edhe forma me t\u00eb cil\u00ebn ai arrin t\u00eb ristrukturoj\u00eb mesazhin q\u00eb prej vetes e nxjerr, e q\u00eb s\u2019\u00ebsht\u00eb asgj\u00eb tjet\u00ebr ve\u00e7se e v\u00ebrteta absolute e tij; t\u00eb pakt\u00ebn p\u00ebr at\u00eb koh\u00eb n\u00eb t\u00eb cil\u00ebn e ka shkruar.<\/p>\n

Derisa shkrimi (ve\u00e7an\u00ebrisht shkrimi i poezis\u00eb) ka domosdoshm\u00ebrin\u00eb e vet t\u00eb t\u00eb g\u00ebrryerjes s\u00eb vetes, t\u00eb k\u00ebrkimit n\u00eb qoshen m\u00eb t\u00eb err\u00ebt t\u00eb shpirtit mesazhin q\u00eb k\u00ebrkon t\u00eb jap\u00ebsh; shpesh her\u00eb p\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs krijuesi detyrohet t\u00eb vendosi n\u00eb nj\u00eb balanc\u00eb at\u00eb q\u00eb ka dal\u00eb prej tij me at\u00eb q\u00eb ka dashur t\u00eb dal\u00eb prej tij. Zhg\u00ebnjimet q\u00eb p\u00ebson, shpesh her\u00eb e \u00e7ojn\u00eb edhe n\u00eb analiz\u00ebn e raportit q\u00eb ai ka ndaj bot\u00ebs, nj\u00eb proces q\u00eb unifikon kufijt\u00eb dhe “limitet” q\u00eb ai i ka vendosur bot\u00ebs p\u00ebrreth tij.<\/p>\n

N\u00ebse t\u00eb gjith\u00eb do t\u00eb mund t\u00eb shihnin aq thell\u00eb sa nj\u00eb poet sheh brenda vetes s\u00eb tij, n\u00ebse t\u00eb gjith\u00eb do t\u00eb kishin mund\u00ebsin\u00eb t\u00eb ekspoloronin t\u00eb bukur\u00ebn q\u00eb shpirti i tyre u dhuron, jam e bindur se bota nuk do t\u00eb ishte drejt humbjes s\u00eb dy vlerave m\u00eb t\u00eb m\u00ebdha q\u00eb njer\u00ebzimi ka njohur: dashurin\u00eb dhe virtytin.<\/p>\n

* * *<\/p>\n

Ky v\u00ebllim poetik \u00ebsht\u00eb vazhdimi i ciklit “PaxDeorum”, cik\u00ebl q\u00eb m\u00eb par\u00eb e kisha klasifikuar si AdHominum. Kam shfryt\u00ebzuar s\u00ebrisht mitet, jo sepse pa to nuk kishte m\u00ebnyr\u00eb tjet\u00ebr shprehjeje, por sepse k\u00ebndv\u00ebshtrimit tim, p\u00ebr dimensionin q\u00eb mitet kan\u00eb n\u00eb jet\u00ebn ton\u00eb, duke krijuar nj\u00eb boshll\u00ebk zero \u00ebsht\u00eb miti ai q\u00eb i jep nj\u00eb p\u00ebrgjigjen m\u00eb t\u00eb mir\u00eb. Kam udh\u00ebtuar shum\u00eb thell\u00eb jo vet\u00ebm n\u00eb universin tim, por edhe n\u00eb materiale q\u00eb m\u00eb par\u00eb nuk kam pasur mund\u00ebsin\u00eb t\u2019i kem, e q\u00eb m\u00eb kan\u00eb ndikuar jasht\u00ebzakonisht n\u00eb ndryshimin e k\u00ebtij k\u00ebndv\u00ebshtrimi.<\/p>\n

\u00c7far\u00eb un\u00eb kam synuar t\u00eb sjell p\u00ebrmes k\u00ebtij libri, nuk \u00ebsht\u00eb rikujtesa e miteve, t\u00eb cilat fare mir\u00eb mund t\u00eb gjenden n\u00eb antologji t\u00eb ndryshme, apo akoma m\u00eb mir\u00eb n\u00eb librat mitologjike. Ajo q\u00eb m\u00eb ka nxitur p\u00ebr t\u00eb krjuar k\u00ebto poezi \u00ebsht\u00eb simbolika q\u00eb mitet mbartin n\u00eb koh\u00ebn ton\u00eb moderne, drama q\u00eb p\u00ebrthith qenien ton\u00eb t\u00eb rigjeneruar n\u00eb k\u00ebto mite, e t\u00eb shprehur n\u00eb dimensione t\u00eb tjera me gjasa t\u00eb evoluara, por q\u00eb n\u00eb thelbin e thelbit jan\u00eb po ato t\u00eb100 viteve me par\u00eb, t\u00eb 1000 viteve m\u00eb par\u00eb, t\u00eb mbar\u00eb njer\u00ebzimit n\u00eb vite.<\/p>\n

\u201cLetra Orfeut\u201d, cikli i par\u00eb q\u00eb p\u00ebrfshihet n\u00eb k\u00ebt\u00eb lib\u00ebr \u00ebsht\u00eb nj\u00eb p\u00ebrjetim i imi, sa imagjinar aq dhe real. Figura e Orfeut \u00ebsht\u00eb ngritur jo vet\u00ebm duke u bazuar tek Ovidi dhe Metamorfoza e tij, por edhe tek Rilke (Orfeu, Euridika, Hermesi) dhe Platoni (Simpozium – shfryt\u00ebzimi i mitit t\u00eb Marcyas). Imazhi i munges\u00ebs shfaqet si nj\u00eb frym\u00eb kryengrit\u00ebse, si nj\u00eb afsh i klorofilt\u00eb q\u00eb teksa e di pesh\u00ebn q\u00eb mbart, vazhdon t\u00eb ngacmoj\u00eb psik\u00ebn time krijuese p\u00ebr ta pranuar veshjen e v\u00ebrtet\u00ebsis\u00eb mbi k\u00ebt\u00eb mit. Orfeu, apo fryma q\u00eb ushqen mushk\u00ebrit\u00eb e mia, ka q\u00ebn\u00eb figura m\u00eb besnike q\u00eb e ka ndjekur timbrin tim krijues n\u00eb krejt k\u00ebt\u00eb v\u00ebllim poetik.<\/p>\n

Librin vendosa ta titulloj \u201cKulpra e Katedrales s\u00eb heshtur\u201d p\u00ebr nj\u00eb arsye m\u00eb shum\u00eb personale dhe personifikuese t\u00eb v\u00ebrtet\u00ebsis\u00eb s\u00eb pozicionit tim n\u00eb jet\u00ebn reale, sepse shpesh her\u00eb e ndiej veten si nj\u00eb kulp\u00ebr, q\u00eb kacavaret e zgjatet deri n\u00eb pamund\u00ebsi, p\u00ebr t\u00eb arritur mbijetes\u00ebn e saj.<\/p>\n

L. Stillo<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

(Cik\u00ebl poezish nga v\u00ebllimi “Kulpra e katedrales s\u00eb heshtur” – Lediana Stillo, 2013, 112 fq. ISBN 978-608-211-055-4 – Not\u00eb: titulli i k\u00ebtij cikli p\u00ebr Ars Poetica nga S. Guraziu) Dy fjal\u00eb, S. Guraziu V\u00ebllimi “Kulpra e katedrales s\u00eb heshtur” i poetes Lediana Stillo, si lib\u00ebr e tejkalon “vetveten”. Zakonisht p\u00ebr nj\u00eb lib\u00ebr timin them “do […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,9],"tags":[],"yoast_head":"\nLediana Stillo - D\u00ebshira \u00ebsht\u00eb pengu i \u00ebndrrave t\u00eb path\u00ebna (cik\u00ebl poezish) - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/lediana-stillo-deshira-eshte-pengu-i-endrrave-te-pathena-cikel-poezish\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lediana Stillo - D\u00ebshira \u00ebsht\u00eb pengu i \u00ebndrrave t\u00eb path\u00ebna (cik\u00ebl poezish) - FjALA e LIR\u00cb - Arkivi\" \/>\n<meta property=\"og:description\" content=\"(Cik\u00ebl poezish nga v\u00ebllimi “Kulpra e katedrales s\u00eb heshtur” – Lediana Stillo, 2013, 112 fq. ISBN 978-608-211-055-4 – Not\u00eb: titulli i k\u00ebtij cikli p\u00ebr Ars Poetica nga S. Guraziu) Dy fjal\u00eb, S. Guraziu V\u00ebllimi “Kulpra e katedrales s\u00eb heshtur” i poetes Lediana Stillo, si lib\u00ebr e tejkalon “vetveten”. 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