{"id":12289,"date":"2013-01-07T21:58:28","date_gmt":"2013-01-07T20:58:28","guid":{"rendered":"http:\/\/fjala.info\/?p=244"},"modified":"2013-01-07T21:58:28","modified_gmt":"2013-01-07T20:58:28","slug":"flasin-shtate-sibila-te-kohes-sone","status":"publish","type":"post","link":"https:\/\/fjala.info\/2009-2015\/flasin-shtate-sibila-te-kohes-sone\/","title":{"rendered":"Flasin shtat\u00eb sibila t\u00eb koh\u00ebs son\u00eb"},"content":{"rendered":"

\"\" \u2022Nisja, ideja, v\u00ebshtir\u00ebsit\u00eb dhe p\u00ebrfundimi i nj\u00eb cikli dokumentar\u00ebsh p\u00ebr shtat\u00eb shkrimtare bashkohore shqiptare. Kelmend Karuni udh\u00ebton me Luljeta Danon, Mimoza Ahmetin, Ledia Dushin, Flutura A\u00e7kan, Rita Petron, Luljeta Lleshanakun dhe Olimbi Velajn.<\/em><\/p>\n

Shekulli<\/strong>, 07.01.2013<\/em><\/p>\n

Sibila t\u00eb koh\u00ebs son\u00eb, ky \u00ebsht\u00eb titulli i nj\u00eb cikli dokumentar\u00ebsh nga Kelmend Karuni, q\u00eb pritet t\u00eb shfaqet s\u00eb shpejti. Disa nga detajet e k\u00ebtij punimi Keldi, ashtu si\u00e7 e th\u00ebrrasin t\u00eb gjith\u00eb Kelmendin, do t\u00eb na i zbuloj\u00eb n\u00eb k\u00ebt\u00eb intervist\u00eb. Ky \u00ebsht\u00eb dokumentari i poeteshave. Jan\u00eb shtat\u00eb poete shqiptare q\u00eb do t\u00eb ndjekin Keldin n\u00eb nj\u00eb rrug\u00ebtim mjaft poetik e ekzistencial. Ky nuk \u00ebsht\u00eb nj\u00eb dokumentar biografike e as kritik\u00eb nuk ka.<\/p>\n

N\u00eb thelb t\u00eb tij q\u00ebndrojn\u00eb mendimet e k\u00ebtyre poeteshave mbi historin\u00eb, besimin, poezin\u00eb, artin, koh\u00ebn dhe gjith\u00e7ka tjet\u00ebr q\u00eb p\u00ebrb\u00ebn shqet\u00ebsime te njeriut bashk\u00ebkohor. Keldi i ka ndjekur k\u00ebto poete p\u00ebrreth nj\u00eb vit. Ka qen\u00eb pjes\u00ebmarr\u00ebs n\u00eb \u00e7do mbr\u00ebmje poetike ku poeteshat ishin t\u00eb ftuara. Ka vendosur ta titulloj\u00eb \u201cSibila t\u00eb koh\u00ebs son\u00eb\u201d k\u00ebt\u00eb cik\u00ebl dokumentar\u00ebsh ku sibilat quhen: Luljeta Lleshanaku, Mimoza Ahmeti, Ledia Dushi, Flutura A\u00e7ka, Luljeta Dano, Olimbi Velaj dhe Rita Petro.<\/p>\n

Nuk \u00ebsht\u00eb thjesht nj\u00eb z\u00eb fem\u00ebror, por z\u00ebri i k\u00ebtyre krijueseve q\u00eb jetojn\u00eb koh\u00ebn ton\u00eb dhe n\u00ebp\u00ebrmjet artit t\u00eb tyre filtrojn\u00eb esenc\u00ebn e saj. K\u00ebndv\u00ebshtrimet e tyre nuk shkojn\u00eb vet\u00ebm drejt koncepteve poetike. Ato qasen drejt e n\u00eb gjith\u00e7ka q\u00eb i jep vler\u00eb jet\u00ebs s\u00eb njeriut. Keldi do t\u00eb na tregoj\u00eb n\u00eb k\u00ebt\u00eb intervist\u00eb di\u00e7ka m\u00eb shum\u00eb. Nisja, ideja, v\u00ebshtir\u00ebsit\u00eb dhe p\u00ebrfundimi i nj\u00eb cikli dokumentar\u00ebsh vjen sot n\u00ebp\u00ebrmjet Keldit, djalit q\u00eb pasi studioi p\u00ebr ekonomi, sakt\u00ebsisht investime burse dhe q\u00eb u kthye n\u00eb Shqip\u00ebri p\u00ebr t\u00eb qen\u00eb pjes\u00eb e Akademis\u00eb s\u00eb Arteve e p\u00ebr t\u00eb ndjekur rrug\u00ebn e v\u00ebrtet\u00eb sipas tij.<\/p>\n

Keldi, si lindi ideja e nj\u00eb cikli dokumentar\u00ebsh p\u00ebr poeteshat shqiptare?<\/strong><\/p>\n

Shk\u00ebndija e par\u00eb e ides\u00eb ka ardhur kur kam par\u00eb nj\u00eb dokumentar t\u00eb vitit 1984, \u201cKur flasim p\u00ebr poezin\u00eb\u201d i realizuar nga Kinostudio \u201cShqip\u00ebria e re\u201d, me autore Ylli Demneri dhe Diana Gjiknuri, im at Ferdinand Karuni ka qene operator i k\u00ebtij dokumentari. N\u00eb te duket sikur koha ka ndaluar p\u00ebr k\u00ebta poet\u00eb. Drit\u00ebro Agolli, Ismail Kadare, Natasha Lako e disa t\u00eb tjer\u00eb flasin me poezin\u00eb e tyre. Ne t\u00eb brezit t\u00eb ri nuk kemi pasur mund\u00ebsi t\u2019i njohim k\u00ebta artist\u00eb t\u00eb let\u00ebrsis\u00eb son\u00eb dhe kur i sheh n\u00eb t\u00eb shkuar\u00ebn, t\u00eb rinj duken si nj\u00eb nga ne, t\u00eb preksh\u00ebm, t\u00eb demistifikuar, t\u00eb gjall\u00eb.<\/p>\n

E nj\u00ebjta gj\u00eb me nj\u00eb poet rumun shum\u00eb t\u00eb njohur, q\u00eb un\u00eb e kam shum\u00eb p\u00ebrzem\u00ebr, Nichita Stanescu. Ai kishte vdekur n\u00eb momentin kur un\u00eb u njoha me poezin\u00eb e tij, dhe kur kam para nj\u00eb dokumentar me t\u00eb personazh jam ndjer\u00eb shum\u00eb pran\u00eb tij dhe bot\u00ebs s\u00eb tij. K\u00ebt\u00eb desha edhe un\u00eb t\u00eb b\u00ebja, sado elitare \u00ebsht\u00eb poezia, un\u00eb mendoj, q\u00eb \u00ebsht\u00eb k\u00ebtu ku v\u00ebmendja e njer\u00ebzve duhet t\u00eb drejtohet. Duhet t\u00eb njihen gjykimet estetike t\u00eb k\u00ebtyre intelektualeve, me t\u00eb cilat mund t\u00eb bien ose jo dakord, por ato q\u00ebndrojn\u00eb aty si kolona t\u00eb ngritjes s\u00eb civilizimit t\u00eb shoq\u00ebris\u00eb ton\u00eb. Thon\u00eb q\u00eb nj\u00eb lib\u00ebr duhet ta lexosh me t\u00eb nj\u00ebjtin kujdes dhe maturi me t\u00eb cilin \u00ebsht\u00eb shkruar.<\/p>\n

Po, poezia q\u00eb mbart nj\u00eb univers t\u00eb t\u00ebr\u00eb n\u00eb nj\u00ebsi aq t\u00eb shkurt\u00ebr. Ndaj un\u00eb them Ndal, dhe reflekto. P\u00ebrtej k\u00ebsaj, ky dokumentar, erdhi edhe si reagim kund\u00ebr produktit q\u00eb na ofrohet nga media sot, e cila gjithnj\u00eb e m\u00eb shum\u00eb b\u00ebhet trumbete e triviales, banales, antivler\u00ebs, p\u00ebrgjumjes mendore t\u00eb shoq\u00ebris\u00eb ton\u00eb. Procesi i hipnotizimit t\u00eb mendjeve tona vazhdon, shum\u00eb shpejt do t\u00eb gjendemi t\u00eb paralizuar, t\u00eb pamundur p\u00ebr t\u00eb gjykuar vet\u00eb. Un\u00eb nuk dua t\u00eb jem pjes\u00eb e ushtar\u00ebve t\u00eb konformizmit, e ushtar\u00ebve mediatik q\u00eb largojn\u00eb mendjet e njer\u00ebzve nga e bukura, nga arti, nga vullnetarizmi, nga bonsensi dhe mendimi.<\/p>\n

Ky dokumentar shpesh m\u00eb \u00ebsht\u00eb dukur si nj\u00eb mllef i bukur ndaj asaj fasade politike q\u00eb ofron media sot sepse k\u00ebtij populli po i largohet v\u00ebmendja nga gj\u00ebrat esenciale, sepse ai po mbijeton me plehrat q\u00eb po i jep politika. Gjith\u00eb kjo arrakatje drejt pasurimit, e gjitha beh\u00ebt me kok\u00ebn ulur, pa par\u00eb as veten n\u00eb fytyr\u00eb aq m\u00eb pak njer\u00ebzit rreth nesh. Po largohemi nga vetja, nga ajo \u00e7ka na b\u00ebn njer\u00ebz, nga dashuria, nga e bukura, nga mir\u00ebsjellja nga besimi, duke treguar simptomat m\u00eb t\u00eb k\u00ebqija t\u00eb nj\u00eb kapitalizmi t\u00eb keqkuptuar. K\u00ebshtu, endemi fort drejt vetmis\u00eb, konformizmit dhe ftohjes.<\/p>\n

Hyrja dhe p\u00ebrfundimi n\u00eb k\u00ebt\u00eb projekt q\u00eblloi t\u00eb realizohet nj\u00eblloj si\u00e7 e menduat n\u00eb fillim apo ka pasur edhe devijime nga projekti i par\u00eb?<\/strong><\/p>\n

P\u00ebrqasja fillestare drejt k\u00ebtij cikli dokumentar\u00ebsh ishte ideja e realizimit t\u00eb di\u00e7kaje \u201cnga femrat prej femrave\u201d. Shpejt kuptova q\u00eb ishte nj\u00eb qasje jo thelb\u00ebsore. Poezia nuk ka gjini, e as mendimi. Sa m\u00eb shum\u00eb iu afroja bot\u00ebs s\u00eb tyre, aq m\u00eb shum\u00eb i largohesha konceptit t\u00eb par\u00eb q\u00eb kisha krijuar p\u00ebr k\u00ebt\u00eb cik\u00ebl dokumentar\u00ebsh. Me koh\u00ebn kuptova se mund t\u00eb arrija di\u00e7ka m\u00eb t\u00eb r\u00ebnd\u00ebsishme duke nd\u00ebrthurur poezin\u00eb n\u00eb gjendje t\u00eb past\u00ebr me mendimet e tyre mbi shqet\u00ebsimet dhe ngjarjet e koh\u00ebs. Fjala ky\u00e7e \u00ebsht\u00eb\u201cTani\u201d. K\u00ebtu doja t\u00eb mb\u00ebrrija. Nj\u00eb tablo konceptesh p\u00ebr ne, Tani. Duhet th\u00ebn\u00eb edhe se q\u00ebndrimi pran\u00eb tyre m\u00eb d\u00ebrgoi n\u00eb shtigje dhe ide t\u00eb reja.<\/p>\n

Ky cik\u00ebl dokumentar\u00ebsh ka nj\u00eb lloj ndarjeje. Si vjen kjo ndarje dhe a ka detaje t\u00eb tjera q\u00eb mund t\u2019i ndash me ne?<\/strong><\/p>\n

Jan\u00eb shtat\u00eb poetesha. Secil\u00ebs prej tyre i kushtohet nj\u00eb material m\u00eb vete, nj\u00eb bised\u00eb dhe nj\u00eb qasje m\u00eb vete. Secila \u00ebsht\u00eb e ndar\u00eb nga tjetra, por t\u00eb gjitha jan\u00eb t\u00eb barabarta. Minutazhi dhe v\u00ebmendja q\u00eb i kam ofruar nj\u00ebr\u00ebs \u00ebsht\u00eb e nj\u00ebjt\u00eb p\u00ebr t\u00eb gjashta t\u00eb tjerat. Pyetjet jan\u00eb t\u00eb ndryshme, p\u00ebrgjigjet gjithashtu. Nuk flitet p\u00ebr filles\u00ebn e tyre dhe as p\u00ebr detaje biografike. Nuk ka kritik\u00eb t\u00eb poezis\u00eb s\u00eb tyre. Biseda ka ardhur shum\u00eb spontane.<\/p>\n

Takimet jan\u00eb b\u00ebr\u00eb n\u00eb ambiente publike, aty ku ka njer\u00ebz q\u00eb jetojn\u00eb e frymojn\u00eb si \u00e7do dit\u00eb tjet\u00ebr. Ekziston nj\u00eb magji e madhe tek \u201ce pap\u00ebrs\u00ebritshmja\u201d. Ky dokumentar nuk ka dubla, nuk ka p\u00ebrs\u00ebritje imazhi, nuk ka nj\u00eb prov\u00eb t\u00eb dyt\u00eb. Biseda i falet momentit pa nd\u00ebrhyr\u00eb dhe pa b\u00ebr\u00eb p\u00ebrs\u00ebritje. \u00cbsht\u00eb nj\u00eb lloj videoje q\u00eb nuk ka element\u00ebt e dokumentarit q\u00eb na ka ofruar tradita, pra \u00ebsht\u00eb nj\u00eb dokumentar pa elementet e nj\u00eb dokumentari tipik.<\/p>\n

Pse ky titull?<\/strong><\/p>\n

\u201cSibila t\u00eb koh\u00ebs son\u00eb\u201d \u00ebsht\u00eb titulli. Isha n\u00eb dyshim mes k\u00ebtij titulli dhe \u201c7 nuanca t\u00eb s\u00eb v\u00ebrtet\u00ebs\u201d. Zgjodha at\u00eb t\u00eb parin duke e l\u00ebn\u00eb k\u00ebt\u00eb t\u00eb dytin si n\u00ebntitull, n\u00eb p\u00ebrpjekje p\u00ebr t\u00eb mos e zhdukur fare. Sibilat jan\u00eb shk\u00ebputur nga mitologjit\u00eb e bot\u00ebs antike e sidomos greke. Sibilat jan\u00eb orakujt femra. Ato lajm\u00ebrojn\u00eb di\u00e7ka, kan\u00eb z\u00eb dhe pesh\u00eb. Ato jan\u00eb orakuj t\u00eb fateve dhe \u00e7\u00ebshtjeve ekzistenciale.<\/p>\n

P\u00ebr \u00e7far\u00eb i keni pyetur k\u00ebto shkrimtare?<\/strong><\/p>\n

Pyetjet jan\u00eb shk\u00ebputur nga nj\u00eb gam\u00eb e gjer\u00eb q\u00eb i p\u00ebrkasin \u00e7\u00ebshtjeve ekzistenciale. Estetika, etika, dashuria, historia, lindja, vdekja e gjith\u00e7ka tjet\u00ebr q\u00eb p\u00ebrb\u00ebn jet\u00ebn e njeriut. Ekzistenca dhe raporti i tyre me koh\u00ebn, besimin apo instinktet. Ato jan\u00eb prej mishi, nj\u00eblloj si t\u00eb gjith\u00eb ne. Kam mundur t\u2019i pyes p\u00ebr kaosin q\u00eb ofron bota moderne apo ku po shkon koncepti i familjes sot. T\u00eb gjitha pyetjet ndryshojn\u00eb nga nj\u00ebra poete tek tjetra. P\u00ebr shembull, Luljeta Lleshananklun e kam pyetur p\u00ebr vler\u00ebsimet historis\u00eb, koh\u00ebs, t\u00eb kaluar\u00ebs, p\u00ebr konceptin e s\u00eb drejt\u00ebs.<\/p>\n

K\u00ebt\u00eb pyetje nuk e p\u00ebrdora kur bisedoja m\u00eb Mimoza Ahmetin. Me Rita Petron kemi folur p\u00ebr erosin, familje, \u00e7iftet dhe p\u00ebr dashurin\u00eb. E bukura q\u00ebndron se n\u00eb k\u00ebto biseda ato nuk e shohin veten si femra krijuese, por si njer\u00ebz t\u00eb nj\u00eb bote si e jona, njer\u00ebz q\u00eb i z\u00eb syri \u00e7do dit\u00eb plehra dhe padrejt\u00ebsi. Ato jetojn\u00eb dhe flasin p\u00ebr t\u00eb nj\u00ebjt\u00ebn bot\u00eb q\u00eb jetojm\u00eb t\u00eb gjith\u00eb ne, p\u00ebr bot\u00ebn shqiptare. T\u00eb gjitha flasin me nj\u00eb gjuh\u00eb t\u00eb past\u00ebr e t\u00eb thjesht\u00eb, gjuh\u00ebn q\u00eb ofron shoq\u00ebria shqiptare sot.<\/p>\n

Cila ishte biseda m\u00eb e ngroht\u00eb? Cila dinte t\u00eb luante m\u00eb kamer\u00ebn? Udh\u00ebtimi m\u00eb i bukur?<\/strong><\/p>\n

Me Rita Petron kemi qen\u00eb tek Metalurgjiku, n\u00eb Elbasan. Un\u00eb madje nuk dija as si t\u2019ia shpjegoja pse ishim aty. Poezia e saj m\u00eb ofronte di\u00e7ka potente dhe t\u00eb eg\u00ebr, gj\u00eb q\u00eb un\u00eb e lidhja me llav\u00ebn q\u00eb dilte p\u00ebr t\u00eb shkrir\u00eb hekura, nj\u00eb llav\u00eb shkat\u00ebrruese q\u00eb t\u00eb kujton furrat e Aushvicit. Ky \u00ebsht\u00eb nj\u00eb udh\u00ebtim shum\u00eb i bukur. Kur u nisa, nuk isha kaq i sigurt p\u00ebr bukurin\u00eb q\u00eb do t\u00eb na ofronte ky udh\u00ebtim. Me Luljeta Danon kam b\u00ebr\u00eb nj\u00eb udh\u00ebtim q\u00eb nuk do ta kisha menduar kurr\u00eb p\u00ebr nj\u00eb vajz\u00eb q\u00eb gjithmon\u00eb m\u00eb \u00ebsht\u00eb dukur e ndrojtur. Ajo tregohet shum\u00eb shum\u00eb e \u00e7lir\u00ebt dhe e zakonshme n\u00eb bised\u00eb, kemi qen\u00eb n\u00eb vende t\u00eb panjohura p\u00ebr t\u00eb dy si n\u00eb gjeografi e n\u00eb besim e bot\u00ebkuptim.<\/p>\n

Sipas saj \u00e7do gj\u00eb, madje dhe universi e ka zanafill\u00ebn tek dashuria. Me Mimoza Ahmetin koh\u00ebn nuk e kishim n\u00eb dispozicionin ton\u00eb. At\u00eb e th\u00ebrrisnin pun\u00ebt n\u00eb Kanada. Ajo nuk heziton t\u00eb k\u00ebndoj\u00eb nj\u00eb k\u00ebng\u00eb n\u00eb cepin e nj\u00eb lokali, nj\u00eb k\u00ebng\u00eb vet\u00ebm p\u00ebr dokumentarin tim. Olimbi Velaj nga ana tjet\u00ebr t\u00eb ofron nj\u00eb bised\u00eb konkrete, t\u00eb misht\u00eb, t\u00eb prekshme e madje shum\u00eb serioze, q\u00eb n\u00eb sekondat e para ndiheshe si krijohej nj\u00eb miq\u00ebsi me t\u00eb. Luljeta Lleshanakun e p\u00ebrmenda pak m\u00eb sip\u00ebr p\u00ebr imazhin q\u00eb t\u00eb ofron vet\u00eb ajo dhe arti i saj, nj\u00eb yj\u00ebsi imazhesh t\u00eb jasht\u00ebzakonshme.<\/p>\n

Me Ledia Dushin kemi udh\u00ebtuar deri n\u00eb Zogaj, n\u00eb liqenin e Shkodr\u00ebs. Aty zbulova se ajo k\u00ebndonte shum\u00eb bukur, sidomos k\u00ebng\u00ebt qytetare shkodrane. Ajo nuk ishte m\u00eb poetesha q\u00eb un\u00eb njihja, nj\u00eb fem\u00ebr shum\u00eb emotive. Dhe aty n\u00eb nj\u00eb udh\u00ebtim si ky ne mund\u00ebm t\u00eb flisnim p\u00ebr v\u00ebshtir\u00ebsit\u00eb e t\u00eb pun\u00ebsuarit, p\u00ebr v\u00ebshtir\u00ebsit\u00eb e t\u00eb siguruarit te jetes\u00ebs. Flutura vjen si nj\u00eb kapedane n\u00eb k\u00ebt\u00eb dokumentar. Un\u00eb isha i bindur se gj\u00ebrat nuk i vinin n\u00eb m\u00ebnyr\u00eb rast\u00ebsore, por ajo i zgjidhte. Ajo m\u00eb tregoi se p\u00ebr t\u00eb pasur nj\u00eb grad\u00eb t\u00eb atill\u00eb lirie duhet t\u00eb luftosh q\u00eb ta fitosh at\u00eb. Rita me mahniti me leht\u00ebsin\u00eb q\u00eb t\u00eb krijonte ajo vajz\u00eb p\u00ebr t\u00eb komunikuar e p\u00ebr t\u00eb folur edhe p\u00ebr gj\u00ebrat m\u00eb t\u00eb fshehta t\u00eb shpirtit.<\/p>\n

Cilat jan\u00eb v\u00ebshtir\u00ebsit\u00eb q\u00eb kan\u00eb lindur gjat\u00eb realizimit t\u00eb k\u00ebtij cikli dokumentar\u00ebsh?<\/strong><\/p>\n

Ky cik\u00ebl dokumentar\u00ebsh \u00ebsht\u00eb prodhim i \u201cDigitalb\u201d e do t\u00eb jepet s\u00eb shpejti n\u00eb kanalin \u201cT\u201d. Un\u00eb kam pasur me k\u00ebt\u00eb platform\u00eb dixhitale edhe bashk\u00ebpunime t\u00eb tjera. Jam i lumtur q\u00eb m\u00eb kan\u00eb l\u00ebn\u00eb liri dhe hap\u00ebsir\u00eb t\u00eb k\u00ebnaqshme p\u00ebr t\u00eb realizuar idet\u00eb e mia, duke besuar ne vizionin tim. Nd\u00ebrsa, p\u00ebr sa i p\u00ebrket realizimit sigurisht q\u00eb ka v\u00ebshtir\u00ebsi. Stili i pun\u00ebs \u00ebsht\u00eb si doku verite, jemi 3 veta me mjete teknike disi t\u00eb limituara q\u00eb organizojm\u00eb dhe realizojm\u00eb xhirimet. Me k\u00ebto zonja t\u00eb poezis\u00eb, jam kuptuar p\u00ebr mrekulli q\u00eb kur jam prezantuar, por v\u00ebshtir\u00ebsit\u00eb lind\u00ebn p\u00ebr trajtimin filmik t\u00eb poezis\u00eb s\u00eb secil\u00ebs. T\u00eb marr si shembull Luljeta Lleshanakun. Poezia e saj, sipas meje ka nj\u00eb aft\u00ebsi t\u00eb jasht\u00ebzakonshme p\u00ebr ta mbushur mendjen t\u00ebnde me imazhe. Imagjinata jote fillon e i n\u00ebnshtrohet fjal\u00ebve t\u00eb saj vizualisht, te dikton.<\/p>\n

Mir\u00ebpo, mua m\u00eb duhet t\u00eb gjej nj\u00eb imazh p\u00ebrtej asaj q\u00eb p\u00ebrcjell poezia e saj. Dhe un\u00eb e kam ndier veten ngusht\u00eb kur jam v\u00ebn\u00eb n\u00eb k\u00ebrkim t\u00eb nj\u00eb imazhi m\u00eb t\u00eb lart\u00eb artistikisht se sa ai q\u00eb ofron poezia e saj. Nga ana tjet\u00ebr, Flutura ka nj\u00eb rebelim poetik me p\u00ebrmasa t\u00eb m\u00ebdha. Gjith\u00eb ai vrull duhet nxjerr\u00eb n\u00eb pah. Ndoshta nuk duket e v\u00ebshtir\u00eb me fjal\u00eb, por t\u00eb gjesh elementet e duhur p\u00ebr t\u00eb nxjerr\u00eb n\u00eb pah vrullin e A\u00e7k\u00ebs nuk \u00ebsht\u00eb edhe aq e thjesht\u00eb. Ashtu si edhe p\u00ebrshtatja e montazhit me materialet e filmuara p\u00ebr secil\u00ebn p\u00ebr k\u00ebto shkrimtare.<\/p>\n

Si e shihni dokumentarin sot dhe nes\u00ebr?<\/strong><\/p>\n

P\u00ebr mua dokumentari \u00ebsht\u00eb nj\u00eb thesar q\u00eb mund t\u00eb p\u00ebrmbaj\u00eb vlera t\u00eb jasht\u00ebzakonshme artistike dhe q\u00eb mund t\u00eb realizohet me fonde t\u00eb vogla. Dokumentari nuk t\u00eb kufizon n\u00eb nivelin artistik, nuk ka sekonda t\u00eb blera shum\u00eb shtrenjt\u00eb. \u00c7do dokumentar \u00ebsht\u00eb nj\u00eb udh\u00ebtim shpirt\u00ebror, \u00ebsht\u00eb nj\u00eb bibliotek\u00eb njohjesh dhe p\u00ebrjetimesh. Ai \u00ebsht\u00eb st\u00ebrvitja q\u00eb i b\u00ebhet trurit p\u00ebr t\u00eb qen\u00eb i p\u00ebrgatitur p\u00ebr filmin. Por, dokumentari sot t\u00ebrhiqet prej hund\u00ebsh nga m\u00ebnyra se si e trajton media. Dokumentari \u00ebsht\u00eb nj\u00eb gjini e fort\u00eb, godit\u00ebse, duhet trajtuar si e till\u00eb. Gjith\u00e7ka varet nga marketingu, si \u00e7do cop\u00ebz tjet\u00ebr e artit n\u00eb Shqip\u00ebri.<\/p>\n

\/Shekulli Print\/Luela Myftari\/<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2022Nisja, ideja, v\u00ebshtir\u00ebsit\u00eb dhe p\u00ebrfundimi i nj\u00eb cikli dokumentar\u00ebsh p\u00ebr shtat\u00eb shkrimtare bashkohore shqiptare. Kelmend Karuni udh\u00ebton me Luljeta Danon, Mimoza Ahmetin, Ledia Dushin, Flutura A\u00e7kan, Rita Petron, Luljeta Lleshanakun dhe Olimbi Velajn. Shekulli, 07.01.2013 Sibila t\u00eb koh\u00ebs son\u00eb, ky \u00ebsht\u00eb titulli i nj\u00eb cikli dokumentar\u00ebsh nga Kelmend Karuni, q\u00eb pritet t\u00eb shfaqet s\u00eb shpejti. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,7,9],"tags":[],"yoast_head":"\nFlasin shtat\u00eb sibila t\u00eb koh\u00ebs son\u00eb - FjALA e LIR\u00cb - Arkivi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fjala.info\/2009-2015\/flasin-shtate-sibila-te-kohes-sone\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flasin shtat\u00eb sibila t\u00eb koh\u00ebs son\u00eb - FjALA e LIR\u00cb - Arkivi\" \/>\n<meta property=\"og:description\" content=\"\u2022Nisja, ideja, v\u00ebshtir\u00ebsit\u00eb dhe p\u00ebrfundimi i nj\u00eb cikli dokumentar\u00ebsh p\u00ebr shtat\u00eb shkrimtare bashkohore shqiptare. 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